The shaping of soviet workers' leisure: Workers' clubs and palaces of culture in the 1930s

International Labor and Working-Class History

Volumn , Issue 56, 1999, Pages 78-92

  Siegelbaum, Lewis H ^a  

^a MICHIGAN STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0033478650     PISSN: 01475479     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0147547999002859     Document Type: Article

References (9)

1. Klub 8 (1935):38.
2. Bruce Grant, In the Soviet House of Culture (Princeton, 1995), xi.
3. Yuri Slezkine, "The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism," Slavic Review 53 (1994):414-52. For the USSR as a "superstate," see Moshe Lewin, Russia/USSR/Russia: The Drive and Drift of a Superstate (New York, 1995).
4. Yuri Slezkine, "The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism," Slavic Review 53 (1994):414-52. For the USSR as a "superstate," see Moshe Lewin, Russia/USSR/Russia: The Drive and Drift of a Superstate (New York, 1995).
5. For the treatment of the communal apartment as "the cornerstone of the now disappearing Soviet civilization," see Svetlana Boym, Common Places: Mythologies of Everyday Life in Russia (Cambridge, MA, 1994), 121-67, quotation on 123. See also Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford, 1989), 200-4, 213-19; and Albrecht Martiny, Bauen und Wohnen in der Sowjetunion nach dem Zweiten Weltkrieg (Berlin, 1983), 20-24, 138-58. The avant-gardist artist Ilya Kabakov has made the kommunalka the subject of paintings and exhibits. See Blair A. Ruble, "From Khrushcheby to Korobki," in Russian Housing in the Modern Age: Design and Social History, ed. William Craft Brumfield and Blair A. Ruble (Cambridge, UK, 1993), 232-33; and Dina Vierny et al., Fondation Dina Vierny-Musée Maillol (Paris, 1995), 128-29.
6. For the treatment of the communal apartment as "the cornerstone of the now disappearing Soviet civilization," see Svetlana Boym, Common Places: Mythologies of Everyday Life in Russia (Cambridge, MA, 1994), 121-67, quotation on 123. See also Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford, 1989), 200-4, 213-19; and Albrecht Martiny, Bauen und Wohnen in der Sowjetunion nach dem Zweiten Weltkrieg (Berlin, 1983), 20-24, 138-58. The avant-gardist artist Ilya Kabakov has made the kommunalka the subject of paintings and exhibits. See Blair A. Ruble, "From Khrushcheby to Korobki," in Russian Housing in the Modern Age: Design and Social History, ed. William Craft Brumfield and Blair A. Ruble (Cambridge, UK, 1993), 232-33; and Dina Vierny et al., Fondation Dina Vierny-Musée Maillol (Paris, 1995), 128-29.
7. For the treatment of the communal apartment as "the cornerstone of the now disappearing Soviet civilization," see Svetlana Boym, Common Places: Mythologies of Everyday Life in Russia (Cambridge, MA, 1994), 121-67, quotation on 123. See also Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford, 1989), 200-4, 213-19; and Albrecht Martiny, Bauen und Wohnen in der Sowjetunion nach dem Zweiten Weltkrieg (Berlin, 1983), 20-24, 138-58. The avant-gardist artist Ilya Kabakov has made the kommunalka the subject of paintings and exhibits. See Blair A. Ruble, "From Khrushcheby to Korobki," in Russian Housing in the Modern Age: Design and Social History, ed. William Craft Brumfield and Blair A. Ruble (Cambridge, UK, 1993), 232-33; and Dina Vierny et al., Fondation Dina Vierny-Musée Maillol (Paris, 1995), 128-29.
8. For the treatment of the communal apartment as "the cornerstone of the now disappearing Soviet civilization," see Svetlana Boym, Common Places: Mythologies of Everyday Life in Russia (Cambridge, MA, 1994), 121-67, quotation on 123. See also Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford, 1989), 200-4, 213-19; and Albrecht Martiny, Bauen und Wohnen in der Sowjetunion nach dem Zweiten Weltkrieg (Berlin, 1983), 20-24, 138-58. The avant-gardist artist Ilya Kabakov has made the kommunalka the subject of paintings and exhibits. See Blair A. Ruble, "From Khrushcheby to Korobki," in Russian Housing in the Modern Age: Design and Social History, ed. William Craft Brumfield and Blair A. Ruble (Cambridge, UK, 1993), 232-33; and Dina Vierny et al., Fondation Dina Vierny-Musée Maillol (Paris, 1995), 128-29.
9. For the treatment of the communal apartment as "the cornerstone of the now disappearing Soviet civilization," see Svetlana Boym, Common Places: Mythologies of Everyday Life in Russia (Cambridge, MA, 1994), 121-67, quotation on 123. See also Richard Stites, Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution (Oxford, 1989), 200-4, 213-19; and Albrecht Martiny, Bauen und Wohnen in der Sowjetunion nach dem Zweiten Weltkrieg (Berlin, 1983), 20-24, 138-58. The avant-gardist artist Ilya Kabakov has made the kommunalka the subject of paintings and exhibits. See Blair A. Ruble, "From Khrushcheby to Korobki," in Russian Housing in the Modern Age: Design and Social History, ed. William Craft Brumfield and Blair A. Ruble (Cambridge, UK, 1993), 232-33; and Dina Vierny et al., Fondation Dina Vierny-Musée Maillol (Paris, 1995), 128-29.