A descriptive study exploring the role of music therapy in prisons

Arts in Psychotherapy

Volumn 28, Issue 2, 2001, Pages 137-141

  Daveson, Barbara A ^a   Edwards, Jane ^b  

^a Eastern Palliative Care   (Australia)

^b UNIVERSITY OF QUEENSLAND   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0035532024     PISSN: 01974556     EISSN: None     Source Type: Journal    
DOI: 10.1016/S0197-4556(00)00089-7     Document Type: Article

References (9)

1. Bruscia, K. (1998). Signs of countertransferance. In K. Bruscia (Ed.), The Dynamics of Music Psychotherapy, (Pp. 71-92). USA: Barcelona Publishers.
2. Cohen, J. (1987). Music therapy with the overcontrolled offender: Theory and practice. The Arts in Psychotherapy, 14, 215-221.
3. Hoskyns, S. L. (1988). Studying music therapy with offenders: Research in progress. Psychology of Music, 16, 25-41.
4. Hoskyns, S. L. (1995). The use of simple rating scales to assess changes in activity during group music therapy. In A. Gilroy & C. Lee (Eds.), Art and Music: Therapy and Research, (pp. 138-151). London: Routledge.
5. Loth, H. (1995). Music therapy and forensic psychiatry - choice, denial and the law. Journal of British Music Therapy, 8(2), 10-18.
6. Thaut, M. (1987). A new challenge for music therapy: The correctional setting. Music Therapy Perspectives, 4, 44-50.
7. Thaut, M. (1992). Music therapy in correctional psychiatry. In W. Davis, K. Gfeller & M. Thaut (Eds.), An IntroDuction to Music Therapy: Theory and Practice (pp. 273-284). Dubuque, IA: Wm. C. Brown Publishers.
8. Wardle, M. (1979). Music therapy in a women's prison. Part 1: The old prison. British Journal of Music Therapy, 10, 11-14.
9. Wardle, M. (1980). Music therapy in a women's prison. Part 2: The new prison. British Journal of Music Therapy, 11, 2-7.