If women actors were working...

Media, Culture and Society

Volumn 25, Issue 4, 2003, Pages 527-541+545

  Dean, Deborah ^a   Jones, Campbell ^b  

^a UNIVERSITY OF WARWICK   (United Kingdom)

^b UNIVERSITY OF LEICESTER   (United Kingdom)

Author keywords

Cultural production; Film and television; Gender; Materialism; Work

Indexed keywords

EID: 0038042304     PISSN: 01634437     EISSN: None     Source Type: Journal    
DOI: 10.1177/01634437030254006     Document Type: Review

References (74)

1. Adorno, T. (1967) 'Perennial Fashion - Jazz', in Prisms, trans. S. Weber and S. Weber. Cambridge, MA: MIT Press.
2. Adorno, T. (1991a) 'The Culture Industry Reconsidered', in J.M. Bernstein (ed.) The Culture Industry. London: Routledge.
3. Adorno, T. (1991b) 'On the Fetish Character in Music and the Regression of Listening', in J.M. Bernstein (ed.) The Culture Industry. London: Routledge.
4. Adorno, T. (1991c) 'How to Look at Television', in J.M. Bernstein (ed.) The Culture Industry. London: Routledge.
5. Adorno, T. and M. Horkheimer (1969) Dialectic of Enlightenment, trans. J. Cumming. New York: Continuum.
6. Aksoy, A. and K. Robins (1992) 'Hollywood for the 21st Century: Global Competition for Critical Mass in Image Markets', Cambridge Journal of Economics 16: 1-22.
7. Althusser, L. (1968) Reading Capital, trans. Ben Brewster. London: Verso.
8. Alvarado, M. and J. Stewart (1985) Made for Television: Euston Films Limited. London: British Film Institute.
9. Bachelard, G. (1994) La Formation de l'esprit scientifique. Paris: Vrin.
10. Barley, S.R. and G. Kunda (2001) 'Bringing Work Back In', Organization Science 12(1): 76-95.
11. Barwise, P. and D. Gordon (1998) 'The Economics of the Media', in A. Biggs and P. Cobley (eds) The Media: An Introduction. Harlow: Longman.
12. Benjamin, W. (1968) 'The Work of Art in the Age of Mechanical Reproduction', in H. Arendt (ed.) Illuminations, trans. H. Zohn. New York: Schocken.
13. Blair, H. (2001a) 'Responsible Autonomy in Conditions of Uncertainty: The Case of Film Production', Paper presented at the 19th Annual International Labour Process Conference, London, 26-8 March.
14. Blair, H. (2001b) '"You're Only as Good as Your Last Job": The Labour Process and Market in the British Film Industry', Work, Employment and Society 15(1): 149-69.
15. Blair, H. and A. Rainnie (2000) 'Flexible Films?', Media, Culture & Society 22: 187-204.
16. Boje, D. (1995) 'Stories of the Storytelling Organization: A Postmodern Analysis of Disney as "Tamara-Land"', Academy of Management Journal 38(4): 997-1035.
17. Bourdieu, P. (1993) The Field of Cultural Production, trans. Randal Johnson. Oxford: Polity.
18. Bourdieu, P. (1999) On Television, trans. P. Ferguson. London: New Press.
19. Buscombe, E. (ed.) (2000) British Television: A Reader. Oxford: Clarendon.
20. Chanan, M. (1976) Labour Power in the British Film Industry. London: British Film Institute.
21. Christopherson, S. (1996) 'Flexibility and Adaptation in Industrial Relations: The Exceptional Case of the US Media Entertainments Industries', in L. Gray and R. Seeber (eds) Under the Stars: Essays on Labor Relations in Ans and Entertainment. Ithaca, NY: Cornell University Press.
22. Christopherson, S. and M. Storper (1989) 'The Effects of Flexible Specialization on Industrial Politics and the Labor Market: The Motion Picture Industry', Industrial and Labor Relations Review 42(3): 331-47.
23. Corner, J. (1999) Critical Ideas in Television Studies. Oxford: Clarendon.
24. Dean, D. (2001) 'Women Performers as Workers', paper presented at the Rethinking Gender, Work and Organization Conference, Keele, UK, 27-9 June.
25. Dean, D. (forthcoming) 'Women Performers as Workers', unpublished PhD thesis, University of Warwick.
26. Deleuze, G. (1986) Cinema 1: The Movement-Image, trans. H. Tomlinson. Minneapolis: University of Minnesota Press.
27. Deleuze, G. (1989) Cinema 2: The Time-Image, trans. H. Tomlinson and R. Galeta. Minneapolis: University of Minnesota Press.
28. Deleuze, G. (1993) The Fold: Leibniz and the Baroque, trans. T. Conley. London: Athlone.
29. Deleuze, G. and F. Guattari (1986) Kafka: Towards a Minor Literature, trans. D. Polan. Minneapolis: University of Minnesota Press.
30. Deleuze, G. and F. Guattari (1987) Capitalism and Schizophrenia 2: A Thousand Plateaus, trans. B. Massumi. Minneapolis: University of Minnesota Press.
31. du Gay, P. (ed.) (1997) Production of Culture/Cultures of Production. London: Sage.
32. du Gay, P., S. Hall, L. James, H. Mackay and K. Negus (1997) Doing Cultural Studies: The Story of the Sony Walkman, London: Sage.
33. du Gay, P. and M. Pryke (eds) (2002) Cultural Economy: Cultural Analysis and Commercial Life. London: Sage.
34. Gabriel, Y. (2001) 'The State of Critique in Organizational Theory', Human Relations 54(1): 23-30.
35. Garnham, N. (1990) Capitalism and Communications: Global Culture and the Economics of Information. London: Sage.
36. Geuens, J.-P. (2000) Film Production Theory. New York: State University of New York Press.
37. Glasgow Media Group (1998) The Circuit of Mass Communication: Media Strategies, Representation and Audience Reception in the AIDS Crisis. London: Sage.
38. Goodman, L. (1996) Feminist Stages: Interviews with Women in Contemporary British Theatre. Amsterdam: Harwood
39. Gray, L. and R. Seeber (eds) (1995) Under the Stars: Essays on Labor Relations in Arts and Entertainment. Ithaca, NY: Cornell University Press.
40. Hall, S. (1996) 'Postmodernism and Articulation: An Interview', in D. Morley and K.-H. Chen (eds) Critical Dialogues in Cultural Studies. London: Routledge.
41. Hall, S. (ed.) (1997) Representation: Cultural Representations and Signifying Practices. London: Sage.
42. Harper, S. (2000) Women in British Cinema. London: Continuum.
43. Hassard, J. and R. Holliday (eds) (1998) Organization/Representation: Work and Organizations in Popular Culture. London: Sage.
44. Johnson, R. (1986) 'The Story So Far: And Further Transformations?', in D. Punter (ed.) Introduction to Contemporary Cultural Studies. London: Longman.
45. MacKay, H. (1997) (ed.) Consumption and Everyday Life. London: Sage.
46. Marx, K. (1970) A Contribution to the Critique of Political Economy. Moscow: Progress.
47. Marx, K. (1976) Capital, vol. 1, trans. Ben Fowkes. London: Penguin.
48. McQueen, D. (1998) Television: A Media Student's Guide. London: Arnold.
49. Moskow, M. (1969) Labor Relations in the Performing Arts: An Introductory Survey. New York: Associated Councils of the Arts
50. Negus, K. (1997) 'The Production of Culture', in P. du Gay (ed.) Production of Culture/Cultures of Production. London: Sage.
51. Neilson, M. (1983) 'Towards a Worker's History of the US Film Industry', in V. Mosco and J. Wasko (eds) Labor, the Working Class and the Media. Westport, CT: Greenwood.
52. Newcomb, H. (2000) (ed.) Television: The Critical View. Oxford: Oxford University Press.
53. Piore, M. and C. Sabel (1984) The Second Industrial Divide. New York: Basic Books.
54. Saundry, R. (1998) 'The Limits of Flexibility: The Case of UK Television', British Journal of Management 9: 151-62.
55. Spivak, G.C. (1988) 'Can the Subaltern Speak?', in C. Nelson and L. Grossberg (eds) Marxism and the Interpretation of Culture. Urbana: University of Illinois Press.
56. Spivak, G.C. (1999) A Critique of Postcolonial Reason: Towards a History of the Vanishing Present. Cambridge, MA: Harvard University Press.
57. Staiger, J. (1985a) 'The Hollywood Mode of Production to 1930', in D. Bordwell, J. Staiger and K. Thompson (eds) The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. London: Routledge and Kegan Paul.
58. Staiger, J. (1985b) 'The Hollywood Mode of Production, 1930-1960', in D. Bordwell, J. Staiger and K. Thompson (eds) The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. London: Routledge and Kegan Paul.
59. Stam, R. (2000) Film Theory: An Introduction. Oxford: Blackwell.
60. Storper, M. (1989) 'The Transition to Flexible Specialisation in the US Film Industry: External Economies, the Division of Labour and the Crossing of Industrial Divides', Cambridge Journal of Economics 13: 273-305.
61. Taylor, L. and A. Willis (1999) Media Studies: Texts, Institutions and Audiences. Oxford: Blackwell.
62. Thompson, K. (ed.) (1997a) Media and Cultural Regulation. London: Sage.
63. Thompson, K. (1997b) 'Introduction', in K. Thompson (ed.) Media and Cultural Regulation. London: Sage.
64. Thompson, P. and C. Smith (2001) 'Follow the Redbrick Road: Reflections on Pathways In and Out of the Labor Process Debate', International Studies of Management & Organization 30(4): 40-67.
65. Thompson, P., C. Smith and S. Ackroyd (2000) 'If Ethics is the Answer, You are Asking the Wrong Questions: A Reply to Martin Parker', Organization Studies 21(6): 1149-58.
66. Ursell, G. (2000a) Television Production: Issues of Exploitation, Commodification and Subjectivity in UK Television Labour Markets', Media, Culture & Society 22: 805-25.
67. Ursell, G. (2000b) 'Turning a Way of Life into a Business: An Account and Critique of the Transformation of British Television from Public Service to Commercial Enterprise', Critical Perspectives on Accounting 11: 741-64.
68. Weber, M. (1930) The Protestant Ethic and the Spirit of Capitalism, Irans. T. Parsons. London: Allen and Unwin.
69. Woddis, C. (1991) Sheer Bloody Magic: Conversations with Actresses. London: Virago.
70. Woodward, K. (ed.) (1997) Identity and Difference. London: Sage.
71. Žižek, S. (1991) Looking Awry: An Introduction to Jacques Lacan through Popular Culture. Boston, MA: MIT Press.
72. Žižek, S. (1993) (ed.) Everything You Wanted to Know about Hitchcock but Were Afraid to Ask Lacan. London: Verso.
73. Žižek, S. (ed.) (1999) The Fright of Real Tears: The Uses and Misuses of Lacan in Film Theory. London: British Film Institute.
74. Žižek, S. (2001) Enjoy Your Symptom! Jacques Lacan in Hollywood and Out, 2nd edn. London: Routledge.