Walt's Street and Wall Street: Theming, theater, and experience in finance

Critical Perspectives on Accounting

Volumn 14, Issue 6, 2003, Pages 647-661

  McGoun, Elton G ^a   Dunkak, William H ^a   Bettner, Mark S ^a   Allen, Douglas E ^a  

^a BUCKNELL UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0038687626     PISSN: 10452354     EISSN: None     Source Type: Journal    
DOI: 10.1016/S1045-2354(02)00184-3     Document Type: Article

References (29)

1. Allen, D. E.&McGoun, E. G., "Hedonic Investment", Financial Services Review, Vol. 9, 2001, pp. 389-403.
2. Baudrillard, J., in Mark Poster (ed.), Selected Writings (Stanford, CA: Stanford University Press, 1988).
3. Bentley, E., The Life of the Drama (New York: Atheneum, 1975).
4. Bourdieu, P., The Logic of Practice (Stanford, CA: Stanford University Press, 1990).
5. Bruner, J., Actual Minds, Possible Worlds (Cambridge, MA: Harvard University Press, 1986).
6. Burke, K., A Grammar of Motives (Berkeley, CA: University of California Press, 1969).
7. Burns, T. R., Baumgartner, T.&Deville, P., Man, Decisions, Society: The Theory of Actor-Systems Dynamics for Social Scientists (New York: Gordon and Breach Science Publishers, 1985).
8. Clarke, F. L., Craig, R. J.&Amernic, J. H., "Theatre and Intolerance in Financial Accounting Research", Critical Perspectives on Accounting, Vol. 10, 1999, pp. 65-88.
9. Davis, S. G., "R&D for Social Life: Entertainment Retail and the City", in Let's Entertain: Life's Guilty Pleasures, pp. 132-160 (Minneapolis: Walker Art Center, 2000).
10. Dickson, E. J., "Who's Afraid of the Big Bad Mouse?", The Sunday Times Magazine, March 28, 1993, pp. 30-34.
11. Dunlop, B., Building a Dream: The Art of Disney Architecture (New York: Harry N. Abrams, Inc., 1996).
12. Gardner, D.&Gardner, T., The Motley Fool Investment Guide (New York: Fireside Press, 1997).
13. Gouhier, H., L'essence du Theatre, Nouvelle ed. (trans. Bruce Wilshire) (Paris: Aubier-Montaigne, 1968).
14. Hopfl, H., "Performance and Customer Service: The Cultivation of Contempt", Studies in Cultures, Organizations and Societies, Vol. 1, No. 1, 1995, pp. 47-62.
15. Huxtable, A. L., The Unreal America: Architecture and Illusion (New York: The New Press, 1997).
16. Klein, A., "WallStreet.com", Wired, February 1998, pp. 88-99.
17. Marling, K. A. (ed.), Designing Disney's Theme Parks: The Architecture of Reassurance (New York: Flammarion, 1997a).
18. Marling, K. A., "Imagineering the Disney Theme Parks", in K. A. Marling (ed.), Designing Disney's Theme Parks, pp. 28-177 (New York: Flammarion, 1997b).
19. Martin, J.&Sauter, W., Understanding Theatre: Performance Analysis in Theory and Practice (Stockholm: Almqvist&Wiksell International, 1995).
20. McGoun, E. G., "Hyperreal Finance", Critical Perspectives on Accounting, Vol. 8, 1997, pp. 97-122.
21. Meggs, P. B., A History of Graphic Design, 2nd ed. (New York: Van Nostrand Reinhold, 1992).
22. Mills, S. F&Bettner, M. S., "Ritual and Conflict in the Audit Profession", Critical Perspectives on Accounting, Vol. 3, No. 1, 1992, pp. 185-199.
23. Mills, S. F., "Disney and the Promotions of Synthetic Worlds", American Studies International, Vol. 28, No. 2, October 1990, pp. 66-79.
24. Moore, A., "Walt Disney World: Bounded Ritual Space and the Playful Pilgrimage Center", Anthropological Quarterly, Vol. 53, October 1980, pp. 207-218.
25. Mori, M., "Noh, Kabuki and Western Theatre: An Attempt of Schematizing Acting Styles", Theatre Research International, Vol. 22, Spring 1997, pp. 14-22.
26. Pine, B. J. II&Gilmore, J. H., The Experience Economy (Boston: Harvard Business School Press, 1999).
27. Rosen, M., "Breakfast at Spiro's: Dramaturgy and Dominance", Journal of Management, Vol. 11, No. 2, 1985, pp. 31-48.
28. Sheehy, C., "It's a Flat World After All", American Theatre, Vol. 11, 1994, pp. 22-26.
29. Wilshire, B., Role Playing and Identity: The Limits of Theatre as Metaphor (Bloomington: Indiana University Press, 1982).