Perceptual and acoustic study of professionally trained versus untrained voices

Journal of Voice

Volumn 14, Issue 3, 2000, Pages 301-309

  Brown Jr , W S ^a,b   Rothman, Howard B ^a   Sapienza, Christine M ^a  

^a UNIVERSITY OF FLORIDA   (United States)

^b Department of Communication Sciences and Disorders ^*  (United States)

Author keywords

Acoustic analyses; Perception; Singing; Training; Voice

Indexed keywords

ACOUSTICS; ADULT; ARTICLE; CAREER; CLINICAL ARTICLE; FEMALE; HUMAN; MALE; MUSIC; SIGNAL NOISE RATIO; SINGING; SPEECH ANALYSIS; SPEECH ARTICULATION; SPEECH PERCEPTION; STIMULUS RESPONSE; TRAINING; VOICE;

EID: 0033795341     PISSN: 08921997     EISSN: None     Source Type: Journal    
DOI: 10.1016/S0892-1997(00)80076-4     Document Type: Article

References (22)

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4. Physiological differentiation between singers and nonsingers
5. The effects of continuous phonation on 133 xenon-inhalation air curves (of the kind used in deriving regional cerebral blood flow)
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7. Supraglottal air pressure variation from trained singers while speaking and singing
8. Differences in spectral analysis of a trained and an untrained singer
9. Vertical laryngeal position during continuous and discrete vocal frequency change
10. Vocal frequency and vertical larynx positioning by singers and nonsingers
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12. Respiratory kinematics in classical (opera) singers
13. Validity of rating scale measures of voice quality
14. Phonational profiles of female professional singers and nonsingers
15. Phonational profiles of male trained singers and nonsingers
16. The golden voice: Is it talent or training?