Filmed Dreams: Cinematographic and Story Line Characteristics of the Cinematic Dreamscapes of John Sayles

Dreaming

Volumn 13, Issue 1, 2003, Pages 43-48

  Pagel, James F ^a,c   Crow, Dennis ^b   Sayles, John ^b  

^a UNIVERSITY OF COLORADO SCHOOL OF MEDICINE   (United States)

^b Sleep Disord Ctr of S Colorado ^*

^c Sleep Disord Ctr of S Colorado   (United States)

Author keywords

Cinematography; Dreams; Film; John Sayles

Indexed keywords

EID: 0037263288     PISSN: 10530797     EISSN: None     Source Type: Journal    
DOI: 10.1023/A:1022138301774     Document Type: Article

References (11)

1. Cavell, S. (1971) Cavell S. (1971) The World Viewed - Reflections on the Ontology of Film. New York: The Viking Press.
2. Chanan, M. (1996). The Dream That Kicks: The Prehistory and Early Years of Cinema in Britain. London: Routledge.
3. Cristie, I. (1994). The Last Machine: Early Cinema and the Birth of the Modern World. London: British Film Institute.
4. Hobson, J. A. (1989). Sleep. New York: Scientific American Library.
5. Hobson, J. A. (1994). The Chemistry of Conscious States: How The Brain Changes Its Mind. Boston, Little, Brown and Company.
6. Kaplan, E A. (ed.) (1990). Psychoanalysis and Cinema. New York: Routledge.
7. Kosslyn, S. M. (1994). Image and Brain: The Resolution of the Imagery Debate. Cambridge, Massachusetts: MIT Press.
8. Metz, C. (1982). Psychoanalysis and Cinema. London: Macmillan.
9. Orwell, G. (1970). New Words. In: Collected Essays, Journalism and Letters, vol. 3. New York: Penguin.
10. Sayles J. (1987). Thinking in Pictures. Boston: Houghton Mifflin Company.
11. Ullman, M. & Limmer, C. (Eds.) (1988). The Variety of Dream Experience. New York: Continuum.