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Volumn 48, Issue 4, 2001, Pages 67-86

Pop goes the sacred: Dan Mask performance and popular culture in Postcolonial Côte d'Ivoire

(1)  Reed, Daniel B a  

a NONE

Author keywords

[No Author keywords available]

Indexed keywords

CULTURAL IDENTITY; CULTURAL TRADITION; MUSIC; POST-COLONIALISM; RELIGION;

EID: 0035773852     PISSN: 00019887     EISSN: None     Source Type: Journal    
DOI: 10.1353/at.2001.0079     Document Type: Article
Times cited : (6)

References (41)
  • 15
    • 85186344990 scopus 로고    scopus 로고
    • Interview by author (DR97C44). Man, Coôte d'Ivoire, 18 August
    • (1997)
    • Gueu Gbe, G.A.1
  • 16
    • 85186381237 scopus 로고    scopus 로고
    • Drum lesson with author (DR97C31). Man Côte d'Ivoire,26 May
    • (1997)
    • Goueu, T.J.-C.1
  • 17
    • 85186385557 scopus 로고    scopus 로고
    • Interview by author (DR97C60). Man, Côte d'Ivoire, 25 June
    • (1997)
    • Goueu, T.J.-C.1
  • 26
    • 23544466852 scopus 로고    scopus 로고
    • Voix de Masque sans Visage: "Maania" Chez les Dan du Danané-Sud (Côte d'Ivoire)
    • Tokyo: Institut de Recherches sur les Langues et Cultures d'Asie et d'Afrique
    • (1997) Cultures Sonores d'Afrique
    • Majima, I.1
  • 27
    • 85186373949 scopus 로고    scopus 로고
    • Interview by author (DR97C11) with ge performance group members Goueu Tia Jean-Claude, Gba Daniel, Oulai Mamadou, and Biemi Gba Jacques. Man, Côte d'Ivoire, 4 May
    • (1997) Petit Gbapleu ge performers
  • 37
    • 0001097639 scopus 로고
    • Our tradition is a very modern tradition: Popular music and the construction of a Pan-Yoruba identity
    • (1990) Ethnomusicology , vol.34 , Issue.3 , pp. 67-79
    • Waterman, C.A.1
  • 39
    • 4243378782 scopus 로고
    • Eine esoterische Überlieferung über den Ursprung der maskierten Stelzentänzer bei den Dan (Elfenbeinküste)
    • ed. Carl M. Schmitz. Basel: Pharos Verlag
    • (1965) Festschrift Alfred Bühler , pp. 451-466
    • Zemp, H.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.