Musical program auralisation: A structured approach to motif design

Interacting with Computers

Volumn 14, Issue 5, 2002, Pages 457-485

  Vickers, Paul ^a   Alty, James L ^b  

^a NORTHUMBRIA UNIVERSITY   (United Kingdom)

^b LOUGHBOROUGH UNIVERSITY   (United Kingdom)

Author keywords

Auditory display; Communication; Music; Program auralisation; Visualisation

Indexed keywords

COMPUTER AIDED DESIGN; COMPUTER SCIENCE; PASCAL (PROGRAMMING LANGUAGE); PROGRAM DEBUGGING; SENSORY PERCEPTION; VISUALIZATION;

PROGRAM AURALISATION;

COMPUTER MUSIC;

EID: 0036810594     PISSN: 09535438     EISSN: None     Source Type: Journal    
DOI: 10.1016/S0953-5438(02)00004-8     Document Type: Article

References (16)

1. Alty J.L. Can we use music in computer-human communication? Kirby M.A.R., Dix A.J., Finlay J.E., People and Computers vol. X. 1995;409-423 Cambridge University Press, Cambridge.
2. Alty, J.L., Rigas, D.I., 1998. Communicating graphical information to blind users using music: the role of context in design. Proceedings of the CHI98 Conference on Human Factors in Computing Systems, Los Angeles, CA, April 18-23, ACM Press, New York. ISBN 0-201-30987-4.
3. Brewster, S., 1994. Providing a structured method for integrating non-speech audio into human-computer interfaces. PhD Thesis, University of York.
4. Brewster, S.A., Wright, P.C., Edwards, A.D.N., 1995. Experimentally derived guidelines for the creation of earcons. Proceedings of HCI '95 (adjunct proceedings), Huddersfield.
5. Dowling W.J. Melodic information processing and its development. Deutsch D., The Psychology of Music. 1982;413-429 Academic Press, New York.
6. Edwards, A.D.N., Challis, B.P., Hankinson, J.C.K., Pirie, F.L., 2000. Development of a standard test of musical ability for participants in auditory interface testing. Proceedings of the ICAD 2000 Sixth International Conference on Auditory Display, Atlanta, GA, April 2-5, International Community for Auditory Display. ISBN 0-9670904-1-5.
7. Edworthy J. Melodic contour and musical structure. Howell P., Cross I., West R., Musical Structure and Cognition. 1985;169-188 Academic Press, New York.
8. Francès R. The Perception of Music. 1988;Lawrence Erlbaum, London.
9. Lamont, A., Dibben, N., 1997. Perceived similarity of musical motifs: an exploratory study. Proceedings of SIMCAT '97, Edinburgh.
10. Pollard-Gott L. The emergence of thematic concepts in repeated listening to music. Cognitive Psychology. 15:1983;66-94.
11. Rigas, D.I., 1996. Guidelines for auditory interface design: an empirical investigation. PhD Thesis, Loughborough University, Loughborough.
12. Rigas D.I., Alty J.L. How can multimedia designers utilize timbre? Johnson H., Nigay L., Roast C., People and Computers XIII. 1998;273-286 Springer, Berlin. ISBN 3-540-76261-2.
13. Sloboda J.A., Parker D.H.H. Immediate recall of melodies. Howell P., Cross I., West R., Musical Structure and Cognition. 1985;143-167 Academic Press, New York.
14. Vickers P., Alty J.L. Using music to communicate computing information. Interacting with Computers. 2002;. in press.
15. Watkins A.J., Dyson M.C. On the perceptual organisation of tone sequences and melodies. Howell P., Cross I., West R., Musical Structure and Cognition. 1985;71-119 Academic Press, New York.
16. West R., Fryer R. Ratings of suitability of probe tones as tonics following random ordering of notes of the diatonic scale. Music Perception. 7:1990;253-258.