메뉴 건너뛰기




Volumn 27, Issue 1, 2003, Pages 47-58

The extraction of expressive shaping in performance

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTIC WAVES; ALGORITHMS; INTERPOLATION; VISUALIZATION;

EID: 0037368570     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.1162/01489260360613335     Document Type: Article
Times cited : (8)

References (19)
  • 1
    • 0242614895 scopus 로고
    • Reprint, Frankfurt: Gesammelte Schriften
    • Adorno, T. W. 1963. Der getreue Korrepetitor, Reprint, Frankfurt: Gesammelte Schriften, Band 15.
    • (1963) Der Getreue Korrepetitor , vol.15
    • Adorno, T.W.1
  • 3
    • 0027866956 scopus 로고
    • Imaging vector fields using line integral convolution
    • Cabral, B., and L. Leedom. 1993. "Imaging Vector Fields Using Line Integral Convolution." Computer Graphics 27:263-272.
    • (1993) Computer Graphics , vol.27 , pp. 263-272
    • Cabral, B.1    Leedom, L.2
  • 4
    • 85137018710 scopus 로고
    • An on-line algorithm for real-time accompaniment
    • San Francisco: International Computer Music Association
    • Dannenberg, R. B. 1984. "An On-Line Algorithm for Real-Time Accompaniment." Proceedings of the 1984 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 193-198.
    • (1984) Proceedings of the 1984 International Computer Music Conference , pp. 193-198
    • Dannenberg, R.B.1
  • 5
    • 0013299560 scopus 로고    scopus 로고
    • Make me a match: An evaluation of different approaches to score-performance matching
    • Heijink, H., et al. 2000. "Make Me a Match: An Evaluation of Different Approaches to Score-Performance Matching." Computer Music Journal 24(1):43-56.
    • (2000) Computer Music Journal , vol.24 , Issue.1 , pp. 43-56
    • Heijink, H.1
  • 6
    • 0242446576 scopus 로고
    • Expresse, a strong and small editor for expression
    • San Francisco: International Computer Music Association
    • Honing, H. 1992. "Expresse, a Strong and Small Editor for Expression." Proceedings of the 1992 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 215-218.
    • (1992) Proceedings of the 1992 International Computer Music Conference , pp. 215-218
    • Honing, H.1
  • 10
    • 0242699046 scopus 로고    scopus 로고
    • Semiotic aspects of musicology: Semiotics of music
    • P. Posner, K. Robering, and T. A. Sebeok, eds. Berlin: Walter de Gruyter
    • Mazzola, G. 2002B. "Semiotic Aspects of Musicology: Semiotics of Music." In P. Posner, K. Robering, and T. A. Sebeok, eds. Semiotics: A Handbook on the Sign-Theoretic Foundations of Nature and Culture. Berlin: Walter de Gruyter.
    • (2002) Semiotics: A Handbook on the Sign-Theoretic Foundations of Nature and Culture
    • Mazzola, G.1
  • 11
    • 0242446577 scopus 로고    scopus 로고
    • The topos geometry of musical logic
    • G. Assayag, H. H. Feichtinger, and J. Rodrigues, eds. Berlin et al.: Springer-Verlag
    • Mazzola, G. 2002c. "The Topos Geometry of Musical Logic." In G. Assayag, H. H. Feichtinger, and J. Rodrigues, eds. Mathematics and Music. Berlin et al.: Springer-Verlag.
    • (2002) Mathematics and Music
    • Mazzola, G.1
  • 12
    • 0002211107 scopus 로고
    • Tempo curves revisited: Hierarchies of performance fields
    • Mazzola, G., and O. Zahorka. 1994a. "Tempo Curves Revisited: Hierarchies of Performance Fields." Computer Music Journal 18(1):40-52.
    • (1994) Computer Music Journal , vol.18 , Issue.1 , pp. 40-52
    • Mazzola, G.1    Zahorka, O.2
  • 13
    • 84990353842 scopus 로고
    • The RUBATO performance workstation on NEXTSTEP
    • San Francisco: International Computer Music Association
    • Mazzola, G., and O. Zahorka. 1994b. "The RUBATO Performance Workstation on NEXTSTEP." Proceedings of the 1994 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 102-108.
    • (1994) Proceedings of the 1994 International Computer Music Conference , pp. 102-108
    • Mazzola, G.1    Zahorka, O.2
  • 14
    • 4243820012 scopus 로고    scopus 로고
    • Computer-aided musical performance with the distributed rubato environment
    • G. Johannsen and G. de Poli, eds. Human Supervision and Control in Engineering and Music
    • Müller, S. 2003. "Computer-aided Musical Performance with the Distributed Rubato Environment. In G. Johannsen and G. de Poli, eds. "Human Supervision and Control in Engineering and Music." Journal of New Music Research 31(1).
    • (2003) Journal of New Music Research , vol.31 , Issue.1
    • Müller, S.1
  • 17
    • 84939683224 scopus 로고
    • Music performance research. An overview
    • J. Sundberg, L. Nord, and R. Carlson, eds. London: Mac-Millan Press
    • Sundberg, J. 1991. "Music Performance Research. An Overview." In J. Sundberg, L. Nord, and R. Carlson, eds. Music Language, Speech and Brain. London: Mac-Millan Press.
    • (1991) Music Language, Speech and Brain
    • Sundberg, J.1
  • 18
    • 0026653777 scopus 로고
    • The dynamics of dynamics: A model of musical expression
    • Todd, N. P. M. 1992. "The Dynamics of Dynamics: A Model of Musical Expression." Journal of the Acoustical Society of America 91(6):3540-3550.
    • (1992) Journal of the Acoustical Society of America , vol.91 , Issue.6 , pp. 3540-3550
    • Todd, N.P.M.1
  • 19
    • 84959196555 scopus 로고
    • The synthetic performer in the context of live performance
    • San Francisco: International Computer Music Association
    • Vercoe, B. 1984. "The Synthetic Performer in the Context of Live Performance." Proceedings of the 1984 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 275-278.
    • (1984) Proceedings of the 1984 International Computer Music Conference , pp. 275-278
    • Vercoe, B.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.