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Volumn 25, Issue 4, 1999, Pages 502-516

Looking back: The Cotswolds and English national identity, c. 1890-1950

Author keywords

[No Author keywords available]

Indexed keywords

HISTORICAL GEOGRAPHY; IDENTITY CONSTRUCTION; NATIONAL IDENTITY; NINETEENTH CENTURY; RURAL SOCIETY; TWENTIETH CENTURY;

EID: 0033212838     PISSN: 03057488     EISSN: None     Source Type: Journal    
DOI: 10.1006/jhge.1999.0163     Document Type: Article
Times cited : (25)

References (107)
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    • M. Chase, This is no claptrap: this is our heritage, in M. Chase and C. Shaw (Eds), The Imagined Past: History and Nostalgia (Manchester 1989);
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    • How English is it? Popular literature and national culture
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    • (1993) Space and Place: Theories of Identity and Location
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  • 7
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    • Englishness and the national culture
    • R. Colls and P. Dodd (Eds), London
    • P. Dodd, Englishness and the national culture, in R. Colls and P. Dodd (Eds), Englishness: Politics and Culture 1880-1920 (London 1986);
    • (1986) Englishness: Politics and Culture 1880-1920
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    • The Conservative Party and patriotism, in Colls and Dodd
    • H. Cunningham, The Conservative Party and patriotism, in Colls and Dodd, On England op. cil, 292.
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  • 27
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    • Memorials of Country History Series and editor of the Journal of the British Archaeological Association and three different county archaeological journals. Biographical information London
    • Ditchfield was also general editor of the Memorials of Country History Series and editor of the Journal of the British Archaeological Association and three different county archaeological journals. Biographical information from Who was Who 1929-1940: Volume 111 (London 1947) 368.
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    • Gloucester and London
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  • 36
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    • Introduction
    • J. A. Gibbs, Stroud
    • J. Lewis, Introduction, in J. A. Gibbs, A Cotswold Village, (Stroud 1988) 10-11.
    • (1988) A Cotswold Village , pp. 10-11
    • Lewis, J.1
  • 37
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    • Introduction
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    • J. Lewis, Introduction, A Cotswold Village, 1988 10-11.Ibid., 42.
    • (1988) A Cotswold Village , vol.42 , pp. 10-11
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  • 38
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    • Introduction
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    • J. Lewis, Introduction, A Cotswold Village, 1988 10-11.Ibid., 122.
    • (1988) A Cotswold Village , pp. 10-11
    • Lewis, J.1
  • 39
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    • Introduction
    • Stroud
    • J. Lewis, Introduction, A Cotswold Village, 1988 10-11.Ibid., 19-20.
    • (1988) A Cotswold Village , vol.19-20 , pp. 10-11
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  • 41
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    • George Gissing's Worker's in the Dawn (1880) dealt with the subject of vice, with the dire effect it produces on human beings, both physically and morally, when generation after generation lives and dies without a hope, or even wish, for anything better.
    • (1880) Worker's in the Dawn
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    • Havoc
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  • 51
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    • The Cotswolds
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    • Some Cotswold villages and a few reflections
    • December
    • G. Dawber, Some Cotswold villages and a few reflections, Architecture 1 (December 1896) 541.
    • (1896) Architecture , vol.1 , pp. 541
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  • 55
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    • The arts and crafts architecture of the Cotswold region
    • M. Greenstead, (Ed.), Stroud
    • C. Gordon, The arts and crafts architecture of the Cotswold region, in M. Greenstead, (Ed.), The Arts and Crafts Movement in the Cotswolds (Stroud 1993).
    • (1993) The Arts and Crafts Movement in the Cotswolds
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  • 66
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    • Stroud
    • Weaving a version of the national past into arguments about contemporary society is not a peculiarly English phenomenon. Chase and Shaw show how European writers and thinkers such as Weber, Tonnies and Durkheim saw that contemporary society was critically different from its predecessors and in that difference lay a loss. Chase and Shaw, The Arts and Crafts Movement in the Cotswolds op cit., 6-7.
    • The Arts and Crafts Movement in the Cotswolds , vol.6-7
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  • 74
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    • Harmondsworth [1959]
    • L. Lee, Cider with Rosie (Harmondsworth 1985 [1959]) 85.
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    • L. Lee, Cider with Rosie 1985 Ibid., 104-5, 216.
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  • 78
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    • Introduction
    • N. Carrington (Ed.), Birmingham
    • H. W. Timperley, Introduction, in N. Carrington (Ed.), Broadway and the Cotswolds (Birmingham 1933) 15.
    • (1933) Broadway and the Cotswolds , pp. 15
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  • 87
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    • Chase has argued that in the interwar years real and imagined pasts were mobilized in pursuit of a hidden agenda: ultra-conservative in its implications and profoundly reactionary in its social agenda. Chase,
    • The Charm of the English Village , vol.129
    • Chase1
  • 88
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    • London
    • Biographical details from Who was Who 1916-1928: Volume II (London 1947) 443.
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  • 91
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    • Oxford
    • Edmund Blunden, who wrote Squire's entry for the Dictionary of National Biography, noted that Squire strove for a reunion in English life of the useful and the beautiful. See E. Blunden, Dictionary of National Biography (Oxford 1971) 917.
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  • 92
  • 104
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    • note
    • Though writing for different reasons and with different motivations, authors demonstrate a remarkable consistency of imagery in their use of the past in representations of the Cotswolds. What are significantly absent are voices or opinions which challenge the traditional, rural, pastoral images of the region; the exhaustive search for such voices may open up interesting new avenues of research.
  • 105
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    • Doing the English village
    • P. Cloke, M. Doel, D. Matless, M. Phillips and N. Thrift (Eds), London
    • D. Matless, Doing the English village, in P. Cloke, M. Doel, D. Matless, M. Phillips and N. Thrift (Eds), Writing the Rural: Five Cultural Geographies (London 1994) 24.
    • (1994) Writing the Rural: Five Cultural Geographies , pp. 24
    • Matless, D.1


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