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Volumn 36, Issue 3, 2003, Pages 395-415

From rap to raï in the mixing bowl: Beur hip-hop culture and banlieue cinema in urban France

(1)  Orlando, Valérie a  

a NONE

Author keywords

[No Author keywords available]

Indexed keywords


EID: 0037413053     PISSN: 00223840     EISSN: None     Source Type: Journal    
DOI: 10.1111/1540-5931.00013     Document Type: Review
Times cited : (25)

References (16)
  • 1
    • 85009030900 scopus 로고    scopus 로고
    • Où vont les beurs?: Enquête sur une génération déboussolée
    • 1-7 November
    • Anquetil, Gilles, Caroline Brizard, Alain Chouffan et al. "Où vont les beurs?: Enquête sur une génération déboussolée," Le Nouvel Observateur 1-7 November 2001: 4-12.
    • (2001) Le Nouvel Observateur , pp. 4-12
    • Anquetil, G.1    Brizard, C.2    Chouffan, A.3
  • 4
    • 85073840389 scopus 로고    scopus 로고
    • Immigrant politics in a republican nation
    • Eds. Alec Hargreaves and Mark McKinney. NY: Routledge
    • Blatt, David. "Immigrant Politics in a Republican Nation," Post-Colonial Cultures in France (Eds. Alec Hargreaves and Mark McKinney). NY: Routledge, 1997: 40-51.
    • (1997) Post-Colonial Cultures in France , pp. 40-51
    • Blatt, D.1
  • 5
    • 0013182667 scopus 로고    scopus 로고
    • Jean de Florette: Patrimoine, the rural idyll and the 1980s
    • Ed. Lucy Mazdon. London: Wallflower
    • Esposito, Maria. "Jean de Florette: Patrimoine, the Rural Idyll and the 1980s," France on Film: Reflections on Popular French Cinema (Ed. Lucy Mazdon). London: Wallflower, 2001: 11-25.
    • (2001) France on Film: Reflections on Popular French Cinema , pp. 11-25
    • Esposito, M.1
  • 7
    • 0013234641 scopus 로고    scopus 로고
    • Hybridity, space and the right to belong: Maghrebi-French identity at the crossroads in Karim Dridi's bye, bye
    • Ed. Lucy Mazdon. London: Wallflower
    • Higbee, Will. "Hybridity, Space and the Right to Belong: Maghrebi-French Identity at the Crossroads in Karim Dridi's Bye, Bye," France on Film: Reflections on Popular French Cinema (Ed. Lucy Mazdon). London: Wallflower, 2001: 51-64.
    • (2001) France on Film: Reflections on Popular French Cinema , pp. 51-64
    • Higbee, W.1
  • 12
    • 48249087535 scopus 로고    scopus 로고
    • Postcolonial popular music in France: Rap music and hip-hop culture in the 1980s and 1990s
    • Ed. Tony Mitchell. Middletown: Wesleyan UP
    • Prévos, André. "Postcolonial Popular Music in France: Rap Music and Hip-Hop Culture in the 1980s and 1990s," Global Noise: Rap an Hip-Hop Outside the U.S. (Ed. Tony Mitchell). Middletown: Wesleyan UP, 2001.
    • (2001) Global Noise: Rap an Hip-Hop Outside the U.S.
    • Prévos, A.1
  • 13
    • 0013285999 scopus 로고    scopus 로고
    • Third cinema or third degree: The 'rachid system' in Serge Meynard's L'Oeil au beurre noir
    • Ed. Dina Sherzer. Austin: Texas UP
    • Rosello, Mireille. "Third Cinema or Third Degree: The 'Rachid System' in Serge Meynard's L'Oeil au beurre noir," Cinema, Colonialism, Postcolonialism. (Ed. Dina Sherzer). Austin: Texas UP, 1996.
    • (1996) Cinema, Colonialism, Postcolonialism
    • Rosello, M.1
  • 16
    • 85139356577 scopus 로고    scopus 로고
    • Designs on the banlieue: Mathieu Kassovitz's La Haine (1995)
    • Eds. Susan Hayward and Ginette Vincendeau. NY: Routledge
    • Vincendeau, Ginette. "Designs on the Banlieue: Mathieu Kassovitz's La Haine (1995)," French Film: Texts and Contexts (Eds. Susan Hayward and Ginette Vincendeau). NY: Routledge, 2000: 310-325.
    • (2000) French Film: Texts and Contexts , pp. 310-325
    • Vincendeau, G.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.