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Volumn , Issue , 2002, Pages 501-504

Case study: A look of performance expression

(1)  Hiraga, Rumi a  

a NONE

Author keywords

Expressive Cue; Music Performance; Performance Visualization; Understanding Performance

Indexed keywords

ACOUSTIC WAVES; COMPUTER GRAPHICS; COMPUTER MUSIC; PERFORMANCE; VISUALIZATION;

EID: 0036450505     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (8)

References (15)
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    • Bresin, R.1    Friberg, A.2
  • 2
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    • The use of faces to represent points in k-dimensional space graphically
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  • 3
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    • ACM
    • J. Foote. Visualizing music and audio using self-similarity. In ACM Multimedia99, pages 77-80. ACM, 1999.
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    • Foote, J.1
  • 4
    • 0001426450 scopus 로고    scopus 로고
    • Emotional expression in music performance: Between the performer's intention and the listener's experience
    • A. Gabrielsson and P. Juslin. Emotional expression in music performance: Between the performer's intention and the listener's experience. Psychology of Music, 24:68-91, 1996.
    • (1996) Psychology of Music , vol.24 , pp. 68-91
    • Gabrielsson, A.1    Juslin, P.2
  • 5
    • 0011967347 scopus 로고    scopus 로고
    • Visualized music expression in an object-oriented environment
    • International Computer Music Association
    • R. Hiraga, S. Igarashi, and Y. Matsuura. Visualized music expression in an object-oriented environment. In Proc. of ICMC, pages 483-486. International Computer Music Association, 1996.
    • (1996) Proc. of ICMC , pp. 483-486
    • Hiraga, R.1    Igarashi, S.2    Matsuura, Y.3
  • 7
    • 0002678595 scopus 로고    scopus 로고
    • Next generation performance rendering -exploiting controllability
    • International Computer Music Association
    • K. Hirata, R. Hiraga, and T. Aoyagi. Next generation performance rendering -exploiting controllability. In Proc. of ICMC, pages 360-363. International Computer Music Association, 2000.
    • (2000) Proc. of ICMC , pp. 360-363
    • Hirata, K.1    Hiraga, R.2    Aoyagi, T.3
  • 9
    • 85159652039 scopus 로고    scopus 로고
    • See: A structured event editor - Visualizing compositional data in common music
    • International Computer Music Association
    • T. Kunze and H. Taube. See: A structured event editor - visualizing compositional data in common music. In Proc. of ICMC, pages 63-66. International Computer Music Association, 1996.
    • (1996) Proc. of ICMC , pp. 63-66
    • Kunze, T.1    Taube, H.2
  • 10
    • 84888855354 scopus 로고    scopus 로고
    • Comp-i: 3d visualization of midi datasets
    • Information Processing Society Japan
    • R. Miyazaki and I. Fujishiro. comp-i: 3d visualization of midi datasets. In 2002-MUS-46, pages 55-60. Information Processing Society Japan, 2002.
    • (2002) 2002-MUS-46 , pp. 55-60
    • Miyazaki, R.1    Fujishiro, I.2
  • 11
    • 0011964548 scopus 로고
    • Compositional tools for adding expression to music
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    • Oppenheim, D.1
  • 12
    • 0022773748 scopus 로고
    • On the use of computer generated symmetrized dot-patterns for the visual characterization of speech waveforms and other sample data
    • C. Pickover. On the use of computer generated symmetrized dot-patterns for the visual characterization of speech waveforms and other sample data. J. Acoust. Soc. Am., 80(3):955-960, 1980.
    • (1980) J. Acoust. Soc. Am. , vol.80 , Issue.3 , pp. 955-960
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  • 13
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.