Why Mozart and not Salieri

Creativity Research Journal

Volumn 12, Issue 1, 1999, Pages 67-76

  Therivel, William A ^a,b  

^a UNIVERSITY OF HOUSTON   (United States)

^b NONE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0039000361     PISSN: 10400419     EISSN: None     Source Type: Journal    
DOI: 10.1207/s15326934crj1201_8     Document Type: Article

References (31)

1. Albert, R. S. (1983). Family position and the attainment of eminence. In R. S. Albert (Ed.), Genius and eminence: The social psychology of creativity and achievement (pp. 141-154). Elmsford, NY: Pergamon.
2. Braunbehrens, V. (1992). Maligned master: The real story of Antonio Salieri. New York: Fromm International.
3. Byron, W. (1979). Cervantes: A biography. London: Cassell
4. Csikszentmihalyi, M., & Csikszentmihalyi, I. S. (Eds.). (1988). Optimal experience: Psychological studies of flow in consciousness. Cambridge, England: Cambridge University Press.
5. Donaldson, I. (1996, February 9). The brasher of gentlemen's clothes. Times Literary Supplement, p. 27.
6. Einstein, A. (1946). Mozart: His character, his work. London: Cassell.
7. Elias, N. (1993). Mozart: Zur soziologie eines genies [Mozart: On the sociology of a genius]. Frankfurt, Germany: Suhrkamp.
8. Erikson, E. H. (1963). Childhood and society. New York: Norton.
9. Gilot, F., & Lake, C. (1964). Life with Picasso. New York: McGraw-Hill.
10. Griffith, P. J. (1994, June/July). Why we need interreligious polemics. First Things, pp. 31-37.
11. Grober, H. E. (1981). Darwin on man: A psychological study of scientific creativity. Chicago: University of Chicago Press.
12. Gruber, H. E. (1986). The self-construction of the extraordinary. In R. J. Sternberg & J. E. Davidson (Eds.), Conceptions of giftedness (pp. 247-263). New York: Cambridge University Press.
13. Hutchings, A. (1976). Mozart: The man, the musician. New York: Macmillan.
14. Jahn, O. (1900). Life of Mozart. New York: Edwin F. Kalmus.
15. Jones, E. (1953). The life and work of Sigmund Freud. New York: Basic Books.
16. Kerst, F. (1965). Mozart: The man and the artist revealed in his own words. New York: Dover.
17. Koestler, A. (1964). The act of creation. New York: Macmillan.
18. Koestler, A. (1967). The ghost in the machine. London: Hutchinson.
19. Mersmann, H. (Ed.). (1972). Letters of Wolfgang Amadeus Mozart. New York: Dover.
20. Nelson, K. (1986). Event knowledge. Hillsdale, NJ: Lawrence Erlbaum Associates, Inc.
21. Solomon, M. (1995). Mozart: A life. New York: Harper Collins.
22. Southam, B. C. (1978). Austen Jane. In Encyclopaedia Britannica (15th ed., Vol. 2, pp. 377-380). Chicago: Encyclopaedia Britannica.
23. Sternberg, R. J. (1988). The triarchic mind: A new theory of human intelligence. New York: Viking.
24. Sternberg, R. J. (1993). In search of the secret garden. Creativity Research Journal, 6, 479-481.
25. Sternberg, R. J., & Lubart, T. J. (1996). Investing in creativity. American Psychologist, 51, 677-688.
26. Thayer, A. W. (1989). Salieri: Rival of Mozart. Kansas City, MO: Philharmonia of Greater Kansas City.
27. Therivel, W. A. (1993). The challenged personality as a precondition for sustained creativity. Creativity Research Journal, 6, 413-424.
28. Therivel, W. A. (1995). Long-term effect of power on creativity. Creativity Research Journal, 8, 173-192.
29. Therivel, W. A. (1996). Are eccentrics creative? On Weeks and James's Eccentrics. Creativity Research Journal, 9, 289-290.
30. Therivel, W. A. (1999). Why are eccentrics no eminently creative? Creativity Research Journal, 12, 47-55.
31. Whitman, A. (1973, April 9). Picasso: Protean and prodigious, the greatest single force in 70 years of art. New York Times, pp. 45-47.