Quantifying artistic success: Ranking french painters—and paintings—from impressionism to cubism

Historical Methods

Volumn 35, Issue 1, 2002, Pages 5-19

  Galenson, David W ^a  

^a UNIVERSITY OF CHICAGO   (United States)

Author keywords

Cubism; Impressionism; Innovation; Modern art; Quantification

Indexed keywords

ART;

EID: 0036887326     PISSN: 01615440     EISSN: 19401906     Source Type: Journal    
DOI: 10.1080/01615440209603140     Document Type: Article

References (93)

1. Adams, L. S. 1995. A history of western art. New York: Harry Abrams. Arnason, H. H. 1968. History of modem art. 3d ed. New York: Hairy Abrams.
2. Ashton, T. S. 1971. The relation of economic history to economic theory. In The study of economic history, edited by N. B. Harte, 161-79. London: Frank Cass.
3. Barr, A. B. 1946. Picasso: Fifty years of his art. New York: Museum of Modem Art.
4. Bell, C. 1982. The debt to Cézanne. In Modem art and modernism, edited by F. Frascina and C. Harrison, 75-78. New York: Museum of Modem Art.
5. Bowness, A. 1972. Modem European art. London: Thames and Hudson.
6. Brassaï. 1999. Conversations with Picasso. Chicago: University of Chicago Press.
7. Britsch, R. A., and T. A. Britsch, 1984. The arts in western culture. Englewood Cliffs, N.J.: Prentice-Hall.
8. Broude, N., ed. 1978. Seurat in perspective. Englewood Cliffs, N.J.: Prentice-Hall.
9. Canaday, J. 1981. Mainstreams of modem art. 2d ed. Ft. Worth, Tex.: Harcouit Brace Jovanovich.
10. Cleaver, D. G. 1972. Art: An introduction. 2d ed. New York: Harcouit Brace Jovanovich.
11. Cooper, D. 1971. The Cubist epoch. London: Phaidon Press.
12. Cornell, S. 1983. Art: A history of changing style. Englewood Cliffs, N.J.: Prentice-Hall.
13. Croix de la, H., and R. G. Tansey. 1975. Gardner's art through the ages. 6th ed. New York: Harcouit Brace Jovanovich.
14. Danto, A. C. 1995. Embodied meanings. New York: Noonday Press.
15. Dawtrey, L., Y. Jackson, M. Masterson, P. Meecham, and P. Wood, eds. 1996. Investigating modem art. New Haven: Yale University Press.
16. Duff, C. 1998. In payscales, life sometimes imitates art. Wall Street Journal, 22 May, Section B.
17. Duret, T. 1910. Manet and the impressionists. Philadelphia: J. B. Lip-pincott.
18. Fer, B. 1993. Introduction to Modernity and modernism, edited by F. Frascina et al., 3-49. New Haven: Yale University Press.
19. Frascina, F., N. Blake, B. Fer, T. Garb, and C. Harrison. 1993. Modernity and modernism. New Haven: Yale University Press.
20. Freeman, J. 1998. Art: A crash course. New York: Watson-Guptill.
21. Fried, M. 1998. Art and objecthood. Chicago: University of Chicago Press.
22. Fry, R. 1962. Last lectures. Boston: Beacon Press.
23. Fried, M. 1989. Cézanne. Chicago: University of Chicago Press.
24. Galenson, D. W. 2000. The careers of modern artists. Journal of Cultural Economics 24(2): 87-112.
25. Galenson, D. W. 2001. Painting outside the lines: Patterns of creativity in modem art. Cambridge: Harvard University Press.
26. Galenson, D. W., and B. A. Weinberg. 2000. Age and the quality of work: The case of modem American painters. Journal of Political Economy 108(4): 761-77.
27. Galenson, D. W., and B. A. Weinberg. 2001. Creating modern art: The changing careers of painters in France from Impressionism to Cubism. American Economic Review 9(4): 1063-71.
28. Gallup, A., G. Gruitrooy, and E. M. Weisberg. 1997. Great paintings of the western world. New York: Hugh Lauter Levin Associates.
29. Gebhardt, V. 1998. The history of art. New York: Barron's Educational Series.
30. Gilot, F., and C. Lake. 1964. Life with Picasso. New York: Doubleday.
31. Golding, J. 1988. Cubism. 3d ed. Cambridge: Harvard University Press.
32. Gombrich, E. H. 1985. The story of art. 14th ed. Englewood CUffs, N.J.: Prentice-Hall.
33. Greenberg, C. 1993. The collected essays and criticism. Vol. 4. Chicago: University of Chicago Press.
34. Guérin, M., ed. 1931. Lettres de Degas. Paris: Bernard Grasset.
35. Hamilton, G. H. 1970.19th and 20th century art. New York: Harry Abrams.
36. Hamilton, G. H. 1972. Painting and sculpture in Europe, ¡880-1940. Harmondsworth, Eng.: Penguin.
37. Harrison, C. 1997. Modernism. Cambridge: Cambridge University Press
38. Harrison, C., F. Frascina, and G. Perry. 1993. Primitivism, Cubism, Abstraction. New Haven: Yale University Press.
39. Hartt, F. 1989. Art. Vol. 2. 3d ed. Englewood Cliffs, N.J.: Prentice-Hall.
40. Herbert, J. D. 1996. Privilege and the illusion of the real. In 12 views of Manet's Bar, edited by B. R. Collins, 214-32. Princeton: Princeton University Press.
41. Honour, H., and J. Fleming. 1982. A world history of art. London: Macmillan.
42. House, J. 1986. Monet: Nature imo art. New Haven: Yale University Press.
43. Hughes, R. 1982. The shock of the new. New York: Knopf.
44. Hunter, S., and J. Jacobus. 1992. History of modem art. 3d ed. Englewood Cliffs, N.J.: Prentice-Hall.
45. Isaacson, J. 1978. Claude Monet: Observation and reflection. Oxford: Phaidon Press.
46. Janson, H. W. 1977. History of art. 2d ed. Englewood Cliffs, N.J.: Prentice-Hall.
47. Kendall, R. 1999. Monet by himself. New York: Knickerbocker Press.
48. Kubier, G. 1962. The shape of time. New Haven: Yale University Press.
49. Lehman, H. C. 1953. Age and achievement. Princeton: Princeton University Press.
50. Leiris, A. de. 1969. The drawings of Edouard Manet. Berkeley: University of California Press.
51. Lubow, A. 1999. An author of a certain age. New York Times Magazine, 15 August.
52. Lucie-Smith, E. 1971. A concise history of French painting. New York: Praeger.
53. Lynton, N. 1980. The story of modem art. Ithaca, N.Y.: Cornell University Press.
54. Mirò, J. 1992. Selected writings and interviews. New York: Da Capo Press.
55. Moore, G. 1913. Impressions and opinions. New York: Brentano.
56. Moulin, R. 1987. The French art market: A sociological view. New Brunswick, N.J.: Rutgers University Press.
57. Nochlin, L., ed. 1966. Impressionism and Post-Impressionism, 1874-1904. Englewood Cliffs, N.J.: Prentice-Hall.
58. Novotny, F. 1970. Painting and sculpture in Europe, 1780 to 1880. 2nd ed. Harmondsworth, Eng.: Penguin.
59. O'Brian, P. 1994. Pablo Ruiz Picasso. New York: W. W. Norton.
60. Reff, T. 1977a. Painting and theory in the final decade. In Cézanne: The late work, edited by W. Rubin, 13-54. New York: Museum of Modern Art.
61. Reff, T. 1977b. Manet: Olympia. New York: Viking Press.
62. Rewald, J. 1943. Georges Seurat. New York: Wittenbom.
63. Rewald, J. 1956. Post-Impressionism. New York: Museum of Modem Art.
64. Rewald, J., ed. 1995a. Paul Cézanne letters. New York: Da Capo Press.
65. Rewald, J., ed. 1995b. Camille Pissarro: Letters to his son Lucien. New York: Da Capo Press.
66. Rosenberg, H. 1972. The de-definition of art. Chicago: University of Chicago Press.
67. Rosenberg, H. 1994. The tradition of the new. New York: Da Capo Press.
68. Ruskin, A. 1974. History in art. New York: Franklin Watts.
69. Russell, J. 1981. The meanings of modem art. New York: Museum of Modem Art.
70. Sandler, I. 1988. American art of the 1960"s. New York: Harper and Row.
71. Sanouillet, M., and E. Petersen, eds. 1989. The writings of Marcel Duchamp. New York: Da Capo Press.
72. Schapiro, M. 1952. Paul Cézanne. New York: Harry Abrams.
73. Schapiro, M. 1979. Modem art: 19th and 20th centuries. New York: George Braziller.
74. Seiberling, G. 1980. Monet's series. New York: Garland.
75. Shiff, R. 1984. Cézanne and the end of Impressionism. Chicago: University of Chicago Press.
76. Signac, P. 1992. From Eug&ne Delacroix to Neo-Impressionism. In Paul Signac and color in Neo-Impressionism, edited by F. Ratliff, 199-285. New York: Rockefeller University Press.
77. Silver, L. 1993. Art in history. New York: Abbeville Press.
78. Simonton, D. K. 1988. Scientific genius. Cambridge: Cambridge University Press.
79. Simonton, D. K. 1994. Greatness: Who makes history and why. New York: Guilford Press.
80. Spencer, H. 1975. The image maker: Man and his an. New York: Charles Scribner's Sons.
81. Steinberg, L. 1972. Other criteria. London: Oxford University Press.
82. Stokstad, M., and M. S. Grayson. 1995. Art history. New York: Harry Abrams.
83. Strickland, C., and J. Boswell. 1992. The annotated Mom Lisa. Kansas City, Mo.: Andrews and McMeel.
84. Tomkins, C. 1996. Duchamp. New York: Henry Holt.
85. Tucker, P. H. 1989. Monet in the '90s: The series paintings. Boston: Museum of Fine Arts.
86. Van Gogh, V. 1958. The complete letters of Vincent van Gogh. Vol. 3. London: Thames and Hudson.
87. Vollard, A. 1928. Degas. London: George Allen and Unwin.
88. Vollard, A. 1936. Recollections of a picture dealer. Boston: Little, Brown.
89. Vollard, A. 1984. Cizanne. New York: Dover.
90. Wheeler, D. 1991. Art since mid-century. Englewood Cliffs, N.J.: Prentke-Hall.
91. White, H. C., and C. A. White. 1965. Canvases and careers: Institutional change in the French painting world. New York: Wiley.
92. Wilkins, D., B. Schultz, and K. Linduff. 1997. Art past, art present. New York: Harry Abrams.
93. Wood, M., B. Cole, and A. Gealt. 1989. Art of the western world. New York: Simon and Schuster.