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Volumn 36, Issue 2, 1999, Pages 198-216

Authorizing art: The effect of multimedia formats on the museum experience

Author keywords

[No Author keywords available]

Indexed keywords


EID: 0039136281     PISSN: 00084948     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article
Times cited : (5)

References (44)
  • 8
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    • I. Karp and S. Lavine (eds.). Washington, D.C.: Smithsonian Institution Pr.
    • Crew, S. and J. Sims. 1991. "Locating authenticity: Fragments of a dialogue." In Exhibiting Cultures: The Poetics and Politics of Museum Display. I. Karp and S. Lavine (eds.). Washington, D.C.: Smithsonian Institution Pr., pp. 159-75.
    • (1991) Exhibiting Cultures: The Poetics and Politics of Museum Display , pp. 159-175
    • Crew, S.1    Sims, J.2
  • 9
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    • Art museums and the ritual of citizenship
    • I. Karp and S. Lavine (eds.). Washington: Smithsonian Institution Pr.
    • Duncan, C. 1991. "Art museums and the ritual of citizenship." In Exhibiting Cultures: The Poetics and Politics of Museum Display. I. Karp and S. Lavine (eds.). Washington: Smithsonian Institution Pr., pp. 88-103.
    • (1991) Exhibiting Cultures: The Poetics and Politics of Museum Display , pp. 88-103
    • Duncan, C.1
  • 12
    • 0040302179 scopus 로고
    • An institutional perspective on news media access and control
    • M. Aldridge and N. Hewitt (eds.). Manchester: Univ. of Manchester Pr.
    • Ericson, R. 1994. "An institutional perspective on news media access and control." In Controlling Broadcasting: Access Policy and Practice in North America and Europe. M. Aldridge and N. Hewitt (eds.). Manchester: Univ. of Manchester Pr., pp. 108-33.
    • (1994) Controlling Broadcasting: Access Policy and Practice in North America and Europe , pp. 108-133
    • Ericson, R.1
  • 19
    • 0002513873 scopus 로고
    • The order of discourse
    • Tr. I. McLeod. R. Young (ed.). London: Routledge and Kegan Paul
    • Foucault, M. 1981. "The order of discourse." In Untying the Text: A Post-Structuralist Reader. Tr. I. McLeod. R. Young (ed.). London: Routledge and Kegan Paul, pp. 48-78.
    • (1981) Untying the Text: A Post-Structuralist Reader , pp. 48-78
    • Foucault, M.1
  • 28
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    • Misplacing memory: The effect of television format on Holocaust remembrance
    • Lisus, N. and R. Ericson. 1995. "Misplacing memory: The effect of television format on Holocaust remembrance." British Journal of Sociology, Vol. 45, No. 1, pp. 1-19.
    • (1995) British Journal of Sociology , vol.45 , Issue.1 , pp. 1-19
    • Lisus, N.1    Ericson, R.2
  • 29
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    • Introduction
    • S. Macdonald and G. Fyfe (eds.). Oxford: Blackwell
    • Macdonald, S. 1996. "Introduction." In Theorizing Museums. S. Macdonald and G. Fyfe (eds.). Oxford: Blackwell, pp. 1-18.
    • (1996) Theorizing Museums , pp. 1-18
    • Macdonald, S.1
  • 31
    • 0039118136 scopus 로고
    • The (almost) invisible candidate: A case study of news judgment as political censorship
    • M. Aldridge and N. Hewitt (eds.). Manchester: Univ. of Manchester Pr.
    • Meyrowitz, J. 1994. "The (almost) invisible candidate: A case study of news judgment as political censorship." In Controlling Broadcasting: Access Policy and Practice in North America and Europe. M. Aldridge and N. Hewitt (eds.). Manchester: Univ. of Manchester Pr., pp. 93-107.
    • (1994) Controlling Broadcasting: Access Policy and Practice in North America and Europe , pp. 93-107
    • Meyrowitz, J.1
  • 33
    • 0007194666 scopus 로고
    • Theories of consumption in media studies
    • D. Miller (ed.). London: Routledge
    • Morley, D. 1995. "Theories of consumption in media studies." In Acknowledging Consumption. D. Miller (ed.). London: Routledge, pp. 296-28.
    • (1995) Acknowledging Consumption , pp. 296-328
    • Morley, D.1
  • 36
    • 0040896201 scopus 로고
    • The culture of consumption: Design museums as tastemakers or educators?
    • R. Keat, N. Whiteley and N. Abercrombie (eds.). London: Routledge
    • Rees, H. 1994. "The culture of consumption: Design museums as tastemakers or educators?" In The Authority of the Consumer. R. Keat, N. Whiteley and N. Abercrombie (eds.). London: Routledge, pp. 154-65.
    • (1994) The Authority of the Consumer , pp. 154-165
    • Rees, H.1
  • 42
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    • Disfigured nature: The origins of the modern Canadian landscape
    • D. Augaitis and H. Pakasaar (eds.). Banff: Walter Phillips Gallery
    • Watson, S. 1991a. "Disfigured nature: The origins of the modern Canadian landscape." In The Eye of Nature. D. Augaitis and H. Pakasaar (eds.). Banff: Walter Phillips Gallery, pp. 103-12.
    • (1991) The Eye of Nature , pp. 103-112
    • Watson, S.1
  • 43
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    • Race, wilderness, territory and the origins of modern Canadian landscape painting
    • Watson, S. 1991b. "Race, wilderness, territory and the origins of modern Canadian landscape painting." Semiotexte, Vol. 6, No. 1, pp. 95-104.
    • (1991) Semiotexte , vol.6 , Issue.1 , pp. 95-104
    • Watson, S.1
  • 44
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    • The value of narrativity in the representation of reality
    • W. Mitchell (ed.). Chicago: Univ. of Chicago Pr.
    • White, H. 1980. "The value of narrativity in the representation of reality." In On Narrative. W. Mitchell (ed.). Chicago: Univ. of Chicago Pr., pp. 1-24.
    • (1980) On Narrative , pp. 1-24
    • White, H.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.