Independence of timing and force control during finger-tapping sequences by pianists

Perceptual and Motor Skills

Volumn 93, Issue 2, 2001, Pages 556-558

  Inui, Nobuyuki ^a   Ichihara, Takuya ^b  

^a NARUTO UNIVERSITY OF EDUCATION   (Japan)

^b NONE

Author keywords

[No Author keywords available]

Indexed keywords

ADULT; ARTICLE; FEMALE; HUMAN; LEARNING; MALE; MOTOR ACTIVITY; MOTOR PERFORMANCE; MUSIC; PRESSURE; REACTION TIME; TIME PERCEPTION;

ADULT; FEMALE; HUMAN; MALE; MOTOR ACTIVITY; MOTOR SKILLS; MUSIC; PRACTICE (PSYCHOLOGY); PRESSURE; REACTION TIME; TIME PERCEPTION;

EID: 0035491688     PISSN: 00315125     EISSN: None     Source Type: Journal    
DOI: 10.2466/pms.2001.93.2.556     Document Type: Article

References (5)

1. INUI, N., & ICHIHARA, T. (2001) Comparison of the relation between timing and force control during finger-tapping sequences by pianists and nonpianists. Motor Control, 5, 385-398.
2. KEELE, S. W., IVRY, R. B., & POKORNY, R. A. (1987) Force control and its relation to timing. Journal of Motor Behavior, 19, 96-114.
3. REPP, B. H. (1999) Control of expressive and metronomic timing in pianists. Journal of Motor Behavior, 31, 145-164.
4. SLOBODA, J. A. (1983) The communication of musical metre in piano performance. Quarterly Journal of Experimental Psychology, 35A, 377-396.
5. STERNAD, D., DEAN, W. J., & NEWELL, K. M. (2000) Force and timing variability in rhythmic unimanual tapping. Journal of Motor Behavior, 32, 249-267.