Disputes about art

Journal of Aesthetics and Art Criticism

Volumn 54, Issue 2, 1996, Pages 153-163

  Novitz, David ^a  

^a UNIVERSITY OF CANTERBURY   (New Zealand)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0037892517     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.2307/431087     Document Type: Review

References (28)

1. J. R. R. Tolkien, The Lord of the Rings, 3 vols. (London: Allen & Unwin, 1959-60)
2. Morris Weitz, "The Role of Theory in Aesthetics" (1956), reprinted in Philosophy Looks at the Arts, rev. ed., ed. Joseph Margolis (Temple University Press, 1978), pp. 121-131
3. and B. R. Tilghman, But is it Art? (Oxford: Blackwell, 1984), esp. chaps. 1-3
4. Haig Khatchadourian, "Art: New Methods, New Criteria," The Journal of Aesthetic Education 8 (1974): 69-85, esp. pp. 71 and 75
5. Maurice Mandelbaum, "Family Resemblances and Generalization Concerning the Arts," The American Philosophical Quarterly 2 (1965): 219-228
6. Arthur C. Danto, The Transfiguration of the Common-place (Harvard University Press, 1981), chap. 1
7. Monroe C. Beardsley, "Art and Its Cultural Context," in Michael J. Wreen and Donald M. Callen, eds., The Aesthetic Point of View: Selected Essays (Cornell University Press, 1982), pp. 352-370, esp. p. 370
8. Roger Scruton in The Aesthetics of Architecture (London: Methuen, 1979), pp. 248-249
9. Martha Nussbaum, Need and Recognition: A Theory of the Emotions (The Gifford Lectures, The University of Edinburgh, April/May 1993)
10. David Novitz, "The Integrity of Aesthetics," The Journal of Aesthetics and Art Criticism 48 (1990): 9-20
11. "Function of Art," in A Companion to Aesthetics, ed. David E. Cooper (Oxford: Blackwell Reference, 1992), pp. 162-167
12. Stephen Davies, Definitions of Art (Cornell University Press, 1991), p. 51
13. David Hume, A Treatise Concerning Human Nature, 2nd ed., ed. L. A. Selby-Bigge (Oxford: Clarendon Press, 1978), book 1, part 3, chap. 1
14. Ludwig Wittgenstein, Philosophical Investigations, 2nd ed., trans. by G. E. M. Anscombe (Oxford: Blackwell, 1963), esp. 1, §§66-69
15. Novitz, The Boundaries of Art (Temple University Press, 1992), pp. 83-84
16. Paul Johnson, A History of the Jews (New York: Harper & Row, 1987), pp. 464-467
17. Paul Ziff, "The Task of Defining a Work of Art," in Francis J. Coleman, Contemporary Studies in Aesthetics [New York: McGraw-Hill, 1968], p. 103).
18. George Dickie, Art and the Aesthetic: An Institutional Analysis (Cornell University Press, 1974), chap. 1
19. George Dickie, The Art Circle (New York: Haven, 1984)
20. Jerrold Levinson, "Defining Art Historically," reprinted in Music, Art & Metaphysics (Cornell University Press, 1991), pp. 3-25
21. Robert Stecker, "Historical Functionalism or the Four Factor Theory," The British Journal of Aesthetics 34 (1994): 255-265
22. Monroe C. Beardsley's "An Aesthetic Definition of Art," in What is Art?, ed. Hugh Curtler (New York: Haven, 1983).
23. Sally Banes, Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body (Duke University Press, 1993), p. 9
24. Noël Carroll, "Art, Practice, and Narrative," The Monist 71 (1988): 140-156
25. "Historical Narratives and the Philosophy of Art," The Journal of Aesthetics and Art Criticism 51 (1993): 313-326
26. Thomas S. Kuhn, The Structure of Scientific Revolutions, 2nd ed. (The University of Chicago Press, 1970), chaps. 2-4
27. Meyer Schapiro, Modern Art: 19th & 20th Centuries - Selected Papers, vol. 2 (London: Chatto & Windus, 1978), esp. p. 171
28. Immanuel Kant, The Metaphysical Principles of Virtue, part 1, trans. James W. Ellington, in Kant, Ethical Philosophy (Indianapolis: Hackett Publishing Co., 1983), pp. 97-98