Emerging concepts of posture and alignment

Medical Problems of Performing Artists

Volumn 16, Issue 1, 2001, Pages 8-16

  Krasnow, D ^a   Monasterio, R ^a   Chatfield, S J ^a  

^a NONE   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

BODY POSTURE; DANCING; HUMAN; KINESIOLOGY; MOTOR CONTROL; NEUROMUSCULAR FUNCTION; RECREATION; REVIEW;

EID: 0035102367     PISSN: 08851158     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Review

References (64)

1. Elements of control of voluntary movements
2. The Alexander technique for dancers
3. A sequence of postural movements precedes voluntary movement
4. Biomechanical study of the programming of anticipatory postural adjustments associated with voluntary movement
5. Training effects on experimental postural instability: A model for clinical therapy
6. Postural retraining in exceptional populations
7. Influence of event anticipation on postural actions accompanying voluntary movement
8. Towards a testable hypothesis of training principles for the neuromuscular facilitation of human movement
9. Electromyographic and kinematic analysis of movement repatterning in dance
10. Properties of postural adjustments associated with rapid arm movements
11. Forward and backward axial synergies in man
12. Effects of gymnastic training on postural responses to stance perturbations
13. Two modes of adaptive change to perturbations of forearm posture
14. Ideokinetic imagery as a postural development technique
15. Anticipatory postural adjustments during human locomotion
16. Coordination of posture & movement
17. Effect of dance technique training and somatic training on pelvic tilt and lumbar lordosis alignment during quiet stance and dynamic dance movement
18. The base of support in stance: Its characteristics and the influence of shoes upon the location of the center of weight
19. Central programming of postural movements: Adaptation to altered support-surface configurations
20. Multisensory training of standing balance in older adults: I. Postural stability and one-leg stance balance
21. Multisensory training of standing balance in older adults: II. Kinematic and electromyographic postural responses
22. Muscular activity pattern for skilled performance and during learning of a horizontal bar exercise
23. The nature of dance injuries
24. Imagery and conditioning practices for dancers
25. Anticipatory control of postural and task muscles during rapid arm flexion
26. Effects of arm acceleration and behavioral conditions on the organization of postural adjustments during arm flexion
27. The nature of the Feldenkrais method and its value to dancers
28. The standing posture
29. Movement, posture, and equilibrium: Interaction and coordination
30. Coordination between posture and movement: Why and how?
31. The nature of Ideokinesis and its value for dancers
32. The neural choreography underlying a pirouette-arabesque
33. Coordination between equilibrium and head-trunk orientation during leg movement: A new strategy built up by training
34. Fixed patterns of rapid postural responses among muscles during stance
35. The phase dependent organization of postural adjustments associated with arm pull movements while walking
36. Postural synergies in axial movements: Short and long-term adaptation
37. Physical screening of the dancer: General methodologies and procedures
38. An investigation of imaging as a facilitator for the development of the dancer
39. A preliminary investigation of two variations of the grand battement devant
40. Relationship between modern-dance experience and balancing performance
41. Electromyographic analysis of grand-pliė in ballet and modern dancers
42. Electromyographic analysis standing posture and demi-plié in ballet and modern dancers
43. Electromyographical comparison of the developpe devant at barre and centre
44. How linear is dancers' posture?
45. Preparatory process for anticipatory postural adjustment: Modulation of leg muscles reflex pathways during preparation for arm movements in standing man
46. Improvements in balance in the elderly through training in sensory organization abilities