"Tango, like scotch, is best taken straight": Cosmopolitan tastes and bodies out of place

Studies in Latin American Popular Culture

Volumn , Issue 21, 2002, Pages 131-154

  Podalsky, Laura ^a  

^a OHIO STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0036329871     PISSN: 07309139     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (34)

1. Cosmopolitanism, universalism, and the divided legacies of modernity
2. Cosmopolitan readings
3. The golden age and after: 1920s-1990s
4. Sally potter stumbles in her 'Tango lesson
5. Introduction, Part II: The cosmopolitical-today
6. Shall we dance?
7. Embodying difference: Issues in dance and cultural studies
8. Introduction, cosmopolitanism in its place and time
9. Tango, like scotch, is best taken straight
10. Era candidata del fierro
11. Marginalidad y parodia: El tango en cine de los EEUU
12. Tango confestional
13. Truth is beauty
14. Warning: Dip ahead. Macarenas come and go, but the Tango is forever
15. Of rhythms and borders
16. Body talk
17. A Deleuzian politics of hybrid cinema
18. 'Tango lesson' struggles to get steps right
19. National cinema after globalization: Fernando Solanas's sur and the exiled nation
20. Comparative cosmopolitanisms
21. Introduction part I: Actually existing cosmopolitanisms
22. The Tango lesson
23. El oro se lo llevó 'La leccón de tango.'
24. Le dedico el premio a todos los tangueros
25. Sally Potter steps in front of her camera
26. The Tango returns
27. The cosmopolitan ideal in the arts