The inflow of American television fiction on European broadcasting channels revisited

European Journal of Communication

Volumn 16, Issue 1, 2001, Pages 51-76

  De Bens, Els ^a   De Smaele, Hedwig ^b  

^a GHENT UNIVERSITY   (Belgium)

^b NONE

Author keywords

Americanization; European audiovisual policy; Fiction; Origin of fiction; Programme analysis; Television content

Indexed keywords

EID: 0035529567     PISSN: 02673231     EISSN: None     Source Type: Journal    
DOI: 10.1177/0267323101016001003     Document Type: Article

References (45)

1. Ang, Ien (1982) Het geval Dallas. Populaire kultuur, ideologie en plezier. Amsterdam: SU.
2. Berger, Arthur A. (1992) Popular Culture Genres. Theories and Texts. London: Sage.
3. Biltereyst, Daniël (1995) Hollywood in het Avondland: over de afhankelijkheid en de impact van Amerikaanse televisie in Europa. Brussel: VUB Press.
4. Biltereyst, Daniël (1996) 'Europees audiovisueel beleid en de beperkte interne stroom van tv-programma's. Een internationale diachronische flow-studie rond fictie', Communicatie 25(2): 3-26.
5. Blumler, Jay and W. Hoffman-Riem (1992) 'New Roles for Public Service Television', pp. 202-17 in J. Blumler (ed.) Television and the Public Interest. Vulnerable Values in West European Broadcasting. London: Sage.
6. Boyd-Barrett, Oliver (1977) 'Media Imperialism: Towards an International Framework for the Analysis of Media Systems', pp. 116-41 in J. Curran, M. Gurevitch and J. Woollacott (eds) Mass Communication and Society. London: Edward Arnold.
7. Buonanno, Milly (ed.) (1998a) Imaginary Dreamscapes. Television Fiction in Europe. First Report of the Eurofiction Project. 1997. Luton: ULP/John Libbey Media.
8. Buonanno, Milly (ed.) (1998b) Eurofiction 1998. Secondo Rapporto sulla fiction telvisiva in Europa. Rome: RAI-ERI.
9. Commission of the European Communities (1997) Audiovisual Policy of the European Union 1998. Brussels and Luxembourg: Office for Official Publications of the European Communities.
10. Commission of the European Communities (1998) Derde Mededeling van de Commissie aan de Raad en het Europees Parlement betreffende de toepassing van de artikelen 4 en 5 van Richtlijn 89/552/EEG 'Televisie zonder grenzen' voor het tijdvak 1995-1996 tevens inhoudende een algemene evaluatie van de tenuitvoerlegging voor het tijdvak 1991-1996. Brussels: Office for Official Publications of the European Communities.
11. Contamine, Claude, Monique van Dusseldorp and Sophie Deleville-McGuire (eds) (1996) 7th European Television and Film Forum. Building the European Audiovisual Market - Creative Potential, Economic Trends, Societal Needs. Proceedings of the 7th European TV and Film Forum. Düsseldorf: European Institute for the Media.
12. CSA (Conseil Supérieur de l'audiovisuel) (1995) 'La Fiction européenne sur les chaines françaises, britanniques et allemandes', La Lettre CSA (74): 5-9.
13. De Bens, Els (1994) 'Culturele globalisering en de Europese audiovisuele industrie: een economisch of cultureel geïnspireerd discours?', pp. 89-102 in L. Van Poecke and H. Van den Bulck (eds) Culturele globalisering en lokale identiteit. Amerikanisering van de Europese media. Leuven: Garant.
14. De Bens, Els (1997) 'Television Programming: More Diversity, More Convergence?', pp. 27-37 in K. Brants (ed.) The Media in Question. Popular Cultures and Public Interest. London: Sage.
15. De Bens, Els, Mary Kelly and Marit Bakke (1992) 'Television Content: Dallasification of Culture?', pp. 73-100 in K. Siune and W. Truetzschler (eds) Dynamics of Media Politics. London: Sage.
16. Dupagne, Michel and David Waterman (1998) 'Determinants of US Television Fiction Imports in Western Europe', Journal of Broadcasting and Electronic Media 42(2): 208-20.
17. European Audiovisual Observatory (1999) Statistical Yearbook 1999. Film, Television, Video and New Media in Europe. Strasbourg: European Audiovisual Observatory.
18. Featherstone, Mike (1991) Consumer Culture and Postmodernism. London: Sage.
19. Fiske, John (1987) Television Culture. London: Methuen.
20. Fiske, John (1991) 'Postmodernism and Television', pp. 55-67 in J. Curran and M. Gurevitch (eds) Mass Media and Society. London: Edward Arnold.
21. Ghijs, Inge (1997) 'Sterren en strepen op de buis. Vanwaar de Vlaamse appetijt voor Amerikaans tv-voer?', De Standaard Magazine 7 November: 4-6.
22. Gitlin, Todd (1983) Inside Prime Time. New York: Pantheon.
23. Hallenberger, Gerd (1998) 'Derrick's Children in the TV Supermarket. German Television Fiction in 1996', pp. 35-50 in M. Buonanno (ed.) Imaginary Dreamscapes. Television Fiction in Europe. First Report of the Eurofiction Project. 1997. Luton: ULP/John Libbey Media.
24. Hallenberger, Gerd (1999) 'First-Run Television Fiction Today and Tomorrow', The Bulletin 16(2): 58-60.
25. Hamelink, Cees (1978) De mythe van de vrije informatie. Baarn: In den Toren.
26. High Level Group on Audiovisual Policy (1998) The Digital Age: European Audiovisual Policy. Report from the High Level Group on Audiovisual Policy. Brussels and Luxembourg: Office for Official Publications of the European Communities.
27. Katz, Elihu and Tamar Liebes (1990) The Export of Meaning. Cross-Cultural Readings of Dallas. New York: Oxford University Press.
28. Krüger, Udo Michaël (1997) 'Programmanalyse 1996: ARD, ZDF, RTL, SAT1 und PRO SIEBEN im Vergleich. Unterschiede der Programmprofile bleiben bestehen', Media Perspektiven 7: 354-66.
29. Machet, Emmanuelle (1999) 'Ten Years of the "Television without Frontiers" Directive. How Successful Has the Directive Been and Will It Continue as a Separate Policy Area?', Intermedia 27(3): 40-2.
30. Mattelart, Armand and Ariel Dorfman (1975) How to Read Donald Duck: Imperialist Ideology in the Disney Comic. New York: International General.
31. Mohr, Paul J. and Hugh O'Donnell (1996) 'The Rise and Rise of Soap Operas in Europe', The SCA Journal 2: 34-70.
32. Morley, David (1980) The Nationwide Audience. Structure and Decoding. London: British Film Institute.
33. Morley, David (1992) 'Electronic Communities and Domestic Rituals', pp. 65-83 in M. Skovmand and K.C. Schrøder (eds) Media Cultures. Reappraising Transnational Media. London: Routledge.
34. Nordenstreng, Kaarle and Tapio Varis (1974) Television Traffic, a One Way Street? A Survey and Analysis of the International Flow of Television Programmes Material, Unesco Reports and Papers on Mass Communication 70. Paris: UNESCO.
35. Nordenstreng, Kaarle and Tapio Varis (1986) La Circulation internationale des émissions de télévision, Unesco etudes et documents d'information 100. Paris: UNESCO.
36. Picard, Robert (1999) 'Audience Fragmentation and Structural Limits on Media Innovation and Diversity', paper for the Second Expert Meeting on Media and Open Societies' Amsterdam School of Communication Research.
37. Pragnell, Anthony (1985) Television in Europe, Media Monograph No. 5. Manchester: European Institute for the Media.
38. Schiller, Herbert (1976) Communication and Cultural Domination. White Plains, NY: International Arts and Science Press.
39. Sepstrup, Preben (1989) 'Implication of Current Developments in West European Broadcasting', Media, Culture and Society 11(2): 29-54.
40. Sepstrup, Preben (1990) Transnationalisation of Television in Western Europe. London: John Libbey.
41. Silj, Alessandro (1988) East of Dallas. The European Challenge to American TV. London: British Film Institute.
42. Tunstall, Jeremy (1977) The Media Are American. New York: Columbia University Press.
43. Varis, Tapio (1984) 'The International Flow of Television Programs', Journal of Communication 34(1): 143-52.
44. Vasterman, Peter (1981) 'Televisie-Amusement. Een Spel zonder Grenzen', pp. 50-105 in J. Bardoel and J. Bierhoff (eds) Media in Nederland. Deel I. Omroep, Film, Nieuwe Media, Invloed. Amsterdam: Van Gennep.
45. Vdb. Ph. (1998) 'La Culture à la télévision sur la voie de l'Europe', La Libre belgique, 23 April.