Application of electromyography and electromyographic biofeedback in music performance research: A review of the literature since 1985

Medical Problems of Performing Artists

Volumn 15, Issue 3, 2000, Pages 115-118

  Kjelland, J M ^a  

^a Regenstein Hall ^*  (United States)

Author keywords

[No Author keywords available]

Indexed keywords

CORTICAL SYNCHRONIZATION; ELECTROMYOGRAPHY; FEEDBACK SYSTEM; MUSCLE POTENTIAL; MUSCLE TONE; MUSIC; PERFORMANCE; REVIEW;

EID: 0034445208     PISSN: 08851158     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Review

References (24)

1. Electromyography and the study of sports movements: A review of literature
2. Electromyographic biofeedback and the musician: A research synthesis
3. The effects of electromyographic biofeedback training on violoncello performance: Tone quality and muscle tension
4. Feedback delays and relaxation expectancies in EMG biofeedback
5. Generalization of EMG biofeedback training
6. Surface EMG as a method for observing the muscle activation patterns associated with strategies of string depression used by cellists
7. Trills: Some initial observations
8. An investigation of selected muscle potential activity in violin/viola vibrato
9. A comparative electromyographic and acoustic analysis of violin vibrato in healthy professional violinists
10. Muscular load levels in performing musicians as monitored by quantitative electromyography
11. Electromyography and muscle activities in double bass playing
12. EMG potentials prior to tone commencement in trumpet players
13. EMG patterns in embouchure muscles of trumpet players with asymmetrical mouthpiece placement
14. EMG changes in a trumpet player overcoming tone commencement difficulties: A case study
15. An electromyographic study of preparatory set in singing as influenced by the Alexander technique
16. Electromyographic analysis of muscular activity in the upper extremity generated by supporting a violin with and without a shoulder rest
17. Left arm muscle activation and movement patterns in cellists employing a playing technique using rhythmic cuing
18. Biofeedback in violin and viola pedagogy
19. The effect of electromyographic feedback on achievement in bowing technique
20. Enhancing and validating pedagogical practice: The use of electromyography during trumpet instruction