Shaping the real: Democratization and commodification in UK factual broadcasting

European Journal of Communication

Volumn 13, Issue 2, 1998, Pages 201-218

  Kilborn, Richard W ^a  

^a UNIVERSITY OF STIRLING   (United Kingdom)

Author keywords

Access television; Camera technology; Documentary programming; Video Diaries; Video Nation

Indexed keywords

EID: 0032221306     PISSN: 02673231     EISSN: None     Source Type: Journal    
DOI: 10.1177/0267323198013002003     Document Type: Article

References (9)

1. Brecht, Bertolt (1964) 'The Radio as an Apparatus of Communication', Brecht on Theatre, ed. and trans. by John Willett. New York: Hill and Wang. (Originally published 1932.)
2. Corner, John (1994) 'Mediating the Ordinary: The "Access" Idea and Television Form', pp. 20-33 in M. Aldridge and N. Hewitt (eds) Controlling Broadcasting. Manchester: Manchester University Press.
3. Corner, John (1996) The Art of Record: A Critical Introduction to Documentary. Manchester: Manchester University Press.
4. Graef, Roger (1998) 'The Flipside of Flop', The Guardian 5 January (Part 2, Media Section): 2-3.
5. Kilborn, Richard (1995) 'How Real Can You Get?: Recent Developments in Reality Television', European Journal of Communication 9(4): 421-39.
6. Kilborn, Richard and John Izod (1997) An Introduction to Television Documentary: Confronting Reality. Manchester: Manchester University Press.
7. Murdock, Graham (1993) 'Communications and the Constitution of Modernity', Media, Culture and Society 15: 521-39.
8. Murrell, Rachel (1995) 'Camcorder in Wonderland', The Guardian 13 March (Part 2): 15.
9. O'Shaughnessy, Michael (1997) 'Private Made Public: Ordinary People, Extraordinary Documentaries', Continuum: The Australian Journal of Media and Culture 11(1): 84-99.