From images to sounds, a dual representation

Computer Music Journal

Volumn 20, Issue 3, 1996, Pages 59-69

  Lesbros, Vincent ^a  

^a UNIVERSITÉ PARIS 8   (France)

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTIC GENERATORS; ACOUSTIC WAVES; COMPUTER GRAPHICS; DRAWING (GRAPHICS); ENCODING (SYMBOLS); IMAGE PROCESSING; REAL TIME SYSTEMS; VISUALIZATION;

GRAPHIC EDITOR; PHONOGRAM; REAL TIME SYNTHESIS; TONE GENERATORS;

COMPUTER MUSIC;

EID: 0030232931     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.2307/3680824     Document Type: Article

References (8)

1. Battier, M. 1993. Program Notes for Toca, for Marimba and Electronic Sounds. Kobe: International Modern Music Festival.
2. Englert, G. G. 1993. "Our Score: A Description of Metro 3, a Compositional and Performance Software Program." Leonardo Music Journal 3: 53-58.
3. Englert, G. G. 1994. Triptyque pour Phonogramme. Stimmungen das festival für Gerd Zacher, Essen, Germany.
4. Lesbros, V. 1994. Phonographiques and Pouzzolane. Composition for Phonogramme. Premiered at the Festival for Gerd Zacher, Essen, Germany.
5. McAdams, S. 1983. "Les fondements de l'acoustique." In: Musique et Ordinateurs. Les Ulis: Edition du Centre Expérimental du Spectacle. Trans. A. C. Deloche, pp. 67-91.
6. McLaren, N., and R. Lewis. 1948. "Synthetic Sound on Film." Journal of the Society of Motion Picture Engineers 50:233-247.
7. Roads, C. 1996. The Computer Music Tutorial. Cambridge, Massachusetts: MIT Press.
8. Xenakis, I. 1992. Formalized Music, rev. ed. New York: Pendragon Press.