Progress in concert hall design - Developing an awareness of spatial sound and learning how to control it

EBU Technical Review

Volumn , Issue 274, 1997, Pages 31-39

  Essert, R ^a  

^a ARUP   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

DATA CHANNELS; SOUND PROPOGATION; SPATIAL SOUND; THREE-DIMENSIONAL IMPULSE RESPONSE (3DIR);

ACOUSTIC WAVE PROPAGATION; CEILINGS; COMPUTATIONAL GEOMETRY; DATA ACQUISITION; INFORMATION USE; SPATIAL VARIABLES CONTROL; STRUCTURAL DESIGN; ACOUSTIC RECEIVERS; ACOUSTIC VARIABLES CONTROL; ACOUSTIC VARIABLES MEASUREMENT; AUDITION; FREQUENCY RESPONSE; MATHEMATICAL MODELS;

ARCHITECTURAL ACOUSTICS; AUDIO ACOUSTICS;

CONCERT HALL DESIGN; IMPULSE RESPONSE; SPATIAL ACOUSTICS;

EID: 0031357084     PISSN: 10196587     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (12)

1. Sabine, W.C.: Reverberation The American Architect, 1900. (Republished in Collected papers on Acoustics, Dover Publications, 1964).
2. Sabine, W.C.: Reverberation The American Architect, 1900. (Republished in Collected papers on Acoustics, Dover Publications, 1964).
3. Marshall, A.H.: A note on the Importance of room cross section in concert halls J. Sound, Vib. 5, pps 100-112, 1967.
4. Barron, M.: The subjective effects of first reflections in concert halls - the need for lateral reflections J. Sound, Vib. 15, pps 475 - 494, 1971.
5. Schroeder, M.,Gottlob, D. and Siebrasse, K.: Comparative study of European concert halls: Correlation of subjective preference with geometric and acoustic parameters J. Acoust. Soc. Am., Vol. 56, No. 1195, 1974.
6. Blauert, J.: Spatial Hearing MIT Press, Cambridge, MA, 1983.
7. Ando, Y.: Concert Hall Acoustics Springer Verlag, Berlin, 1985.
8. Griesinger, D.: Quantifying musical acoustics through audibility J. Acoust. Soc. Am., Vol. 94, No. 1891, 1993.
9. th International Congress on Acoustics, Tokyo, 1968.
10. Bradley, J.S.: Contemporary approaches to evaluating auditorium acoustics Proc. AES International Conference, 3 - 6 May, 1990.
11. Beranek, L.: How They Sound - Concert and Opera Halls Acoustical Society of America, Woodbury, New York, 1996.
12. nd AES Convention, Vienna, March 1992.