-
1
-
-
0026471285
-
An efficient algorithm for the calculation of the constant-Q transform
-
Brown, J. C., and M. S. Puckette. 1992. "An Efficient Algorithm for the Calculation of the Constant-Q Transform." Journal of the Acoustical Society of America 92(3):2698-2701.
-
(1992)
Journal of the Acoustical Society of America
, vol.92
, Issue.3
, pp. 2698-2701
-
-
Brown, J.C.1
Puckette, M.S.2
-
3
-
-
0040125969
-
Timbre and the perceptual effects of three types of data reduction
-
Charbonneau, G. R. 1981. "Timbre and the Perceptual Effects of Three Types of Data Reduction." Computer Music Journal 5(2):10-19.
-
(1981)
Computer Music Journal
, vol.5
, Issue.2
, pp. 10-19
-
-
Charbonneau, G.R.1
-
4
-
-
0040117740
-
Simulating an organ with additive synthesis
-
Comerford, P. 1993. "Simulating an Organ with Additive Synthesis." Computer Music Journal 17(2):55-65.
-
(1993)
Computer Music Journal
, vol.17
, Issue.2
, pp. 55-65
-
-
Comerford, P.1
-
6
-
-
85159723148
-
Synthesis and control of hundreds of sinusoidal partials on a desktop computer without custom hardware
-
San Francisco: International Computer Music Association
-
Freed, A., X. Rodet, and P. Depalle. 1993. "Synthesis and Control of Hundreds of Sinusoidal Partials on a Desktop Computer without Custom Hardware." Proceedings of the 1993 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 98-101.
-
(1993)
Proceedings of the 1993 International Computer Music Conference
, pp. 98-101
-
-
Freed, A.1
Rodet, X.2
Depalle, P.3
-
7
-
-
5644237214
-
Acoustical quanta and the theory of hearing
-
Gabor, D. 1947. "Acoustical Quanta and the Theory of Hearing." Nature 159(4044):591-592.
-
(1947)
Nature
, vol.159
, Issue.4044
, pp. 591-592
-
-
Gabor, D.1
-
9
-
-
0040711529
-
Overlap-add synthesis of nonstationary sinusoids
-
San Francisco: International Computer Music Association
-
Goodwin, M., and A. Kogon. 1995. "Overlap-Add Synthesis of Nonstationary Sinusoids." Proceedings of the 1995 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 355-356.
-
(1995)
Proceedings of the 1995 International Computer Music Conference
, pp. 355-356
-
-
Goodwin, M.1
Kogon, A.2
-
10
-
-
0040711528
-
Efficient fourier synthesis of nonstationary sinusoids
-
San Francisco: International Computer Music Association
-
Goodwin, M., and X. Rodet. 1994. "Efficient Fourier Synthesis of Nonstationary Sinusoids." Proceedings of the 1994 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 333-334.
-
(1994)
Proceedings of the 1994 International Computer Music Conference
, pp. 333-334
-
-
Goodwin, M.1
Rodet, X.2
-
11
-
-
0017391270
-
Perceptual evaluation of synthesized musical instrument tones
-
Grey, J., and J. Moorer. 1977. "Perceptual Evaluation of Synthesized Musical Instrument Tones." Journal of the Acoustical Society of America 62:454-462.
-
(1977)
Journal of the Acoustical Society of America
, vol.62
, pp. 454-462
-
-
Grey, J.1
Moorer, J.2
-
12
-
-
0026923689
-
Computational methods for real-time fourier synthesis
-
Haken, L. 1992. "Computational Methods for Real-Time Fourier Synthesis." IEEE Transactions on Signal Processing 40(2):2327-2329.
-
(1992)
IEEE Transactions on Signal Processing
, vol.40
, Issue.2
, pp. 2327-2329
-
-
Haken, L.1
-
14
-
-
0038933597
-
Genetic algorithm optimization of additive synthesis envelope breakpoints and group synthesis parameters
-
San Francisco: International Computer Music Association
-
Horner, A., and N. Cheung. 1995. "Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters." Proceedings of the 1995 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 215-222.
-
(1995)
Proceedings of the 1995 International Computer Music Conference
, pp. 215-222
-
-
Horner, A.1
Cheung, N.2
-
16
-
-
0029276150
-
Ten criteria for evaluating digital synthesis techniques
-
Jaffe, D. A. 1995. "Ten Criteria for Evaluating Digital Synthesis Techniques." Computer Music Journal 19(1):76-87.
-
(1995)
Computer Music Journal
, vol.19
, Issue.1
, pp. 76-87
-
-
Jaffe, D.A.1
-
17
-
-
0039526121
-
Sine circuitu, 10,000 high-quality sine waves without detours
-
San Francisco: International Computer Music Association
-
Jansen, C. 1991. "Sine Circuitu, 10,000 High-Quality Sine Waves without Detours." Proceedings of the 1991 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 222-225.
-
(1991)
Proceedings of the 1991 International Computer Music Conference
, pp. 222-225
-
-
Jansen, C.1
-
18
-
-
0002667379
-
Group additive synthesis
-
Kleczkowski, P. 1989. "Group Additive Synthesis." Computer Music Journal 13(1):12-20.
-
(1989)
Computer Music Journal
, vol.13
, Issue.1
, pp. 12-20
-
-
Kleczkowski, P.1
-
19
-
-
0038933596
-
Resource allocation in an additive synthesis system for audio waveform generation
-
San Francisco: International Computer Music Association
-
Marks, M. A. 1988. "Resource Allocation in an Additive Synthesis System for Audio Waveform Generation." Proceedings of the 1988 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 378-382.
-
(1988)
Proceedings of the 1988 International Computer Music Conference
, pp. 378-382
-
-
Marks, M.A.1
-
21
-
-
0004083733
-
-
Englewood Cliffs, New Jersey: Prentice-Hall
-
Moore F. R. 1990. Elements of Computer Music. Englewood Cliffs, New Jersey: Prentice-Hall.
-
(1990)
Elements of Computer Music
-
-
Moore F, R.1
-
26
-
-
0040711521
-
On an efficient VLSI architecture for the multirate additive synthesis of musical tones
-
Phillips, D. K., A. Purvis, and S. Johnson. 1997. "On an Efficient VLSI Architecture for the Multirate Additive Synthesis of Musical Tones." Euromicro Journal of Systems Architecture 43:337-340.
-
(1997)
Euromicro Journal of Systems Architecture
, vol.43
, pp. 337-340
-
-
Phillips, D.K.1
Purvis, A.2
Johnson, S.3
-
28
-
-
0040117734
-
A new additive synthesis method using inverse fast fourier transform and spectral envelopes
-
San Francisco: International Computer Music Association
-
Rodet, X., and P. Depalle. 1992. "A New Additive Synthesis Method using Inverse Fast Fourier Transform and Spectral Envelopes." Proceedings of the 1992 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 410-411.
-
(1992)
Proceedings of the 1992 International Computer Music Conference
, pp. 410-411
-
-
Rodet, X.1
Depalle, P.2
-
29
-
-
84949546041
-
A library of orchestral instrument spectra
-
San Francisco: International Computer Music Association
-
Sandell, G. J. 1991. "A Library of Orchestral Instrument Spectra." Proceedings of the 1991 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 98-101.
-
(1991)
Proceedings of the 1991 International Computer Music Conference
, pp. 98-101
-
-
Sandell, G.J.1
-
30
-
-
0038933592
-
A simple data reduction scheme for additive synthesis
-
Sasaki, L. H., and K. C. Smith. 1980. "A Simple Data Reduction Scheme for Additive Synthesis." Computer Music Journal 4(1):22-24.
-
(1980)
Computer Music Journal
, vol.4
, Issue.1
, pp. 22-24
-
-
Sasaki, L.H.1
Smith, K.C.2
-
31
-
-
0021386177
-
Dynamic timbre control for real-time digital synthesis
-
Schindler, K. W. 1984. "Dynamic Timbre Control for Real-Time Digital Synthesis." Computer Music Journal 8(1):28-42.
-
(1984)
Computer Music Journal
, vol.8
, Issue.1
, pp. 28-42
-
-
Schindler, K.W.1
-
32
-
-
0005546414
-
Viewpoints on the history of digital synthesis
-
San Francisco: International Computer Music Association
-
Smith, J. O. 1991. "Viewpoints on the History of Digital Synthesis." Proceedings of the 1991 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 1-10.
-
(1991)
Proceedings of the 1991 International Computer Music Conference
, pp. 1-10
-
-
Smith, J.O.1
-
33
-
-
0040711518
-
Design of a digital oscillator that will generate up to 256 low-distortion sine waves in real time
-
Snell, J. 1977. "Design of a Digital Oscillator that will Generate up to 256 Low-Distortion Sine Waves in Real Time." Computer Music Journal 1(2):4-25.
-
(1977)
Computer Music Journal
, vol.1
, Issue.2
, pp. 4-25
-
-
Snell, J.1
-
34
-
-
0040711517
-
Approximation and syntactic analysis of amplitude and frequency functions for digital sound synthesis
-
Strawn, J. 1980. "Approximation and Syntactic Analysis of Amplitude and Frequency Functions for Digital Sound Synthesis." Computer Music Journal 4(3).
-
(1980)
Computer Music Journal
, vol.4
, Issue.3
-
-
Strawn, J.1
|