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Volumn 59, Issue 7, 1997, Pages 1069-1076

Expectancies generated by melodic intervals: Evaluation of principles of melodic implication in a melody-completion task

Author keywords

[No Author keywords available]

Indexed keywords

ADOLESCENT; ADULT; ARTICLE; COMPARATIVE STUDY; FEMALE; HEARING; HUMAN; MALE; MIDDLE AGED; MUSIC;

EID: 0031243592     PISSN: 00315117     EISSN: None     Source Type: Journal    
DOI: 10.3758/BF03205521     Document Type: Article
Times cited : (38)

References (20)
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  • 3
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  • 4
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    • (1981) Psychomusicology , vol.1 , pp. 34-51
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  • 5
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    • Music as a stimulus for psychological motion: Part 2. An expectancy model
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    • Jones, M.R.1
  • 6
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    • Learning and the development of expectancies: An interactionist approach
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  • 7
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    • Melodic structure: Theoretical and empirical descriptions
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    • KRUMHANSL, C. L. (1991). Melodic structure: Theoretical and empirical descriptions. In J. Sundberg, L. Nord, & R. Carlson (Eds.), Music, language, speech and brain (pp. 269-283). London: Macmillan.
    • (1991) Music, Language, Speech and Brain , pp. 269-283
    • Krumhansl, C.L.1
  • 8
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    • Music psychology and music theory: Problems and prospects
    • KRUMHANSL, C. L. (1995). Music psychology and music theory: Problems and prospects. Music Theory Spectrum, 17, 53-80.
    • (1995) Music Theory Spectrum , vol.17 , pp. 53-80
    • Krumhansl, C.L.1
  • 9
    • 0020161395 scopus 로고
    • Tracing the dynamic changes in perceived tonal organization in a spatial representation ot musical keys
    • KRUMHANSL, C. L., & KESSLER, E. (1982). Tracing the dynamic changes in perceived tonal organization in a spatial representation ot musical keys. Psychological Review, 89, 334-368.
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    • Krumhansl, C.L.1    Kessler, E.2
  • 11
    • 0040133045 scopus 로고
    • The "genetic code" of melody: Cognitive structures generated by the implication-realization model
    • NARMOUR, E. (1989). The "genetic code" of melody: Cognitive structures generated by the implication-realization model. Contemporary Music Review, 4, 45-63.
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    • PALMER, C. (1992). The role of interpretive preferences in music performance. In M. R. Jones & S. Holleran (Eds.), Cognitive bases of musical communication (pp. 249-262). Washington, DC: American Psychological Association.
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  • 15
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    • Expectancy in melody: Tests of the implication-realization model
    • SCHELLENBERG, E. G. (1996). Expectancy in melody: Tests of the implication-realization model. Cognition, 58, 75-125.
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  • 16
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.