Artificial buzzing lips and brass instruments: Experimental results

Journal of the Acoustical Society of America

Volumn 104, Issue 3 I, 1998, Pages 1627-1632

  Gilbert, Joël ^a   Ponthus, Sylvie ^a   Petiot, Jean François ^b  

^a UNIVERSITÉ DU MAINE   (France)

^b INSTITUT DE RECHERCHE EN COMMUNICATIONS ET CYBERNÉTIQUE DE NANTES   (France)

Author keywords

[No Author keywords available]

Indexed keywords

ARTICLE; AUDITORY CORTEX; FREQUENCY ANALYSIS; MUSIC; OSCILLATION; PRIORITY JOURNAL; RAMAN SPECTROMETRY;

EID: 0031709265     PISSN: 00014966     EISSN: None     Source Type: Journal    
DOI: 10.1121/1.424375     Document Type: Article

References (39)

1. Adachi, S., and Sato, M. (1996). "Trumpet sound simulation using a two-dimensional lip vibration model," J. Acoust. Soc. Am. 99, 1200-1209.
2. Aurégan, Y., and Depollier, C. (1995). "Snoring: linear stability analysis and in-vitro experiments," J. Sound Vib. 188, 39-54.
3. Backus, J. (1963). "Small-vibration theory of the clarinet," J. Acoust. Soc. Am. 35, 305-313.
4. Backus, J. (1976). "Input impedance curves for the brass instruments," J. Acoust. Soc. Am. 60, 470-480.
5. Bailliet, H., Pelorson, X., Richardson, B., and Lallouache, T. (1995). "Lip vibration and pressure recordings during french horn playing," in Proceedings of the International Symposium on Musical Acoustics, Dourdan, France (Société Française d'Acoustique, Paris), pp. 23-28.
6. Beauchamp, J. W. (1980). "Analysis of simultaneous mouthpiece and output waveforms," Audio Engineering Society, preprint No. 1626, pp. 1-11.
7. Campbell, D. M., and Greated, C. (1987). The Musician's Guide to Acoustics (Dent, London).
8. Caussé, R., Kergomard, J., and Lurton, X. (1984). "Input impedance of brass musical instruments - Comparison between experiment and numerical models," J. Acoust. Soc. Am. 75, 241-254.
9. Chen, F. C., and Weinreich, G. (1996). "Nature of the lip reed," J. Acoust. Soc. Am. 99, 1227-1233.
10. Copley, D. C., and Strong, W. J. (1996). "A stroboscopic study of lip vibrations in a trombone," J. Acoust. Soc. Am. 99, 1219-1226.
11. Cullen, J., Gilbert, J., Campbell, D. M., and Greated, C. A. (1998). "Acoustical measurements in resonators driven by an artificial mouth, oscillation threshold behavior," in Proceeding of the International Symposium on Musical Acoustics, Seattle (Acoustical Society of America and Catgut Acoustical Society), pp. 141-146.
12. Dalmont, J. P., and Bruneau, A. M. (1991). "Acoustic impedance measurement: plane-wave mode and first helical-mode contributions," J. Acoust. Soc. Am. 91, 3026-3033.
13. Dalmont, J. P., Gazengel, B., Gilbert, J., and Kergomard, J. (1995). "Some aspects of tuning an clean intonation in read instruments," Appl. Acoust. 46, 19-60.
14. Dietz, P., and Amir, N. (1995). "Synthesis of trumpet tones by physical modeling," in Proceedings of the International Symposium on Musical Acoustics (Société Française d'Acoustique, Paris), pp. 471-477.
15. Elliot, S. J., and Bowsher, J. M. (1982). "Regeneration in brass wind instruments," J. Sound Vib. 83, 181-217.
16. Elliot, S. J., Bowsher, J., and Watkinson, P. (1982). "Input and transfer response of brass wind instruments," J. Acoust. Soc. Am. 72, 1747-1760.
17. Fletcher, N. H. (1979). "Excitation mechanisms in woodwind and brass instruments," Acustica 43, 63-72.
18. Gazengel, B. (1994). "Caractérisation objective de la qualité de justesse, de timbre et d'émission des instruments à vent à anche simple" (text in french), Doctoral thesis, Université du Maine, Le Mans, France.
19. Gilbert, J. (1991). "Etude des instruments de musique à anche simple: extension de la méthode de'équilibrage harmonique, rôle de l'inharmonicité des résonances, mesure des grandeurs d'entrée" (text in french), Doctoral thesis Université du Maine, Le Mans, France.
20. Gilbert, J., and Petiot, J. F. (1997a). "Non-linéarités dans les instruments a vent de type cuivre" (text in french), Actes du 4ième Congrès Francais d'Acoustique, Marseille (Société Française d'Acoustique, Paris), Vol. 1, pp. 641-644.
21. Gilbert, J., and Petiot, J. F. (1997b). "Brass instruments, some theoretical and experimental results," Proceedings of the International Symposium on Musical Acoustics (Institute of Acoustics, London), Vol. 19, pp. 391-400.
22. Gokhshtein, A. Y. (1981). "Role of airflow modulator in the excitation of sound in wind instruments," Sov. Phys. Dokl. 25, 954-956.
23. Hirschberg, A., Gilbert, J., Msallam, R., and Wijnands, A. P. J. (1996). "Shock waves in trombones," J. Acoust. Soc. Am. 99, 1754-1758.
24. Idogawa, T., Kobata, T., Komuro, K., and Iwaki, M. (1993). "Nonlinear vibrations in the air column of a clarinet artificially blown, J. Acoust. Soc. Am. 93, 540-551.
25. Ishizaka, K., and Flanagan, J. (1972). "Synthesis of voiced sounds from a two-mass model of the vocal cords," Bell Syst. Tech. J. 51, 1233-1268.
26. Jorno, D. (1996). "Etude théorique et expérimentale de l'auto-oscillation des'lèvres en présence d'un couplage acoustique" (text in french), Rapport du DEA ATIAM, Institut de la Communication Parlée, Grenoble, France.
27. Juin, F. (1996). "Simulations numériques d'instruments à vent de type cuivre" (text in french), Rapport du DEA d'Acoustique Appliquée, Université du Maine, Le Mans, France.
28. Martin, D. W. (1942). "Lip vibrations in a cornet mouthpiece," J. Acoust. Soc. Am. 13, 305-308.
29. Meynial, X. (1987). "Systèmes micro-intervalles pour instruments à vent à trous latéraux; Oscillation d'une anche simple couplée à un résonateur de forme simple" (text in french), Doctoral thesis, Université du Maine, Le Mans, France.
30. Msallam, R., Dequidt, S., Tassait, S., and Caussé, R. (1997). "Physical model of the trombone including non-linear propagation effects," Proceedings of International Symposium on Musical Acoustics (Institute of Acoustics, London), Vol. 19, pp. 419-424.
31. Pelorson, X., Hirschberg, A., Van Hassel, R. R., Wijnands, A. P. J., and Auregan, Y. (1994). "Theoretical and experimental study of quasisteady-flow separation within the glottis during phonation. Application to a modified two-mass model," J. Acoust. Soc. Am. 96, 3416-3431.
32. Piau, L. (1997). "Etude expérimentale du comportement d'instruments de musique en situation de jeu, Bouche artificielle version 2" (text in french), Rapport de recherche, Ecole Centrale de Nantes, France.
33. Pratt, R. L., Elliott, S. J., and Bowsher, J. M. (1977). "The measurement of the acoustic impedance of brass instruments," Acustica 38, 236-246.
34. Rodet, X., and Vergez, C. (1996). "Physical models of trumpet-like instruments detailed behavior and model improvements," Proceedings of ICMC96, Honk-Kong (unpublished).
35. Saneyoshi, J., Teramura, H., and Yoshikawa, S. (1987). "Feedback oscillations in reed woodwind and brasswind instruments," Acustica 62, 194-210.
36. Strong, W. J., and Dudley, J. D. (1993). "Simulation of a player-trumpet system," Proceedings of the Stockholm Music Acoustics Conference (Royal Swedish Academy of Music, Stockholm), No. 79, pp. 520-524.
37. Vergez, C., and Rodet, X. (1997). "Model of the trumpet fundtionning: real time simulation and experiments with an artificial mouth," Proceedings of International Symposium on Musical Acoustics (Institute of Acoustics, London), Vol. 19, pp. 425-432.
38. Wilson, T. A., and Beavers, G. S. (1974). "Operating modes of the clarinet," J. Acoust. Soc. Am. 56, 653-658.
39. Yoshikawa, S. (1995). "Acoustical behavior of brass player's lips," J. Acoust. Soc. Am. 97, 1929-1939.