The effect of tone duration on auditory stream formation

Perception and Psychophysics

Volumn 60, Issue 5, 1998, Pages 852-861

  Beauvois, Michael W ^a,b,c  

^a CNRS   (France)

^b IRCAM   (France)

^c UNIVERSITY OF LEICESTER   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

ADULT; ARTICLE; HEARING; HUMAN; PHYSIOLOGY; TIME;

ADULT; AUDITORY PERCEPTION; HUMANS; TIME FACTORS;

EID: 0032110310     PISSN: 00315117     EISSN: None     Source Type: Journal    
DOI: 10.3758/BF03206068     Document Type: Article

References (9)

1. BEAUVOIS, M. W., & MCADAMS, S. (1998). An excitation-pattern model of auditory-stream formation. Unpublished manuscript, IRCAM, Paris.
2. BEAUVOIS, M. W., & MEDDIS, R. (1995). Computer simulation of Gestalt auditory grouping by frequency proximity. In L. S. Smith & P. J. B. Hancock (Eds.), Neural computation and psychology (pp. 155-164). London: Springer-Verlag.
3. BEAUVOIS, M. W., & MEDDIS, R. (1996). Computer simulation of auditory stream segregation in alternating-tone sequences. Journal of the Acoustical Society of America, 99, 2270-2280.
4. BREGMAN, A. S. (1990). Auditory scene analysis. Cambridge, MA: MIT Press.
5. BREGMAN, A. S., AHAD, P. A., & O'REILLY, J. (1998). Effects of tone duration on auditory stream segregation. Unpublished manuscript, McGill University.
6. DANNENBRING, G. L., & BREGMAN, A. S. (1976). Stream segregation and the illusion of overlap. Journal of Experimental Psychology: Human Perception & Performance, 2, 544-555.
7. HARTMANN, W. M., & JOHNSON, D. (1991). Stream segregation and peripheral channeling. Music Perception, 9, 155-184.
8. LINDEMANN, E., PUCKETTE, M., VIARA, E., DE CECCO, M., DECHELLE, F., & SMITH, B. (1991). The architecture of the IRCAM Musical Workstation. Computer Music Journal, 15(3), 41-49.
9. VAN NOORDEN, L. P. A. S. (1975). Temporal coherence in the perception of tone sequences. Unpublished doctoral dissertation, Institute for Perception Research, Eindhoven.