Which cheek to turn? The effect of gender and emotional expressivity on posing behavior

Brain and Cognition

Volumn 48, Issue 2-3, 2002, Pages 480-484

  Nicholls, Michael E R ^a   Clode, Danielle ^a   Lindell, Annukka K ^a   Wood, Amanda G ^a  

^a UNIVERSITY OF MELBOURNE   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

ADULT; BEHAVIOR; CHEEK; CONFERENCE PAPER; CONTROLLED STUDY; EMOTION; EMOTIONAL EXPRESSIVITY SCALE; EMOTIONALITY; FEMALE; HUMAN; INCIDENCE; MALE; NORMAL HUMAN; PHOTOGRAPHY; PRIORITY JOURNAL; RATING SCALE; SEX DIFFERENCE;

EID: 0036203293     PISSN: 02782626     EISSN: None     Source Type: Journal    
DOI: 10.1006/brcg.2001.1402     Document Type: Conference Paper

References (13)

1. Affective self-report during the intracarotid sodium amobarbital test
2. Left and right in Goya's portraits
3. Right hemisphere dominance for the production of facial expression in monkeys
4. Status and the left cheek
5. Individual differences in dispositional expressiveness: Development and validation of the emotional expressivity scale
6. Turning the left cheek examined using modern photography
7. Turning the left cheek
8. Laterality of expression in portraiture: Putting your best cheek forward
9. The assessment of handedness: The Edinburgh Inventory
10. Emotions are expressed more intensely on the left side of the face
11. Hemispheric asymmetries and gender influence Rembrandt's portrait orientations
12. She is not a beauty even when she smiles: Possible evolutionary basis for a relationship between facial attractiveness and hemispheric specialisation