SCOPUS 정보 검색 플랫폼 - 논문 보기

메뉴 건너뛰기

AES: Journal of the Audio Engineering Society

Volumn 49, Issue 3, 2001, Pages 134-147

Sound composition with pulsars

a Santa Barbara (United States)

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTIC WAVE SCATTERING; ACOUSTIC WAVES; CONVOLUTION; ELECTRONIC MUSICAL INSTRUMENTS;

PULSAR SYNTHESIS; SOUND COMPOSITION;

ACOUSTIC GENERATORS;

EID: 0035275569 PISSN: 00047554 EISSN: None Source Type: Journal
DOI: None Document Type: Article

Times cited : (19)

References (40)

1
- 4244029289
- Musique avec pulsar obligé (À propos du Noir de l'Etoile, de Gérard Grisey)
- (1996)
- Luminet, J.P.¹

2
- 0005182543
- L'Ondioline: Conception et réalisation
- (Paris)
- (1958) Toute la Radio
- Jenny, G.¹

3
- 0005228483
- Jean-Jacques perrey and the ondioline
- (1994) Comput. Music J. , vol.18 , Issue.4 , pp. 18-25
- Fourier, L.¹

4
- 84900258976
- Actualia
- (1955) Die Reihe , vol.1
- Stockhausen, K.¹

5
- 0005220436
- How time passes
- (English ed. 1959). Reprinted as "...Wie die Zeit vergeht..."
- (1957) Die Reihe , vol.3 , pp. 10-43
- Stockhausen, K.¹

6
- 1642377393
- (DuMont Schauberg, Cologne)
- (1963) Texte zur Elektronischen und Instrumentalen Musik , vol.1 , pp. 99-139
- Stockhausen, K.¹

7
- 84900258976
- Two lectures
- (English ed.: Theodore Presser Company, Bryn Mawr)
- (1961) Die Reihe , vol.5 , pp. 59-82
- Stockhausen, K.¹

8
- 84924585183
- "Die Einheit der musikalischen Zeit," in K. Stockhausen
- (DuMont Schauberg, Cologne); Reprinted as "The Concept of Unity in Elektronic Music"
- (1963) Texte zur Elektronischen und Instrumentalen Musik , vol.1 , pp. 211-221
- Stockhausen, K.¹

9
- 61149391678
- B. Boretz and E. Cone, Eds. (Norton, New York)
- (1972) Perspectives on Contemporary Music Theory , pp. 129-147
- Barkin, E.¹

10
- 0005135618
- Composition for electronic sounds (Score), Universal Edition, Vienna, Australia
- (1957) Essay
- Koenig, G.M.¹

11
- 0005145180
- Studium im studio
- (English ed.: Theodore Presser Company, Bryn Mawr)
- (1959) Die Reihe , vol.5 , pp. 30-39
- Koenig, G.M.¹

12
- 0005156658
- Commentary on stockhausen's ...How Time Passes... on Fokker's wherefore, and why, and on present musical practice as seen by the author
- (English ed.: Theodore Presser Company, Bryn Mawr, 1968)
- (1962) Die Reihe , vol.8 , pp. 80-98
- Koenig, G.M.¹

13
- 0000293183
- Theory of communication
- (1946) J. IEE , vol.93 , Issue.PART 3 , pp. 429-457
- Gabor, D.¹

14
- 5644237214
- Acoustical quanta and the theory of hearing
- (1947) Nature , vol.159 , Issue.4044 , pp. 591-594
- Gabor, D.¹

15
- 0005143157
- Lectures on communication theory
- 238, Research Laboratory of Electronics, MIT, Cambridge, MA
- (1952) Tech. Rep.
- Gabor, D.¹

16
- 0005199091
- Elements of stochastic music
- (1960) Gravesaner Blätter , vol.18 , pp. 84-105
- Xenakis, I.¹

17
- 0005198982
- Automated granular synthesis of sound
- Revised and updated version printed as "Granular Synthesis of Sound"
- (1978) Comput. Music J. , vol.2 , Issue.2 , pp. 61-62
- Roads, C.¹

18
- 0004755580
- C. Roads and J. Strawn, Eds. (MIT Press, Cambridge, MA)
- (1985) Foundations of Computer Music , pp. 145-159

19
- 0005179497
- Asynchronous granular synthesis
- G. De Poli, A. Piccialli, and C. Roads, Eds. (MIT Press, Cambridge, MA)
- (1991) Representations of Musical Signals , pp. 143-185
- Roads, C.¹

20
- 0004195693
- (MIT Press, Cambridge, MA)
- (1996) The Computer Music Tutorial
- Roads, C.¹

21
- 0039025404
- (MIT Press, Cambridge, MA, forthcoming)
- Microsound
- Roads, C.¹

22
- 0019603168
- The efficient digital implementation of subtractive music synthesis
- (1981) IEEE Micro , vol.1 , Issue.3 , pp. 24-37
- Bass, S.¹ Goeddel, T.²

23
- 0017981660
- VOSIM-A new sound synthesis system
- (June)
- (1978) J. Audio Eng. Soc. , vol.26 , pp. 418-425
- Kaegi, W.¹ Tempelaars, S.²

24
- 0021499794
- Time-domain formant-wave-function synthesis
- J. G. Simon, Ed. (Reidel, Dordrecht, 1980). Reprinted in Comput. Music J.
- (1984) Spoken Language Generation and Understanding , vol.8 , Issue.3 , pp. 9-14
- Rodet, X.¹

25
- 0004005665
- (MIT Press, Cambridge, MA)
- (1992) Audition
- Buser, P.¹ Imbert, M.²

26
- 0004220070
- A. Ellis, Transl. (Reprinted: Dover, New York)
- (1954) The Sensations of Tone
- Helmholtz, H.¹

27
- 84938440015
- (Prentice-Hall, Englewood Cliffs, NJ)
- (1975) Theory and Applications of Digital Signal Processing
- Rabiner, L.¹ Gold, B.²

28
- 0005230328
- Musical applications of advanced signal transformations
- A. Piccialli, Ed. (Dipartimento Scienze Fisiche, Università di Napoli «Federico II», Naples)
- (1992) Proc. Capri Workshop on Models and Representations of Musical Signals
- Roads, C.¹

29
- 0005186345
- Musical sound transformation by convolution
- S. Ohteru and S. Hashimoto, Eds. (International Computer Music Association, San Francisco, CA)
- (1993) Proc. 1993 Int. Computer Music Conf. , pp. 102-109
- Roads, C.¹

30
- 0005135621
- Sound transformation via convolution
- C. Roads, S. Pope, A. Piccialli, and G. De Poli, Eds. (Swets and Zeitlinger, Amsterdam)
- (1997) Musical Signal Processing
- Roads, C.¹

31
- 0005203916
- Synth-O-Matic version 0.06 software
- (1990)
- McCartney, J.¹

32
- 0005209605
- (1994) Synth-O-Matic Version 0.45 Software
- McCartney, J.¹

33
- 0005195560
- (1995) SuperCollider Version 1 Software
- McCartney, J.¹

34
- 0005199092
- (1998) SuperCollider Version 2 Software
- McCartney, J.¹

35
- 0005143760
- Organization of clang-tint
- S. Ohteru and S. Hashimoto, Eds. (International Computer Music Association, San Francisco, CA)
- (1993) Proc. 1993 Int. Computer Music Conf.
- Roads, C.¹

36
- 84871413492
- Time scales of musical structure
- F. Barrière and G. Bennett, Eds. (Editions Mnemosyne, Bourges, France)
- (1999) Actes V. Académie Internationale de Musique Electroacoustique
- Roads, C.¹

37
- 0005234194
- Synthesis by formants: A new approach
- Proc. 1986 IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics (IEEE Acoustics, Speech, and Signal Processing Society, New York, 1986)
- Cavaliere, S.¹ Ortosecco, I.² Piccialli, A.³

38
- 0005195563
- Granular synthesis of musical signals
- C. Roads, S. Pope, A. Piccialli, and G. De Poli, Eds. (Swets and Zeitlinger, Amsterdam)
- (1997) Musical Signal Processing
- Cavaliere, S.¹ Piccialli, A.²

39
- 0003055101
- Pitch-synchronous granular synthesis
- G. De Poli, A. Piccialli, and C. Roads, Eds. (MIT Press, Cambridge, MA)
- (1991) Representations of Musical Signals , pp. 187-219
- De Poli, G.¹ Piccialli, A.²

40
- 0005199094
- (Chapman and Hall, London)
- (1949) Pulses and Transients in Communication Circuits
- Cherry, C.¹

* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.