Experiencing texture and transformation in the British Neolithic

Oxford Journal of Archaeology

Volumn 21, Issue 3, 2002, Pages 249-261

  Cummings, Vicki ^a  

^a CARDIFF UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

MATERIAL CULTURE; NEOLITHIC; TEXTURE;

UNITED KINGDOM;

EID: 0036324055     PISSN: 02625253     EISSN: None     Source Type: Journal    
DOI: 10.1111/1468-0092.00161     Document Type: Article

References (37)

1. Excavation of two chambered cairns at Mid Gleniron Farm, Glenluce Wigtownshire
2. Divided places: Phenomenology and axial asymmetry in the monuments of Black Mountains, South-East Wales
3. Sites of representation: Place, time and the discourse of the other
4. The technology of enchantment and the enchantment of technology
5. The henge monuments at Llandegai
6. Drawn from memory: The archaeology of aesthetics and the aesthetics of archaeology in Earlier Bronze Age Britain and the present
7. Balnagowan and after: The context of non-megalithic mortuary sites in Scotland
8. Mounds, megaliths, music and mind: Some thoughts in the acoustical properties and purposes of archaeological spaces
9. Making sense of the past in the present: A sensory analysis of carved stone balls
10. Aspects of memory for information from touch and movement
11. The excavation of three Neolithic chambered tombs in Galloway
12. Etton, near Maxey, Cambridgeshire: A causewayed enclosure on the Fen edge
13. Making sense of petroglyphs: The sound of rock-art
14. Doorways into another world: The Orkney-Cromarty chambered tombs
15. Aspects of regionalisation in the Scottish Neolithic
16. Predicates of aesthetics judgement: Ontology and value in Huichol material representations
17. The rough and the smooth; axe polishers of the middle Neolithic
18. Architecture and sound: An acoustic analysis of megalithic monuments in prehistoric Britain
19. Gifts from the earth: Symbolic dimensions of the use and production of Neolithic flint and stone axes
20. Remembered and imagined belongings: Stonehenge in its traditions and structures of meaning