-
2
-
-
0015078148
-
Pitch as a medium: A new approach to psychophysical scaling
-
ATTNEAVE, F., & OLSON, R. (1971). Pitch as a medium: A new approach to psychophysical scaling. American Journal of Psychology, 84, 147-166.
-
(1971)
American Journal of Psychology
, vol.84
, pp. 147-166
-
-
Attneave, F.1
Olson, R.2
-
4
-
-
0000963496
-
Anchoring effects in music: The resolution of dissonance
-
BHARUCHA, J. J. (1984a). Anchoring effects in music: The resolution of dissonance. Cognitive Psychology, 16, 485-518.
-
(1984)
Cognitive Psychology
, vol.16
, pp. 485-518
-
-
Bharucha, J.J.1
-
5
-
-
0038886772
-
Event hierarchies, tonal hierarchies, and assimilation: A reply to Deutsch and Dowling
-
BHARUCHA, J. J. (1984b). Event hierarchies, tonal hierarchies, and assimilation: A reply to Deutsch and Dowling. Journal of Experimental Psychology: General, 113, 421-425.
-
(1984)
Journal of Experimental Psychology: General
, vol.113
, pp. 421-425
-
-
Bharucha, J.J.1
-
6
-
-
0001667583
-
Rank analysis of incomplete block designs: I. The method of paired comparison
-
BRADLEY, R. A., & TERRY, M. E. (1952). Rank analysis of incomplete block designs: I. The method of paired comparison. Biometrika, 39, 324-335.
-
(1952)
Biometrika
, vol.39
, pp. 324-335
-
-
Bradley, R.A.1
Terry, M.E.2
-
7
-
-
1542798979
-
Diatonic trichords as minimal tonal cue-cells
-
BROWN, H., & BUTLER, D. (1981). Diatonic trichords as minimal tonal cue-cells. In Theory Only, 5, 39-55.
-
(1981)
Theory only
, vol.5
, pp. 39-55
-
-
Brown, H.1
Butler, D.2
-
8
-
-
84968210818
-
Musical and temporal influences on key identification
-
BROWN, H., BUTLER, D., & JONES, M. R. (1994). Musical and temporal influences on key identification. Music Perception, 14, 371-407.
-
(1994)
Music Perception
, vol.14
, pp. 371-407
-
-
Brown, H.1
Butler, D.2
Jones, M.R.3
-
9
-
-
1542484181
-
The initial identification of tonal centers in music
-
D. R. Rogers & J. A. Sloboda (Eds.), New York: Plenum
-
BUTLER, D. (1983). The initial identification of tonal centers in music. In D. R. Rogers & J. A. Sloboda (Eds.), The acquisition of symbolic skills (pp. 251-262). New York: Plenum.
-
(1983)
The Acquisition of Symbolic Skills
, pp. 251-262
-
-
Butler, D.1
-
10
-
-
84968298989
-
Describing the perception of tonality in music: A critique of the tonal hierarchy theory and a proposal for a theory of intervallic rivalry
-
BUTLER, D. (1989). Describing the perception of tonality in music: A critique of the tonal hierarchy theory and a proposal for a theory of intervallic rivalry. Music Perception, 6, 219-242.
-
(1989)
Music Perception
, vol.6
, pp. 219-242
-
-
Butler, D.1
-
11
-
-
84968176704
-
Recognition of tone series containing tonic triads
-
CROONEN, W. L. M. (1991). Recognition of tone series containing tonic triads. Music Perception, 9, 231-250.
-
(1991)
Music Perception
, vol.9
, pp. 231-250
-
-
Croonen, W.L.M.1
-
12
-
-
84968287061
-
Tonality, tonal scheme, and contour in delayed recognition of tone sequences
-
CROONEN, W. L. M., & KOP, P. F. M. (1989). Tonality, tonal scheme, and contour in delayed recognition of tone sequences. Music Perception, 7, 49-68.
-
(1989)
Music Perception
, vol.7
, pp. 49-68
-
-
Croonen, W.L.M.1
Kop, P.F.M.2
-
13
-
-
0019600174
-
Perception of structure in short melodic sequences
-
CUDDY, L. L., COHEN, A. J., & MEWHORT, D. J. (1981). Perception of structure in short melodic sequences. Journal of Experimental Psychology: Human Perception & Performance, 7, 869-883.
-
(1981)
Journal of Experimental Psychology: Human Perception & Performance
, vol.7
, pp. 869-883
-
-
Cuddy, L.L.1
Cohen, A.J.2
Mewhort, D.J.3
-
14
-
-
0018512638
-
Melody recognition: The experimental application of musical rules
-
CUDDY, L. L., COHEN, A. L., & MILLER, J. (1979). Melody recognition: The experimental application of musical rules. Canadian Journal of Psychology, 33, 148-156.
-
(1979)
Canadian Journal of Psychology
, vol.33
, pp. 148-156
-
-
Cuddy, L.L.1
Cohen, A.L.2
Miller, J.3
-
15
-
-
0026444555
-
Asymmetry of perceived key movement in chorale sequences: Converging evidence from a probe-tone analysis
-
CUDDY, L. L., & THOMPSON, W. F. (1992). Asymmetry of perceived key movement in chorale sequences: Converging evidence from a probe-tone analysis. Psychological Research, 54, 51-59.
-
(1992)
Psychological Research
, vol.54
, pp. 51-59
-
-
Cuddy, L.L.1
Thompson, W.F.2
-
16
-
-
0021490092
-
Two issues concerning tonal hierarchies: Comment on Castellano, Bharucha, and Krumhansl
-
DEUTSCH, D. (1984). Two issues concerning tonal hierarchies: Comment on Castellano, Bharucha, and Krumhansl. Journal of Experimental Psychology: General, 113, 413-416.
-
(1984)
Journal of Experimental Psychology: General
, vol.113
, pp. 413-416
-
-
Deutsch, D.1
-
17
-
-
84968297854
-
Recognition of novel melodies after brief delays
-
DEWITT, L. A., & CROWDER, R. G. (1986). Recognition of novel melodies after brief delays. Music Perception, 3, 259-274.
-
(1986)
Music Perception
, vol.3
, pp. 259-274
-
-
Dewitt, L.A.1
Crowder, R.G.2
-
18
-
-
58149404765
-
Scale and contour. Two components of a theory of memory for melodies
-
DOWLING, W. J. (1978). Scale and contour. Two components of a theory of memory for melodies. Psychological Review, 85, 341-345.
-
(1978)
Psychological Review
, vol.85
, pp. 341-345
-
-
Dowling, W.J.1
-
19
-
-
84968100569
-
Context effects on melody recognition: Scale-step versus interval representation
-
DOWLING, W. J. (1986). Context effects on melody recognition: Scale-step versus interval representation. Music Perception, 3, 281-296.
-
(1986)
Music Perception
, vol.3
, pp. 281-296
-
-
Dowling, W.J.1
-
20
-
-
0026233385
-
Tonal strength and melody recognition after long and short delays
-
DOWLING, W. J. (1991). Tonal strength and melody recognition after long and short delays. Perception & Psychophysics, 50, 305-313.
-
(1991)
Perception & Psychophysics
, vol.50
, pp. 305-313
-
-
Dowling, W.J.1
-
21
-
-
0011651342
-
-
W. J. Dowling, Trans.. Hillsdale, NJ: Erlbaum. (Original work published in 1958)
-
FRANCÈS, R. (1988). The perception of music (W. J. Dowling, Trans.). Hillsdale, NJ: Erlbaum. (Original work published in 1958)
-
(1988)
The Perception of Music
-
-
Francès, R.1
-
26
-
-
0004300364
-
-
R. E. Carter, Trans.. London: Faber & Faber. (Original work published in 1922)
-
SCHOENBERG, A. (1978). Theory of harmony (R. E. Carter, Trans.). London: Faber & Faber. (Original work published in 1922)
-
(1978)
Theory of Harmony
-
-
Schoenberg, A.1
-
27
-
-
0020164538
-
Geometrical approximations to the structure of musical pitch
-
SHEPARD, R. N. (1982). Geometrical approximations to the structure of musical pitch. Psychological Review, 89, 305-333.
-
(1982)
Psychological Review
, vol.89
, pp. 305-333
-
-
Shepard, R.N.1
-
28
-
-
84968148960
-
Key distance effects in melody recognition reexamined
-
TAKEUCHI, A. H., & HULSE, S. H. (1992). Key distance effects in melody recognition reexamined. Music Perception, 10, 1-24.
-
(1992)
Music Perception
, vol.10
, pp. 1-24
-
-
Takeuchi, A.H.1
Hulse, S.H.2
-
29
-
-
84968081291
-
Sensitivity to key change in chorale sequences: A comparison of single voices and four-voice harmony
-
THOMPSON, W. F., & CUDDY, L. L. (1989). Sensitivity to key change in chorale sequences: A comparison of single voices and four-voice harmony. Music Perception, 7, 151-168.
-
(1989)
Music Perception
, vol.7
, pp. 151-168
-
-
Thompson, W.F.1
Cuddy, L.L.2
-
30
-
-
58149426837
-
A law of comparative judgment
-
THURSTONE, L. L. (1927). A law of comparative judgment. Psychological Review, 34, 273-286.
-
(1927)
Psychological Review
, vol.34
, pp. 273-286
-
-
Thurstone, L.L.1
-
32
-
-
0028487663
-
Key membership and implied harmony in Western tonal music: Developmental perspectives
-
TRAINOR, L. J., & TREHUB, S. E. (1994). Key membership and implied harmony in Western tonal music: Developmental perspectives. Perception & Psychophysics, 56, 125-132.
-
(1994)
Perception & Psychophysics
, vol.56
, pp. 125-132
-
-
Trainor, L.J.1
Trehub, S.E.2
-
33
-
-
84968136136
-
Factors in the recognition of transposed melodies: A reply to Takeuchi and Hulse
-
VAN EGMOND, R., & POVEL, D. J. (1994a). Factors in the recognition of transposed melodies: A reply to Takeuchi and Hulse. Music Perception, 12, 137-142.
-
(1994)
Music Perception
, vol.12
, pp. 137-142
-
-
Van Egmond, R.1
Povel, D.J.2
-
34
-
-
1542484182
-
Similarity judgments on transposed melodies as a function of overlap and key-distance
-
I. DeLiège (Ed.), Liège: University of Liège
-
VAN EGMOND, R., & POVEL, D. J. (1994b). Similarity judgments on transposed melodies as a function of overlap and key-distance. In I. DeLiège (Ed.), Proceedings of the 3rd International Conference for Music Perception and Cognition (pp. 219-220). Liège: University of Liège.
-
(1994)
Proceedings of the 3rd International Conference for Music Perception and Cognition
, pp. 219-220
-
-
Van Egmond, R.1
Povel, D.J.2
-
35
-
-
0030210708
-
Perceived similarity of exact and inexact transpositions
-
VAN EGMOND, R., & POVEL, D. J. (1996). Perceived similarity of exact and inexact transpositions. Acta Psychologica, 92, 283-295.
-
(1996)
Acta Psychologica
, vol.92
, pp. 283-295
-
-
Van Egmond, R.1
Povel, D.J.2
|