Creating printed music automatically

Computer

Volumn 29, Issue 6, 1996, Pages 61-68

  Rader, Gary M ^{a,b,c,d,e,f,g,h,i}  

^a Mesa State College

^b and Mass Communication   (United States)

^c LUCENT TECHNOLOGIES   (United States)

^d OBAFEMI AWOLOWO UNIVERSITY   (Nigeria)

^e EASTERN WASHINGTON UNIVERSITY   (United States)

^f AMERICAN UNIVERSITY IN CAIRO   (Egypt)

^g BRADLEY UNIVERSITY   (United States)

^h UNIVERSITY OF PENNSYLVANIA   (United States)

ⁱ UNIVERSITY OF PHOENIX   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

CONSTRAINT THEORY; PROGRAM TRANSLATORS; WORD PROCESSING;

MUSIC COPYIST; MUSIC SCORE EDITING; NOTATIONAL SOFTWARE; PUBLICATION QUALITY MUSICAL SCORES; PUBLICATION QUALITY SCORE; SOFTWARE PACKAGE MUSICEASE;

COMPUTER SOFTWARE;

EID: 0030165479     PISSN: 00189162     EISSN: None     Source Type: Trade Journal    
DOI: 10.1109/2.507633     Document Type: Review

References (8)

1. K. Stone, Music Notation in the Twentieth Century, W.W. Norton., New York, 1980.
2. G. Heussenstamm, The Norton Manual of Music Notation, W.W. Norton, New York, 1987.
3. G. Read, Music Notation: A Manual of Modern Practice, Taplinger Publishing, New York, 1979.
4. T. Ross, The Art of Music Engraving and Processing, Hansen Books, San Francisco, 1970.
5. F. Sola, "Computer Design of Musical Slurs, Ties and Phrase Marks," Tech. Research Report OSU-C1SRC-10/87-TR32, Ohio State Univ., Columbus, Ohio, 1987.
6. W. Hegazy and J. Gourlay, "Optimal Line Breaking in Music," Tech. Research Report OSU-CISRC-8/87-TR33, Ohio State Univ., Columbus, Ohio, 1987.
7. D. Blostein and L. Haken, "Justification of Printed Music," Comm. ACM, March 1991, pp. 88-99.
8. J. Gourlay, "Spacing a Line of Music," Tech. Research Report OSU-CISRC-10/87-TR35, Ohio State Univ., Columbus, Ohio, 1987.