Garage Cinema and the Future of Media Technology

Communications of the ACM

Volumn 40, Issue 2, 1997, Pages 42-48

  Davis, Marc ^a  

^a Interval Research Corporation   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTATION THEORY; COMPUTER APPLICATIONS; INFORMATION TECHNOLOGY; SOCIAL ASPECTS; TECHNICAL WRITING;

COMPUTATIONAL MOTION PICTURES; GLOTTOGRAPHIC WRITING SYSTEMS; SEMASIOGRAPHIC WRITING SYSTEMS;

MOTION PICTURES;

EID: 0031075546     PISSN: 00010782     EISSN: None     Source Type: Journal    
DOI: 10.1145/253671.253697     Document Type: Article

References (10)

1. Bliss, C.K. Semantography-Blissymbolics. 3d Ed., Australia: Semantography-Blissymbolics Publications, Sydney, N.S.W., Australia, 1978.
2. Davis, M. Media Streams: Representing video for retrieval and repurposing. Ph.D. dissertation, Massachusetts Institute of Technology, 1995.
3. Davis, M. Media Streams: An iconic visual language for video representation. In Readings in Human-Computer Interaction: Toward the Year 2000, R.M. Baecker, J. Grudin, W.A.S. Buxton, and S. Greenberg, Eds., 854-66. 2nd ed., San Francisco: Morgan Kaufmann Publishers, Inc., 1995. (Also available at http://www.interval.com/papers/medias-treams/).
4. Jenkins, H. Textual poachers: Television fans & participatory culture. Studies in Culture and Communication, J. Fiske, Ed. Routledge, New York, 1992.
5. Mallery, G. Picture-Writing of the American Indians. Vols. 1 and 2. Dover Publications, New York, 1972.
6. McLuhan, M. Understanding Media: The Extensions of Man. McGraw-Hill, NY, 1965.
7. Neurath, O. International Picture Language. State Mutual Book and Periodical Service, New York, 1981.
8. Ong, W.J. Orality and Literacy: The Technologizing of the Word. T. Hawkes Ed., New Accents, Methuen, London, 1982.
9. Sampson, G. Writing Systems: A Linguistic Introduction. Stanford, California: Stanford University Press, 1985.
10. Yates, F.A. The Art of Memory. University of Chicago Press, Chicago, 1996.