Rappin' on the tyne: White hip hop culture in northeast England - An ethnographic study

Sociological Review

Volumn 47, Issue 1, 1999, Pages 1-24

  Bennett, Andy ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0033077047     PISSN: 00380261     EISSN: None     Source Type: Journal    
DOI: 10.1111/1467-954X.00160     Document Type: Article

References (44)

1. Back, L., (1993), 'Race, Identity and Nation Within an Adolescent Community in South London', in New Community, 19 (2): 217-33.
2. Back, L., (1996), New Ethnicities and Urban Culture: Racisms and Multiculture in Young Lives, London: UCLA Press.
3. Beadle, J. J., (1993), Will Pop Eat Itself?: Pop Music in the Soundbite Era, London: Faber and Faber.
4. Bennett, A., (1997), 'Bhangra in Newcastle: Music, Ethnic Identity and the Role of Local Knowledge', in Innovation: The European Journal of the Social Sciences, 10 (1): 107-16.
5. Bjurström, E., (1997), 'The Struggle for Ethnicity: Swedish Youth Styles and the Construction of Ethnic Identities', in Young: Nordic Journal of Youth Research, 5 (3): 44-58.
6. Brewer, D. D. and Miller, M.L., (1990), 'Bombing and Burning: The Social Organization and Values of Hip Hop Graffiti Writers and Implications for Policy', in Deviant Behaviour, 11: 345-69.
7. Chambers, I., (1976), 'A Strategy for Living: Black Music and White Subcultures', in Hall, S. and Jefferson, T. (eds), Resistance Through Rituals: Youth Subcultures in Post-War Britain, London: Hutchinson.
8. Cobley, P. and Osgerby, W., (1995), ' "Peckham Clan Ain't Nothin' to Fuck With": Urban Rap Style in Britain', unpublished paper presented at the Youth 2000 Conference, University of Teesside, Middlesborough.
9. Colls, R. and Lancaster, W. (eds), (1992), Geordies: Roots of Regionalism, Edinburgh: Edinburgh University Press.
10. Condry, I., (forthcoming, 1999), 'The Social Production of Difference: Imitation and Authenticity in Japanese Rap Music', in Fehrenbach, H. and Poiger, U. (eds), Transactions, Transgressions, Transformations: American Culture in Western Europe and Japan, Providence, RI: Berghan Books.
11. Decker, J.L., (1994), 'The State of Rap: Time and Place in Hip Hop Nationalism', in A. Ross and T. Rose (eds), Microphone Fiends: Youth Music and Youth Culture, London: Routledge.
12. Deppe, J., (1997), Odem: On the Run - Eine Jugend in der Graffiti-Szene, Berlin: Schwarzkopf & Schwarzkopf.
13. Dyson, M.E., (1996), Between God and Gargsta Rap: Bearing Witness to Black Culture, New York: Oxford University Press.
14. Epstein, J.S., Pratto, D.J. and Skipper Jr., J.K., (1990), 'Teenagers, Behavioral Problems, and Preferences for Heavy Metal and Rap Music: A Case Study of a Southern Middle School', Deviant Behavior, 11: 381-94.
15. Filippa, M., (1996), 'Popular Song and Musical Cultures', in Forgacs, D. and Lumley, R. (eds), Italian Cultural Studies: An Introduction, Oxford: Oxford University Press.
16. Flores, J., (1994), 'Puerto Rican and Proud, Boyee!: Rap Roots and Amnesia', in Ross, A. and Rose, T. (eds), Microphone Fiends: Youth Music and Youth Culture, London: Routledge.
17. Foner, N., (1978), Jamaica Farewell: Jamaican Migrants in London, London: Routledge and Kegan Paul.
18. Fryer, P., (1998), 'The "Discovery" and Appropriation of African Music and Dance', in Race and Class, 39 (3): 1-20.
19. Gillett, C., (1983), The Sound of the City: The Rise of Rock and Roll, 2nd edn, London: Souvenir Press.
20. Gilroy, P., (1993), The Black Atlantic: Modernity and Double Consciousness, London: Verso.
21. Harpin, L., (1993), 'One Continent Under a Groove', in ID: The Europe Issue, 16 May: 58-60.
22. Hebdige, D., (1976a), 'The Meaning of Mod', in Hall, S. and Jefferson, T. (eds), Resistance Through Rituals: Youth Subcultures in Post-War Britain, London: Hutchinson.
23. Hebdige, D., (1976b), 'Reggae, Rastas and Rudies', in Hall, S. and Jefferson, T. (eds), Resistance Through Rituals: Youth Subcultures in Post-War Britain, London: Hutchinson.
24. Hebdige, D., (1979), Subculture: The Meaning of Style, London: Routledge.
25. Hebdige, D, (1987), Cut 'n' Mix: Culture, Iaentity and Caribbean Music, London: Routledge.
26. Hollands, R., (1995), Friday Night, Saturday Night: Youth Cultural Identification in the Post-Industrial City, University of Newcastle, Department of Social Policy: Working Paper No. 2.
27. Jones, A., (1988), Black Culture, White Youth. The Reggae Tradition from JA to UK, London: Macmillan.
28. Lachmann, R., (1988), 'Graffiti as Career and Ideology', American Journal of Sociology, 94 (2): 229-50.
29. Light, A., (1992), 'About a Salary or Reality?: Rap's Recurrent Conflict', in DeCurtis, A. (ed.), Present Tense: Rock and Roll Culture, London: Duke University Press.
30. Lipsitz, G., (1994), Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place, London: Verso.
31. Lull, J., (1995), Media Communication, Culture: A Global Approach, Cambridge: Polity Press.
32. Marks, A., (1990), 'Young, Gifted and Black: Afro-American and Afro-Caribbean Music in Britain 1963-88', in Oliver, P. (ed.), Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Milton Keynes: Open University Press.
33. Maxwell, I. (with N. Bambrick), (1994), 'Discourses of Culture and Nationalism in Contemporary Sydney Hip Hop', in Perfect Beat, 2 (1): 1-19.
34. Milestone, K., (1997), 'Love Factory: The Sites, Practices and Media Relationships of Northern Soul', in Redhead, S., Wynn, D. and O'Connor, J. (eds), The Clubcultures Reader: Readings in Popular Cultural Studies, Oxford: Blackwell.
35. Mitchell, T., (1996), Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania, Leicester: Leicester University Press.
36. Mitchell, T., (1998), 'Australian hip hop as a "glocal" subculture', Ultimo Series Seminar, UTS, 18 March.
37. Oliver, P. (ed.), (1990), Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Milton Keynes: Open University Press.
38. Potter, R., (1995), Spectacular Vernaculars: Hip Hop and the Politics of Postmodernism, New York: State University of New York Press.
39. Ritzer, G., (1993), The McDonaldization of Society: An Investigation Into the Changing Character of Contemporary Social Life, London: Pine Forge Press.
40. Robertson, R., (1995), 'Glocalization: Time-Space and Homogeneity-Heterogeneity', in Featherstone, M., Lash, S. and Robertson, R. (eds), Global Modernities, London: Sage.
41. Rose, T., (1994), Black Noise: Rap Music and Black Culture in Contemporary America, London: Wesleyan University Press.
42. Sexton, A., (1995), 'Don't Believe the Hype: Why Isn't Hip-Hop Criticism Better?', in Sexton, A. (ed.), Rap on Rap: Straight-Up Talk on Hip-Hop Culture, New York: Delta.
43. Shank, B., (1994), Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas, London: Wesleyan University Press.
44. Sharma, S., (1996), 'Noisy Asians or "Asian Noise"?', in Sharma, S., Hutnyk, J. and Sharma, A. (eds), Dis-Orienting Rhythms: The Politics of the New Asian Dance Music, London: Zed Books.