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Volumn 38, Issue 3, 1996, Pages 411-433

Women and immigrants in the sweatshop: Categories of labor segmentation revisited

Author keywords

[No Author keywords available]

Indexed keywords

GARMENT PRODUCTION; LABOUR SEGMENTATION; SEX DISCRIMINATION; TEXTILE INDUSTRY; WOMEN'S ISSUES;

EID: 0030391170     PISSN: 00104175     EISSN: None     Source Type: Journal    
DOI: 10.1017/s0010417500020004     Document Type: Article
Times cited : (19)

References (149)
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    • The major contemporary works on the garment industry tend to treat primarily either women or immigrants. For example, see Judith Coffin, "Woman's Place and Women's Work in the Paris Clothing Trades, 1830-1914 (disser., Yale University, 1985), who does deal with immigrants, briefly, 149-155; Lorraine Coons, Women Home Workers in the Parisian Garment Industry, 1860-1915 (New York City: Garland Publishing, 1987); Roger D. Waldinger, Through the Eye of the Needle: Immigrants and Enterprise in New York's Garment Trades (New York: New York University Press, 1986) (most of the immigrant owners he interviewed were men). In the mid-1950s, two books came out almost simultaneously, one dealing with women homeworkers and the other with male immigrant homeworkers in Paris. Madeleine Guilbert and Viviane Isambert-Jamati, Travail féminin et travail à domicile (Paris: CNRS, 1956); Joseph Klatzmann, Le travail à domicile dańs l'industrie parisienne du vêtement (Paris: Armand Colin, 1957). Klatzmann simply notes that their book appeared just after his was completed. Some of the notable recent exceptions are Susan Glenn, Daughters of the Shtetl: Life and Labor in the Immigrant Generation (Ithaca: Cornell University Press, 1990); Miriam Cohen, Workshop to Office: Two Generations of Italian Women in New York City, 1900-1950 (Ithaca: Cornell University Press, 1992); Annie Phizacklea, Unpacking the Fashion Industry (London: Routledge, 1990). For an excellent treatment of some of the methodological problems in analytical dualisms, particularly with regard to class and gender, see Lourdes Beneria and Martha Roldan, The Crossroads of Class and Gender: Industrial Homework, Subcontracting, and Household Dynamics in Mexico City (Chicago: University of Chicago Press, 1987); and Joy Parr, The Gender of Breadwinners: Women, Men, and Change in Two Industrial Towns. 1880-1950 (Toronto: University of Toronto Press, 1990), 7-9.
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    • The major contemporary works on the garment industry tend to treat primarily either women or immigrants. For example, see Judith Coffin, "Woman's Place and Women's Work in the Paris Clothing Trades, 1830-1914 (disser., Yale University, 1985), who does deal with immigrants, briefly, 149-155; Lorraine Coons, Women Home Workers in the Parisian Garment Industry, 1860-1915 (New York City: Garland Publishing, 1987); Roger D. Waldinger, Through the Eye of the Needle: Immigrants and Enterprise in New York's Garment Trades (New York: New York University Press, 1986) (most of the immigrant owners he interviewed were men). In the mid-1950s, two books came out almost simultaneously, one dealing with women homeworkers and the other with male immigrant homeworkers in Paris. Madeleine Guilbert and Viviane Isambert-Jamati, Travail féminin et travail à domicile (Paris: CNRS, 1956); Joseph Klatzmann, Le travail à domicile dańs l'industrie parisienne du vêtement (Paris: Armand Colin, 1957). Klatzmann simply notes that their book appeared just after his was completed. Some of the notable recent exceptions are Susan Glenn, Daughters of the Shtetl: Life and Labor in the Immigrant Generation (Ithaca: Cornell University Press, 1990); Miriam Cohen, Workshop to Office: Two Generations of Italian Women in New York City, 1900-1950 (Ithaca: Cornell University Press, 1992); Annie Phizacklea, Unpacking the Fashion Industry (London: Routledge, 1990). For an excellent treatment of some of the methodological problems in analytical dualisms, particularly with regard to class and gender, see Lourdes Beneria and Martha Roldan, The Crossroads of Class and Gender: Industrial Homework, Subcontracting, and Household Dynamics in Mexico City (Chicago: University of Chicago Press, 1987); and Joy Parr, The Gender of Breadwinners: Women, Men, and Change in Two Industrial Towns. 1880-1950 (Toronto: University of Toronto Press, 1990), 7-9.
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    • The major contemporary works on the garment industry tend to treat primarily either women or immigrants. For example, see Judith Coffin, "Woman's Place and Women's Work in the Paris Clothing Trades, 1830-1914 (disser., Yale University, 1985), who does deal with immigrants, briefly, 149-155; Lorraine Coons, Women Home Workers in the Parisian Garment Industry, 1860-1915 (New York City: Garland Publishing, 1987); Roger D. Waldinger, Through the Eye of the Needle: Immigrants and Enterprise in New York's Garment Trades (New York: New York University Press, 1986) (most of the immigrant owners he interviewed were men). In the mid-1950s, two books came out almost simultaneously, one dealing with women homeworkers and the other with male immigrant homeworkers in Paris. Madeleine Guilbert and Viviane Isambert-Jamati, Travail féminin et travail à domicile (Paris: CNRS, 1956); Joseph Klatzmann, Le travail à domicile dańs l'industrie parisienne du vêtement (Paris: Armand Colin, 1957). Klatzmann simply notes that their book appeared just after his was completed. Some of the notable recent exceptions are Susan Glenn, Daughters of the Shtetl: Life and Labor in the Immigrant Generation (Ithaca: Cornell University Press, 1990); Miriam Cohen, Workshop to Office: Two Generations of Italian Women in New York City, 1900-1950 (Ithaca: Cornell University Press, 1992); Annie Phizacklea, Unpacking the Fashion Industry (London: Routledge, 1990). For an excellent treatment of some of the methodological problems in analytical dualisms, particularly with regard to class and gender, see Lourdes Beneria and Martha Roldan, The Crossroads of Class and Gender: Industrial Homework, Subcontracting, and Household Dynamics in Mexico City (Chicago: University of Chicago Press, 1987); and Joy Parr, The Gender of Breadwinners: Women, Men, and Change in Two Industrial Towns. 1880-1950 (Toronto: University of Toronto Press, 1990), 7-9.
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    • The major contemporary works on the garment industry tend to treat primarily either women or immigrants. For example, see Judith Coffin, "Woman's Place and Women's Work in the Paris Clothing Trades, 1830-1914 (disser., Yale University, 1985), who does deal with immigrants, briefly, 149-155; Lorraine Coons, Women Home Workers in the Parisian Garment Industry, 1860-1915 (New York City: Garland Publishing, 1987); Roger D. Waldinger, Through the Eye of the Needle: Immigrants and Enterprise in New York's Garment Trades (New York: New York University Press, 1986) (most of the immigrant owners he interviewed were men). In the mid-1950s, two books came out almost simultaneously, one dealing with women homeworkers and the other with male immigrant homeworkers in Paris. Madeleine Guilbert and Viviane Isambert-Jamati, Travail féminin et travail à domicile (Paris: CNRS, 1956); Joseph Klatzmann, Le travail à domicile dańs l'industrie parisienne du vêtement (Paris: Armand Colin, 1957). Klatzmann simply notes that their book appeared just after his was completed. Some of the notable recent exceptions are Susan Glenn, Daughters of the Shtetl: Life and Labor in the Immigrant Generation (Ithaca: Cornell University Press, 1990); Miriam Cohen, Workshop to Office: Two Generations of Italian Women in New York City, 1900-1950 (Ithaca: Cornell University Press, 1992); Annie Phizacklea, Unpacking the Fashion Industry (London: Routledge, 1990). For an excellent treatment of some of the methodological problems in analytical dualisms, particularly with regard to class and gender, see Lourdes Beneria and Martha Roldan, The Crossroads of Class and Gender: Industrial Homework, Subcontracting, and Household Dynamics in Mexico City (Chicago: University of Chicago Press, 1987); and Joy Parr, The Gender of Breadwinners: Women, Men, and Change in Two Industrial Towns. 1880-1950 (Toronto: University of Toronto Press, 1990), 7-9.
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    • The major contemporary works on the garment industry tend to treat primarily either women or immigrants. For example, see Judith Coffin, "Woman's Place and Women's Work in the Paris Clothing Trades, 1830-1914 (disser., Yale University, 1985), who does deal with immigrants, briefly, 149-155; Lorraine Coons, Women Home Workers in the Parisian Garment Industry, 1860-1915 (New York City: Garland Publishing, 1987); Roger D. Waldinger, Through the Eye of the Needle: Immigrants and Enterprise in New York's Garment Trades (New York: New York University Press, 1986) (most of the immigrant owners he interviewed were men). In the mid-1950s, two books came out almost simultaneously, one dealing with women homeworkers and the other with male immigrant homeworkers in Paris. Madeleine Guilbert and Viviane Isambert-Jamati, Travail féminin et travail à domicile (Paris: CNRS, 1956); Joseph Klatzmann, Le travail à domicile dańs l'industrie parisienne du vêtement (Paris: Armand Colin, 1957). Klatzmann simply notes that their book appeared just after his was completed. Some of the notable recent exceptions are Susan Glenn, Daughters of the Shtetl: Life and Labor in the Immigrant Generation (Ithaca: Cornell University Press, 1990); Miriam Cohen, Workshop to Office: Two Generations of Italian Women in New York City, 1900-1950 (Ithaca: Cornell University Press, 1992); Annie Phizacklea, Unpacking the Fashion Industry (London: Routledge, 1990). For an excellent treatment of some of the methodological problems in analytical dualisms, particularly with regard to class and gender, see Lourdes Beneria and Martha Roldan, The Crossroads of Class and Gender: Industrial Homework, Subcontracting, and Household Dynamics in Mexico City (Chicago: University of Chicago Press, 1987); and Joy Parr, The Gender of Breadwinners: Women, Men, and Change in Two Industrial Towns. 1880-1950 (Toronto: University of Toronto Press, 1990), 7-9.
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    • The major contemporary works on the garment industry tend to treat primarily either women or immigrants. For example, see Judith Coffin, "Woman's Place and Women's Work in the Paris Clothing Trades, 1830-1914 (disser., Yale University, 1985), who does deal with immigrants, briefly, 149-155; Lorraine Coons, Women Home Workers in the Parisian Garment Industry, 1860-1915 (New York City: Garland Publishing, 1987); Roger D. Waldinger, Through the Eye of the Needle: Immigrants and Enterprise in New York's Garment Trades (New York: New York University Press, 1986) (most of the immigrant owners he interviewed were men). In the mid-1950s, two books came out almost simultaneously, one dealing with women homeworkers and the other with male immigrant homeworkers in Paris. Madeleine Guilbert and Viviane Isambert-Jamati, Travail féminin et travail à domicile (Paris: CNRS, 1956); Joseph Klatzmann, Le travail à domicile dańs l'industrie parisienne du vêtement (Paris: Armand Colin, 1957). Klatzmann simply notes that their book appeared just after his was completed. Some of the notable recent exceptions are Susan Glenn, Daughters of the Shtetl: Life and Labor in the Immigrant Generation (Ithaca: Cornell University Press, 1990); Miriam Cohen, Workshop to Office: Two Generations of Italian Women in New York City, 1900-1950 (Ithaca: Cornell University Press, 1992); Annie Phizacklea, Unpacking the Fashion Industry (London: Routledge, 1990). For an excellent treatment of some of the methodological problems in analytical dualisms, particularly with regard to class and gender, see Lourdes Beneria and Martha Roldan, The Crossroads of Class and Gender: Industrial Homework, Subcontracting, and Household Dynamics in Mexico City (Chicago: University of Chicago Press, 1987); and Joy Parr, The Gender of Breadwinners: Women, Men, and Change in Two Industrial Towns. 1880-1950 (Toronto: University of Toronto Press, 1990), 7-9.
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    • The major contemporary works on the garment industry tend to treat primarily either women or immigrants. For example, see Judith Coffin, "Woman's Place and Women's Work in the Paris Clothing Trades, 1830-1914 (disser., Yale University, 1985), who does deal with immigrants, briefly, 149-155; Lorraine Coons, Women Home Workers in the Parisian Garment Industry, 1860-1915 (New York City: Garland Publishing, 1987); Roger D. Waldinger, Through the Eye of the Needle: Immigrants and Enterprise in New York's Garment Trades (New York: New York University Press, 1986) (most of the immigrant owners he interviewed were men). In the mid-1950s, two books came out almost simultaneously, one dealing with women homeworkers and the other with male immigrant homeworkers in Paris. Madeleine Guilbert and Viviane Isambert-Jamati, Travail féminin et travail à domicile (Paris: CNRS, 1956); Joseph Klatzmann, Le travail à domicile dańs l'industrie parisienne du vêtement (Paris: Armand Colin, 1957). Klatzmann simply notes that their book appeared just after his was completed. Some of the notable recent exceptions are Susan Glenn, Daughters of the Shtetl: Life and Labor in the Immigrant Generation (Ithaca: Cornell University Press, 1990); Miriam Cohen, Workshop to Office: Two Generations of Italian Women in New York City, 1900-1950 (Ithaca: Cornell University Press, 1992); Annie Phizacklea, Unpacking the Fashion Industry (London: Routledge, 1990). For an excellent treatment of some of the methodological problems in analytical dualisms, particularly with regard to class and gender, see Lourdes Beneria and Martha Roldan, The Crossroads of Class and Gender: Industrial Homework, Subcontracting, and Household Dynamics in Mexico City (Chicago: University of Chicago Press, 1987); and Joy Parr, The Gender of Breadwinners: Women, Men, and Change in Two Industrial Towns. 1880-1950 (Toronto: University of Toronto Press, 1990), 7-9.
    • (1990) Unpacking the Fashion Industry
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    • Chicago: University of Chicago Press
    • The major contemporary works on the garment industry tend to treat primarily either women or immigrants. For example, see Judith Coffin, "Woman's Place and Women's Work in the Paris Clothing Trades, 1830-1914 (disser., Yale University, 1985), who does deal with immigrants, briefly, 149-155; Lorraine Coons, Women Home Workers in the Parisian Garment Industry, 1860-1915 (New York City: Garland Publishing, 1987); Roger D. Waldinger, Through the Eye of the Needle: Immigrants and Enterprise in New York's Garment Trades (New York: New York University Press, 1986) (most of the immigrant owners he interviewed were men). In the mid-1950s, two books came out almost simultaneously, one dealing with women homeworkers and the other with male immigrant homeworkers in Paris. Madeleine Guilbert and Viviane Isambert-Jamati, Travail féminin et travail à domicile (Paris: CNRS, 1956); Joseph Klatzmann, Le travail à domicile dańs l'industrie parisienne du vêtement (Paris: Armand Colin, 1957). Klatzmann simply notes that their book appeared just after his was completed. Some of the notable recent exceptions are Susan Glenn, Daughters of the Shtetl: Life and Labor in the Immigrant Generation (Ithaca: Cornell University Press, 1990); Miriam Cohen, Workshop to Office: Two Generations of Italian Women in New York City, 1900-1950 (Ithaca: Cornell University Press, 1992); Annie Phizacklea, Unpacking the Fashion Industry (London: Routledge, 1990). For an excellent treatment of some of the methodological problems in analytical dualisms, particularly with regard to class and gender, see Lourdes Beneria and Martha Roldan, The Crossroads of Class and Gender: Industrial Homework, Subcontracting, and Household Dynamics in Mexico City (Chicago: University of Chicago Press, 1987); and Joy Parr, The Gender of Breadwinners: Women, Men, and Change in Two Industrial Towns. 1880-1950 (Toronto: University of Toronto Press, 1990), 7-9.
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    • The major contemporary works on the garment industry tend to treat primarily either women or immigrants. For example, see Judith Coffin, "Woman's Place and Women's Work in the Paris Clothing Trades, 1830-1914 (disser., Yale University, 1985), who does deal with immigrants, briefly, 149-155; Lorraine Coons, Women Home Workers in the Parisian Garment Industry, 1860-1915 (New York City: Garland Publishing, 1987); Roger D. Waldinger, Through the Eye of the Needle: Immigrants and Enterprise in New York's Garment Trades (New York: New York University Press, 1986) (most of the immigrant owners he interviewed were men). In the mid-1950s, two books came out almost simultaneously, one dealing with women homeworkers and the other with male immigrant homeworkers in Paris. Madeleine Guilbert and Viviane Isambert-Jamati, Travail féminin et travail à domicile (Paris: CNRS, 1956); Joseph Klatzmann, Le travail à domicile dańs l'industrie parisienne du vêtement (Paris: Armand Colin, 1957). Klatzmann simply notes that their book appeared just after his was completed. Some of the notable recent exceptions are Susan Glenn, Daughters of the Shtetl: Life and Labor in the Immigrant Generation (Ithaca: Cornell University Press, 1990); Miriam Cohen, Workshop to Office: Two Generations of Italian Women in New York City, 1900-1950 (Ithaca: Cornell University Press, 1992); Annie Phizacklea, Unpacking the Fashion Industry (London: Routledge, 1990). For an excellent treatment of some of the methodological problems in analytical dualisms, particularly with regard to class and gender, see Lourdes Beneria and Martha Roldan, The Crossroads of Class and Gender: Industrial Homework, Subcontracting, and Household Dynamics in Mexico City (Chicago: University of Chicago Press, 1987); and Joy Parr, The Gender of Breadwinners: Women, Men, and Change in Two Industrial Towns. 1880-1950 (Toronto: University of Toronto Press, 1990), 7-9.
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    • Ruth Milkman, Gender at Work: The Dynamics of Job Segregation by Sex During World War II (Urbana: University of Illinois Press, 1987); Sonya O. Rose, Limited Livelihoods: Gender and Class in Nineteenth-Century England (Berkeley: University of California Press, 1991); Ava Baron, ed., Work Engendered: Toward a New History of American Labor (Ithaca: Cornell University Press, 1991); Mary H. Blewett, Men, Women and Work: Class, Gender, and Protest in the New England Shoe Industry, 1780-1910 (Urbana: University of Illinois Press, 1988); Laura Lee Downs, Manufacturing Inequality: Gender Division in the French and British Metalworking Industries, 1914-1939 (Ithaca: Cornell University Press, 1995); Joan Wallach Scott, Gender and the Politics of History (New York: Columbia University Press, 1988).
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    • Ruth Milkman, Gender at Work: The Dynamics of Job Segregation by Sex During World War II (Urbana: University of Illinois Press, 1987); Sonya O. Rose, Limited Livelihoods: Gender and Class in Nineteenth-Century England (Berkeley: University of California Press, 1991); Ava Baron, ed., Work Engendered: Toward a New History of American Labor (Ithaca: Cornell University Press, 1991); Mary H. Blewett, Men, Women and Work: Class, Gender, and Protest in the New England Shoe Industry, 1780-1910 (Urbana: University of Illinois Press, 1988); Laura Lee Downs, Manufacturing Inequality: Gender Division in the French and British Metalworking Industries, 1914-1939 (Ithaca: Cornell University Press, 1995); Joan Wallach Scott, Gender and the Politics of History (New York: Columbia University Press, 1988).
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    • The Invention of Ethnicity: A Perspective from the U.S.A.
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    • See the thoughtful reflection on this issue in Kathleen Conzen, David Gerber, Ewa Morawska, George Pozzetta, and Rudolph Vecoli, "The Invention of Ethnicity: A Perspective from the U.S.A.," Journal of American Ethnic History, 12:1 (Fall 1992), 4-5.
    • (1992) Journal of American Ethnic History , vol.12 , Issue.1 , pp. 4-5
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    • Capitalism, Patriarchy and Job Segregation by Sex
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    • The classic analysis is that of Heidi Hartmann, "Capitalism, Patriarchy and Job Segregation by Sex," in Women and the Workplace: The Implications of Occupational Segregation, Martha Blaxall and Barbara Reagan, eds. (Chicago: University of Chicago Press, 1976), 137-69.
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    • Nimble Fingers and Other Fables
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    • For example, Diane Elson, "Nimble Fingers and Other Fables," in Of Common Cloth: Women in the Global Textile Industry, Wendy Chapkis and Cynthia Enloe, eds. (Amsterdam: Transnational Institute, 1983), 5-14. For an excellent discussion of images of sewing as women's work in nineteenth-century France, see Judith G. Coffin, "Credit, Consumption, and Images of Women's Desires: Selling the Sewing Machine in Late Nineteenth-Century France," French Historical Studies, 18:3 (Spring 1994), 749-83. Concerning notions of women as veritable "artists" in the French garment industry, see Nancy L. Green, "Art and Industry: The Language of Modernization in the Production of Fashion," French Historical Studies, 18:3 (Spring 1994), 722-48.
    • (1983) Of Common Cloth: Women in the Global Textile Industry , pp. 5-14
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    • Credit, Consumption, and Images of Women's Desires: Selling the Sewing Machine in Late Nineteenth-Century France
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    • For example, Diane Elson, "Nimble Fingers and Other Fables," in Of Common Cloth: Women in the Global Textile Industry, Wendy Chapkis and Cynthia Enloe, eds. (Amsterdam: Transnational Institute, 1983), 5-14. For an excellent discussion of images of sewing as women's work in nineteenth-century France, see Judith G. Coffin, "Credit, Consumption, and Images of Women's Desires: Selling the Sewing Machine in Late Nineteenth-Century France," French Historical Studies, 18:3 (Spring 1994), 749-83. Concerning notions of women as veritable "artists" in the French garment industry, see Nancy L. Green, "Art and Industry: The Language of Modernization in the Production of Fashion," French Historical Studies, 18:3 (Spring 1994), 722-48.
    • (1994) French Historical Studies , vol.18 , Issue.3 , pp. 749-783
    • Coffin, J.G.1
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    • Art and Industry: The Language of Modernization in the Production of Fashion
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    • For example, Diane Elson, "Nimble Fingers and Other Fables," in Of Common Cloth: Women in the Global Textile Industry, Wendy Chapkis and Cynthia Enloe, eds. (Amsterdam: Transnational Institute, 1983), 5-14. For an excellent discussion of images of sewing as women's work in nineteenth-century France, see Judith G. Coffin, "Credit, Consumption, and Images of Women's Desires: Selling the Sewing Machine in Late Nineteenth-Century France," French Historical Studies, 18:3 (Spring 1994), 749-83. Concerning notions of women as veritable "artists" in the French garment industry, see Nancy L. Green, "Art and Industry: The Language of Modernization in the Production of Fashion," French Historical Studies, 18:3 (Spring 1994), 722-48.
    • (1994) French Historical Studies , vol.18 , Issue.3 , pp. 722-748
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    • Eileen Boris, Home to Work: Motherhood and the Politics of Industrial Homework in the United States (Cambridge: Cambridge University Press, 1994); Eileen Boris and Cynthia R. Daniels, eds., Homework: Historical and Contemporary Perspectives on Paid Labor at Home (Urbana: University of Illinois Press, 1989); Klatzmann, Le Travail à domicile; Guilbert and Isambert-Jamati, Travail féminin; Coons, Women Home Workers; Marilyn Boxer, "Women in Industrial Homework: The Flowermakers of Paris in the Belle Epoque," French Historical Studies, 12:3 (Spring 1982), 401-23.
    • (1994) Home to Work: Motherhood and the Politics of Industrial Homework in the United States
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    • Urbana: University of Illinois Press
    • Eileen Boris, Home to Work: Motherhood and the Politics of Industrial Homework in the United States (Cambridge: Cambridge University Press, 1994); Eileen Boris and Cynthia R. Daniels, eds., Homework: Historical and Contemporary Perspectives on Paid Labor at Home (Urbana: University of Illinois Press, 1989); Klatzmann, Le Travail à domicile; Guilbert and Isambert-Jamati, Travail féminin; Coons, Women Home Workers; Marilyn Boxer, "Women in Industrial Homework: The Flowermakers of Paris in the Belle Epoque," French Historical Studies, 12:3 (Spring 1982), 401-23.
    • (1989) Homework: Historical and Contemporary Perspectives on Paid Labor at Home
    • Boris, E.1    Daniels, C.R.2
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    • 5344264855 scopus 로고    scopus 로고
    • Eileen Boris, Home to Work: Motherhood and the Politics of Industrial Homework in the United States (Cambridge: Cambridge University Press, 1994); Eileen Boris and Cynthia R. Daniels, eds., Homework: Historical and Contemporary Perspectives on Paid Labor at Home (Urbana: University of Illinois Press, 1989); Klatzmann, Le Travail à domicile; Guilbert and Isambert-Jamati, Travail féminin; Coons, Women Home Workers; Marilyn Boxer, "Women in Industrial Homework: The Flowermakers of Paris in the Belle Epoque," French Historical Studies, 12:3 (Spring 1982), 401-23.
    • Le Travail à Domicile
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    • Eileen Boris, Home to Work: Motherhood and the Politics of Industrial Homework in the United States (Cambridge: Cambridge University Press, 1994); Eileen Boris and Cynthia R. Daniels, eds., Homework: Historical and Contemporary Perspectives on Paid Labor at Home (Urbana: University of Illinois Press, 1989); Klatzmann, Le Travail à domicile; Guilbert and Isambert-Jamati, Travail féminin; Coons, Women Home Workers; Marilyn Boxer, "Women in Industrial Homework: The Flowermakers of Paris in the Belle Epoque," French Historical Studies, 12:3 (Spring 1982), 401-23.
    • Travail Féminin
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    • Eileen Boris, Home to Work: Motherhood and the Politics of Industrial Homework in the United States (Cambridge: Cambridge University Press, 1994); Eileen Boris and Cynthia R. Daniels, eds., Homework: Historical and Contemporary Perspectives on Paid Labor at Home (Urbana: University of Illinois Press, 1989); Klatzmann, Le Travail à domicile; Guilbert and Isambert-Jamati, Travail féminin; Coons, Women Home Workers; Marilyn Boxer, "Women in Industrial Homework: The Flowermakers of Paris in the Belle Epoque," French Historical Studies, 12:3 (Spring 1982), 401-23.
    • Women Home Workers
    • Coons1
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    • Women in Industrial Homework: The Flowermakers of Paris in the Belle Epoque
    • Spring
    • Eileen Boris, Home to Work: Motherhood and the Politics of Industrial Homework in the United States (Cambridge: Cambridge University Press, 1994); Eileen Boris and Cynthia R. Daniels, eds., Homework: Historical and Contemporary Perspectives on Paid Labor at Home (Urbana: University of Illinois Press, 1989); Klatzmann, Le Travail à domicile; Guilbert and Isambert-Jamati, Travail féminin; Coons, Women Home Workers; Marilyn Boxer, "Women in Industrial Homework: The Flowermakers of Paris in the Belle Epoque," French Historical Studies, 12:3 (Spring 1982), 401-23.
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    • Sex and Skill: Notes Towards a Feminist Economics
    • In addition to Hartmann, see Anne Phillips and Barbara Taylor, "Sex and Skill: Notes Towards a Feminist Economics," Feminist Review, no. 6 (1980), 79-88; and Christine Stansell, "The Origins of the Sweatshop: Women and Early Industrialization in New York City," in Working-Class America: Essays on Labor, Community, and American Society, Michael H. Frish and Daniel J. Walkowitz, eds. (Urbana: University of Illinois Press, 1983), 78-103, especially, 91; and idem, City of Women: Sex and Class in New York. 1789-1860 (Urbana: University of Illinois Press, 1987).
    • (1980) Feminist Review , vol.6 , pp. 79-88
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    • In addition to Hartmann, see Anne Phillips and Barbara Taylor, "Sex and Skill: Notes Towards a Feminist Economics," Feminist Review, no. 6 (1980), 79-88; and Christine Stansell, "The Origins of the Sweatshop: Women and Early Industrialization in New York City," in Working-Class America: Essays on Labor, Community, and American Society, Michael H. Frish and Daniel J. Walkowitz, eds. (Urbana: University of Illinois Press, 1983), 78-103, especially, 91; and idem, City of Women: Sex and Class in New York. 1789-1860 (Urbana: University of Illinois Press, 1987).
    • (1983) Working-Class America: Essays on Labor, Community, and American Society , pp. 78-103
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    • In addition to Hartmann, see Anne Phillips and Barbara Taylor, "Sex and Skill: Notes Towards a Feminist Economics," Feminist Review, no. 6 (1980), 79-88; and Christine Stansell, "The Origins of the Sweatshop: Women and Early Industrialization in New York City," in Working-Class America: Essays on Labor, Community, and American Society, Michael H. Frish and Daniel J. Walkowitz, eds. (Urbana: University of Illinois Press, 1983), 78-103, especially, 91; and idem, City of Women: Sex and Class in New York. 1789-1860 (Urbana: University of Illinois Press, 1987).
    • (1987) City of Women: Sex and Class in New York. 1789-1860
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    • disser., University of California-Irvine
    • Some production stayed in the home. Nancy Page Fernandez, "'If a Woman Had Taste . . . ': Home Sewing and the Making of Fashion, 1850-1910" (disser., University of California-Irvine, 1987). For France, see Joan Wallach Scott, "Men and Women in the Parisian Garment Trades: Discussions of Family and Work in the 1830s and 1840s," in The Power of the Past: Essays for Eric Hobsbawm, Pat Thane, Geoffrey Crossick, and Roderick Floud, eds. (Cambridge and Paris: Cambridge University Press and Editions de la Maison des Sciences de l'Homme, 1984); and Christopher H. Johnson, "Economic Change and Artisan Discontent: The Tailors' History, 1800-48," in Revolution and Reaction: 1848 and the 2d French Republic, Roger Price, ed (London: Croom Helm, 1975).
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    • Some production stayed in the home. Nancy Page Fernandez, "'If a Woman Had Taste . . . ': Home Sewing and the Making of Fashion, 1850-1910" (disser., University of California-Irvine, 1987). For France, see Joan Wallach Scott, "Men and Women in the Parisian Garment Trades: Discussions of Family and Work in the 1830s and 1840s," in The Power of the Past: Essays for Eric Hobsbawm, Pat Thane, Geoffrey Crossick, and Roderick Floud, eds. (Cambridge and Paris: Cambridge University Press and Editions de la Maison des Sciences de l'Homme, 1984); and Christopher H. Johnson, "Economic Change and Artisan Discontent: The Tailors' History, 1800-48," in Revolution and Reaction: 1848 and the 2d French Republic, Roger Price, ed (London: Croom Helm, 1975).
    • (1984) The Power of the Past: Essays for Eric Hobsbawm
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    • Roger Price, ed London: Croom Helm
    • Some production stayed in the home. Nancy Page Fernandez, "'If a Woman Had Taste . . . ': Home Sewing and the Making of Fashion, 1850-1910" (disser., University of California-Irvine, 1987). For France, see Joan Wallach Scott, "Men and Women in the Parisian Garment Trades: Discussions of Family and Work in the 1830s and 1840s," in The Power of the Past: Essays for Eric Hobsbawm, Pat Thane, Geoffrey Crossick, and Roderick Floud, eds. (Cambridge and Paris: Cambridge University Press and Editions de la Maison des Sciences de l'Homme, 1984); and Christopher H. Johnson, "Economic Change and Artisan Discontent: The Tailors' History, 1800-48," in Revolution and Reaction: 1848 and the 2d French Republic, Roger Price, ed (London: Croom Helm, 1975).
    • (1975) Revolution and Reaction: 1848 and the 2d French Republic
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    • Columbia, Missouri: E. W. Stephens Publishing Co.
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    • Stansell, "Origins"; Scott, "Men and Women"; Johnson, "Economic Change and Artisan Discontent"; Coffin, "Woman's Place"; Pierre du Maroussem, La Petite industrie (salaires et durée du travail), vol. 2, Le Vêtement à Paris (Paris: Imprimerie Nationale for the Office du Travail, 1896), 20, 301-6. On du Maroussem's method of investigation, see Judith Coffin, "Social Science Meets Sweated Labor: Reinventing Women's Work in Late Nineteenth-Century France," Journal of Modern History, 63:2 (June 1991), 230-70.
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    • Stansell, "Origins"; Scott, "Men and Women"; Johnson, "Economic Change and Artisan Discontent"; Coffin, "Woman's Place"; Pierre du Maroussem, La Petite industrie (salaires et durée du travail), vol. 2, Le Vêtement à Paris (Paris: Imprimerie Nationale for the Office du Travail, 1896), 20, 301-6. On du Maroussem's method of investigation, see Judith Coffin, "Social Science Meets Sweated Labor: Reinventing Women's Work in Late Nineteenth-Century France," Journal of Modern History, 63:2 (June 1991), 230-70.
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    • German tailor, speaking at a Senate investigating committee, quoted in Edith Abbott, Women in Industry, 1910 (Reprint; New York: Arno Press, 1969), 223; Stansell, "Origins," 92; Kathie Friedman Kasaba, "'A Tailor is Nothing Without a Wife, and Very Often a Child': Gender and Labor-Force Formation in the New York Garment Industry, 1880-1920," in Racism, Sexism, and the World-System, Joan Smith, et al., eds. (Westport: Greenwood Press, 1988).
    • Origins , pp. 92
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    • German tailor, speaking at a Senate investigating committee, quoted in Edith Abbott, Women in Industry, 1910 (Reprint; New York: Arno Press, 1969), 223; Stansell, "Origins," 92; Kathie Friedman Kasaba, "'A Tailor is Nothing Without a Wife, and Very Often a Child': Gender and Labor-Force Formation in the New York Garment Industry, 1880-1920," in Racism, Sexism, and the World-System, Joan Smith, et al., eds. (Westport: Greenwood Press, 1988).
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    • For example, Coffin, "Credit, Consumption"; "Woman's Place," 213. The process by which the sewing machine became a "female" item did not go uncontested. See Karin Hausen, "Technical Progress and Women's Labour in the Nineteenth Century: The Social History of the Sewing Machine," in The Social History of Politics, George Iggers, ed. (New York: St. Martin's Press, 1985), 259-81; and Karen Offen, "'Powered by a Woman's Foot': A Documentary Introduction to the Sexual Politics of the Sewing Machine in Nineteenth-Century France," Women's Studies International Forum, 11:2 (1988), 93-101, concerning medical reports about the treadle being dangerous to a woman's gynecological and sexual health. As Michelle Perrot has pointed out, the Singer ultimately became a "rêve subverti," "l'instrument de leur servitude: l'usine à domicile." Michelle Perrot, "La femme populaire rebelle," in Christiane Dufrancatel, et al., L'Histoire sans qualités (Paris: Galilée, 1979), 140.
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    • For example, Coffin, "Credit, Consumption"; "Woman's Place," 213. The process by which the sewing machine became a "female" item did not go uncontested. See Karin Hausen, "Technical Progress and Women's Labour in the Nineteenth Century: The Social History of the Sewing Machine," in The Social History of Politics, George Iggers, ed. (New York: St. Martin's Press, 1985), 259-81; and Karen Offen, "'Powered by a Woman's Foot': A Documentary Introduction to the Sexual Politics of the Sewing Machine in Nineteenth-Century France," Women's Studies International Forum, 11:2 (1988), 93-101, concerning medical reports about the treadle being dangerous to a woman's gynecological and sexual health. As Michelle Perrot has pointed out, the Singer ultimately became a "rêve subverti," "l'instrument de leur servitude: l'usine à domicile." Michelle Perrot, "La femme populaire rebelle," in Christiane Dufrancatel, et al., L'Histoire sans qualités (Paris: Galilée, 1979), 140.
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