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Volumn 29, Issue 4, 1997, Pages 489-516

Postmodernity and the routinization of novelty: Heidegger on boredom and technology

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EID: 0031287665     PISSN: 00323497     EISSN: None     Source Type: Journal    
DOI: 10.2307/3235265     Document Type: Article
Times cited : (45)

References (84)
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    • 25. Martin Heidegger, Nietzsche, Vol. 1: The Will to Power as Art, trans. D. Krell (New York: Harper and Row, 1979), p. 99. See also Martin Heidegger, Schelling's Treatise on the Essence of Human Freedom, trans. J. Stambaugh (Athens: Ohio University Press, 1985), p. 105; and Heidegger, Being and Time, p. 175.
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    • trans. J. Stambaugh Athens: Ohio University Press
    • 25. Martin Heidegger, Nietzsche, Vol. 1: The Will to Power as Art, trans. D. Krell (New York: Harper and Row, 1979), p. 99. See also Martin Heidegger, Schelling's Treatise on the Essence of Human Freedom, trans. J. Stambaugh (Athens: Ohio University Press, 1985), p. 105; and Heidegger, Being and Time, p. 175.
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    • 25. Martin Heidegger, Nietzsche, Vol. 1: The Will to Power as Art, trans. D. Krell (New York: Harper and Row, 1979), p. 99. See also Martin Heidegger, Schelling's Treatise on the Essence of Human Freedom, trans. J. Stambaugh (Athens: Ohio University Press, 1985), p. 105; and Heidegger, Being and Time, p. 175.
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    • 31. Martin Heidegger, Gesamtausgabe, vol. 13 (Frankfurt am Main: Vittorio Klostermann, 1983), p. 156. See also Richard Bernstein, The New Constellation: The Ethical-Political Horizons of Modernity/Postmodernity (Cambridge: MIT Press, 1991), p. 179.
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    • 33. Sean Healy makes a useful distinction between deep boredom and other depressed states of mind, observing that "the depressed feel themselves inadequate; the hyperbored experience the world as insufficient" (Healy, Boredom, Self, and Culture, p. 60).
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