Voice source differences between falsetto and modal registers in counter tenors, tenors and baritones

Logopedics Phoniatrics Vocology

Volumn 26, Issue 1, 2001, Pages 26-36

  Sundberg, J ^a   Hogset C ^a  

^a ROYAL INSTITUTE OF TECHNOLOGY   (Sweden)

Author keywords

Register; Singing; Subglottal pressure; Voice source

Indexed keywords

ADULT; AIRFLOW; ARTICLE; CLINICAL OBSERVATION; CONSONANT; CONTROLLED STUDY; DIGITAL FILTERING; GLOTTIS; HUMAN; HUMAN EXPERIMENT; LOUDNESS; MOUTH OCCLUSION PRESSURE; PITCH; PRESSURE; PRIORITY JOURNAL; REGISTER; SINGING; THICKNESS; VOCAL CORD; VOICE; WAVEFORM;

EID: 0034909487     PISSN: 14015439     EISSN: None     Source Type: Journal    
DOI: 10.1080/140154301300109107     Document Type: Article

References (21)

1. A comparison of contact microphone and electroglottograph for the measurement of vocal fundamental frequency
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3. Spectral characteristics of the modal and falsetto registers
4. Spectral correlates of glottal voice source waveform characteristics
5. A comparison of subglottal and intraoral pressure measurements during phonation
6. The function of the intrinsic laryngeal muscles in singing
7. The role of the layer structure of the vocal folds in register control
8. Regulation of register, pitch and intensity of voice
9. An acoustical study of isoparametric tones in the female chest and middle registers in singing
10. Laryngeal and pharyngeal behavior in countertenor and baritone singing-a videofiberscopic study
11. Voice register terminology and standard pitch
12. A new inverse filtering technique for deriving the glottal airflow waveform during voicing
13. Electroglottographic study of the changes of voice registers
14. Resonance balance in register categories of the singing voice: A spectral analysis study
15. Classification of glottal vibration from acoustic measurements
16. The source spectrum in professional singing
17. Effects of subglottal pressure variation on professional baritone singers' voice sources
18. Glottal airflow and subglottal pressure in the falsetto and modal registers of counter tenor singers
19. Geographic and cultural differences in singing
20. Vocal ligaments versus registers