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Volumn , Issue 219, 1996, Pages 22-40

The ecstasy of philistinism

(1)  Bull, Malcolm a  

a NONE

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EID: 0030305104     PISSN: 00286060     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article
Times cited : (5)

References (114)
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    • But see R. Taylor, Art, an Enemy of the People, Atlantic Highlands, NJ 1978; J. Gimpel, Against Art and Artists, Edinburgh 1991; A. Gell, 'The Techonology of Enchantment and the Enchantment of Technology', in J. Coote and A. Shelton, eds, Anthropology, Art and Aethetics, Oxford 1992, pp. 40-63; M. Bull, 'Philistinism and Fetishism', Art History, vol. 17, 1994, pp. 127-31; S. Home, Art Strike Handbook, London 1989.
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    • But see R. Taylor, Art, an Enemy of the People, Atlantic Highlands, NJ 1978; J. Gimpel, Against Art and Artists, Edinburgh 1991; A. Gell, 'The Techonology of Enchantment and the Enchantment of Technology', in J. Coote and A. Shelton, eds, Anthropology, Art and Aethetics, Oxford 1992, pp. 40-63; M. Bull, 'Philistinism and Fetishism', Art History, vol. 17, 1994, pp. 127-31; S. Home, Art Strike Handbook, London 1989.
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    • Philistinism and fetishism
    • But see R. Taylor, Art, an Enemy of the People, Atlantic Highlands, NJ 1978; J. Gimpel, Against Art and Artists, Edinburgh 1991; A. Gell, 'The Techonology of Enchantment and the Enchantment of Technology', in J. Coote and A. Shelton, eds, Anthropology, Art and Aethetics, Oxford 1992, pp. 40-63; M. Bull, 'Philistinism and Fetishism', Art History, vol. 17, 1994, pp. 127-31; S. Home, Art Strike Handbook, London 1989.
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    • But see R. Taylor, Art, an Enemy of the People, Atlantic Highlands, NJ 1978; J. Gimpel, Against Art and Artists, Edinburgh 1991; A. Gell, 'The Techonology of Enchantment and the Enchantment of Technology', in J. Coote and A. Shelton, eds, Anthropology, Art and Aethetics, Oxford 1992, pp. 40-63; M. Bull, 'Philistinism and Fetishism', Art History, vol. 17, 1994, pp. 127-31; S. Home, Art Strike Handbook, London 1989.
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    • note
    • Nietzsche valued the aristocratic virtues of the barbarians rather than the scholarly virtues of the humanists admired by Arnold, and would, one suspects, have considered Arnold an archetypal culture-philistine.
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    • K. Marx and F. Engels, The German Ideology, London 1976, p. 394. For an extended critique of the Marxist position, see Taylor, Art, an Enemy of the People, pp. 55-87.
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    • K. Marx and F. Engels, The German Ideology, London 1976, p. 394. For an extended critique of the Marxist position, see Taylor, Art, an Enemy of the People, pp. 55-87.
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    • Spectres of the aesthetic
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    • New York
    • In this form, philistinism can be seen as what Foucault, referrring to atheism and nihilsm, once described as thought form the outside: 'A thought that stands outside subjectivity, setting its limits sas though form without, articulating its end, making its dispersion shine forth, taking in only its invincible absence; and that at the same time stands at the threshold of all positivity, not in order to grasp its foundation or justification but in order to regain the space of its unfolding, the void serving as its site, the distance in which it is constituted and into which its immediate certainties slip the moment they are glimpsed.' M. Foucault and M. Blanchot, Foucault/Blanchot, New York 1987, pp. 15-16.
    • (1987) Foucault/Blanchot , pp. 15-16
    • Foucault, M.1    Blanchot, M.2


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