Implicit structures and explicit interactions: Pierre Bourdieu and the history of the book

Library

Volumn 19, Issue 2, 1997, Pages 7-120

  McDonald, Peter D ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0040058721     PISSN: 00242160     EISSN: None     Source Type: Journal    
DOI: 10.1093/library/19.2.105     Document Type: Article

References (45)

1. Textual Criticism and Literary Interpretation, ed. by Jerome J. McGann (Chicago, 1985), p. 180.
2. Fredson Bowers, Textual and Literary Studies (Cambridge, 1966), pp. 6-8 and passim.
3. Ibid., p. 2.
4. Ibid.
5. Ibid., p. 3.
6. Ibid., p. 2.
7. Ibid., p. 12.
8. McGann, Textual Criticism, p. 188.
9. Ibid., pp. 190-91.
10. D. F. McKenzie, 'Typography and Meaning: The Case of William Congreve', Wolfenbütteler Schriften zur Geschichte des Buchwesens, 4 (Hamburg, 1981), pp. 88 and 99.
11. McGann, Textual Criticism, p. 191; and McKenzie, 'Typography and Meaning', pp. 99 and 105.
12. McGann, Textual Criticism, p. 191; and McKenzie, 'Typography and Meaning', pp. 99 and 105.
13. McGann, Textual Criticism, pp. 191-92.
14. Ibid., p. 189.
15. Robert Darnton, 'What is the History of Books?', The Kiss of Lamourette (London, 1990), p. 109. This essay, which has been frequently reprinted, first appeared in Daedalus (Summer 1982), pp. 65-83.
16. Robert Darnton, 'What is the History of Books?', The Kiss of Lamourette (London, 1990), p. 109. This essay, which has been frequently reprinted, first appeared in Daedalus (Summer 1982), pp. 65-83.
17. Roger Chartier, 'Labourers and Voyagers: From the Text to the Reader', reprinted in Readers and Reading, ed. by Andrew Bennett (London, 1995), p. 137. This essay first appeared in Diacritics, 22:2 (1992), pp. 49-61.
18. Roger Chartier, 'Labourers and Voyagers: From the Text to the Reader', reprinted in Readers and Reading, ed. by Andrew Bennett (London, 1995), p. 137. This essay first appeared in Diacritics, 22:2 (1992), pp. 49-61.
19. Darnton, 'What is the History of Books', p. 110.
20. Ibid.
21. Ibid.
22. Ibid., p. 135.
23. Ibid.
24. Ibid., p. 111.
25. Ibid.
26. Pierre Bourdieu, The Field of Cultural Production, ed. by Randal Johnson (Cambridge, 1993), pp. 181-82.
27. Ibid., p. 182.
28. Leopold Wagner, How to Publish (London, 1898), pp. 56-57.
29. Bourdieu, The Field, p. 37.
30. Ibid., p. 78.
31. Ibid., p. 179.
32. Michel Foucault, The Archaeology of Knowledge, trans. by A. M. Sheridan Smith (London, 1972), pp. 36-37.
33. Bourdieu, The Field, p. 53.
34. Ibid., pp. 115-31.
35. Oscar Wilde, The Picture of Dorian Gray (Harmondsworth, 1985), p. 3.
36. Bourdieu, The Field, p. 53.
37. W. B. Yeats, 'The Grey Rock', Collected Poems (1933; London, 1982), pp. 115-17.
38. W. B. Yeats, ed., The Oxford Book of Modern Verse (Oxford, 1936), p. ix.
39. Roland Barthes, Image Music Text (London, 1977), p. 146.
40. Ibid., p. 147.
41. Unsigned, 'The Decay of Fiction', The National Observer, 27 May 1893, p. 37. The weekly was then under W. E. Henley's commanding editorship.
42. W. B. Yeats, Autobiographies (London, 1955), p. 153.
43. Bourdieu, The Field, p. 46.
44. Ibid., p. 190.
45. Friedrich Nietzsche, The Birth of Tragedy and The Genealogy of Morals, trans. by Francis Golffing (New York, 1956), p. 209.