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Volumn 12, Issue 1, 2000, Pages 233-257

Globalizing the regional, regionalizing the global: Mass culture and Asianism in the age of late capital

(1)  Ching, Leo a  

a NONE

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EID: 0034408793     PISSN: 08992363     EISSN: None     Source Type: Journal    
DOI: 10.1215/08992363-12-1-233     Document Type: Article
Times cited : (90)

References (44)
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    • The resort to "culturalist" explanations for the rise of Asia is, needless to say, the working of both Eurocentrism and self-Orientalism, which are two sides of the same essentialist coin. The various "miracles" attributed to the Asian "tigers," "dragons," and "flying geese" only serve to accentuate the "natural" development of capitalism in the West. The recent collapse of some Asian economies is explained as the fall of "crony capitalisms" that are merely bad copies of the original Euro-American model. Interestingly, the various revivals of Confucianism that have explained the rise of Asian economies on cultural and philosophical grounds are, in the midst of the worsening economic condition, completely silent. Here, "Eurocentrism" and "self-Orientalism" are understood as intellectual positions and not ontological or geographical entities.
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    • Marx writes: "The trading peoples of old existed like the gods of Epicurus in the intermundia, or like the Jews in the pores of Polish society. The trade of the first independent and highly developed trading cities and peoples, as a pure carrying trade, rested on the barbarism of the producing peoples between whom they acted as intermediaries." Capital, vol. 3 (New York: Penguin Books in association with New Left Review, 1981), 447-48.
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    • note
    • Oshin was first aired in Japan from April 1983 to March 1984 and commanded a staggering 60 percent of the daytime television audience. It was first broadcast in Singapore in 1984, again with tremendous success. Over the subsequent ten years, it was shown in more than forty countries including Belgium, Australia, and Mexico. In Indonesia, it is estimated that 65 percent of the population watched the broadcast of Oshin, and it garnered astonishing 89.9 and 82 percent audience ratings in Beijing and Iran respectively. In Taiwan, with the removal of the ban on Japanese music and television programming in 1994, Oshin became an instant hit. Doraemon was created as a children's comic book character in 1970 by Hiroshi Fujimoto and Motoo Abiko, who shared the penname Fujio Fujiko. The comic was animated for television in 1978 and began broadcasting outside of Japan in the 1980s, mainly in Asian countries but also in Italy, Spain, Russia, Brazil and other Latin American countries, and in the Middle East.
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