Veiled voice and vision in iranian cinema: The evolution of Rakhshan Banietemad's films

Social Research

Volumn 67, Issue 2, 2000, Pages 537-576

  Naficy, Hamid ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0034195411     PISSN: 0037783X     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (13)

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4. Mernissi, Fatima. The Veil and The Male Elite: A Feminist Interpretation of Women's Rights in Islam. Trans. Mary Jo Lakeland. Reading, MA: Addison-Wesley Publishing Co, 1991.
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8. Moruzzi, Norma Glair. "Women's Space/Cinema Space: Representation of Public and Private in Iranian Films," paper presented at the Middle East Studies Association conference. Chicago, December 3-6, 1998: 1-14.
9. Murphy, Robert F. "Social Distance and the Veil." American Anthropologist 64 (1964): 1257-1274.
10. Naficy, Hamid. "Veiled Visions/Powerful Presences: Women in Post-revolutionary Iranian Cinema." In the Eye of the Storm: Women in Post-revolutionary Iran. Eds. Mahnaz Afkhami and Erika Friedl. London and New York: I. B. Tauris and Syracuse University Press, 1994, pp. 131-150.
11. -. "Islamizing Film Culture in Iran." Iran: Political Culture in the Islamic Republic. Eds. Samih Farsoun and Mehrdad Mashayekhi. London: Routledge, Kegan and Paul, 1992, pp. 173-208.
12. -. "Zan va Mas'aleh-ye Zan dar Sinema-ye Iran-e Ba'd az Enqelab." Nimeye Digar 14 (Spring, 1991): 123-169.
13. Rosen, Miriam. "The Camera Art: an Interview with Abbas Kiarostami." cinéaste 19:2-3 (1992): 38-40.