Comparison of input devices in an ISEE direct timbre manipulation task

Interacting with Computers

Volumn 8, Issue 1, 1996, Pages 13-30

  Vertegaal, Roel ^b   Eaglestone, Barry ^a  

^a UNIVERSITY OF BRADFORD   (United Kingdom)

^b UNIVERSITY OF TWENTE   (Netherlands)

Author keywords

Auditory perception; Direct manipulation; Human synthesizer interaction

Indexed keywords

COMPUTER AIDED DESIGN; COMPUTER HARDWARE; COMPUTER MUSIC; COMPUTER SIMULATION; MICE (COMPUTER PERIPHERALS); QUERY LANGUAGES; SENSORY PERCEPTION; USER INTERFACES;

DIRECT MANIPULATION; FOUR DIMENSIONAL SCALED TIMBRE SPACES; HUMAN SYNTHESIZER INTERACTION; MULTIDIMENSIONAL DATAGLOVE; MULTIMEDIA SYSTEMS;

HUMAN COMPUTER INTERACTION;

EID: 0030102016     PISSN: 09535438     EISSN: None     Source Type: Journal    
DOI: 10.1016/0953-5438(95)01015-7     Document Type: Article

References (30)

1. Bauer, W. and Foss, B. (1992) 'GAMS: an integrated media controller system' Computer Music J. 16, 1, 19-24
2. Buxton, W. (1986) 'There's more to interaction than meets the eye: some issues in manual input' (1986) in Norman, D.A. and Draper, S.W. (eds) User Centered System Design: New Perspectives on HCI Lawrence Erlbaum, 319-337
3. Buxton, W., Patel, S., Reeves, W. and Baecker, R. (1982) 'Objed and the design of timbral resources' Computer Music J 6, 2
4. Cadoz, C, Luciani, A. and Florence, J. (1984) 'Responsive input devices and sound synthesis by simulation of instrumental mechanisms: the Cordis System' Computer Music J. 8, 3
5. Cadoz, C., Luciani, A. and Florens, J.L. (1993) 'CORDIS-ANIMA: a modeling and simulation system for sound and image synthesis - the general formalism' Computer Music J. 17, 1, 19-29
6. Chowning, J. (1993) 'The synthesis of complex audio spectra by means of frequency modulation' J. Audio Eng. Society 21, 7, 526-534
7. Eaglestone, B. and Verschoor, A. (1991) 'Dichtslaande deuren en mens-machine interfaces' Kennissystemen 5, 5, 17-21
8. Garner, W.R. (1974) The Processing of Information and Structure Lawrence Erlbaum
9. Gibet, S. and Florens, J.-L. (1988) 'Instrumental gesture modeling by identification with time-varying mechanical models' in Proc. 1988 ICMC (Cologne, Germany) International Computer Music Association, 28-40
10. Gibet, S. and Marteau, P.-F. (1990) 'Gestural control of sound synthesis' in Proc. 1990 ICMC (Glasgow, UK) International Computer Music Association, 387-391
11. Goble, C. (1993) 'Multimedia databases' Report CSTR-93-04 University of Southampton, UK
12. Grey, J.M. (1975) 'An exploration of musical timbre' Ph.D. Dissertation Dept. of Psychology, Stanford University, USA
13. Hornbostel, E.M. von and Sachs, C. (1914) 'Systematik der musikinstrumente: ein versuch' Zeitschrift fuer Ethnologie H. 4-5
14. Jacob, R.J.K. and Sibert, L.E. (1992) 'The perceptual structure of multidimensional input device selection' in Proc. ACM CHI'92 Conf. ACM Press, 211-218
15. Jacob, R.J.K., Sibert, L.E., McFarlane, D.C. and M.P. Mullen, J. (1994) 'Integrality and separability of input devices' ACM Trans. Computer-Human Interaction 1, 1
16. Jaslowitz, M., D'Silva, T. and Zwaneveld, E. (1990) Sound Genie - an automated digital sound effects library system' SMTE J. 386-391
17. Keele, S.W. (1973) Attention ana Human Performance Goodyear Publishing
18. Lee, M., Freed, A. and Wessel, D. (1991) 'Real-time neural network processing of gestural and acoustical signals' in Proc. 1991 ICMC (Montreal, Canada) International Computer Music Association, 277-280
19. Lee, M. and Wessel, D. (1992) 'Connectionist models for real-time control of synthesis and compositional algorithms', in Proc. 1992 ICMC (San Jose; USA) International Computer Music Association, 277-280
20. MacKenzie, I.S. and Ware, C. (1993) 'Lag as a determinant of human performance in interactive systems' in Proc. ACM INTERCHI'93 Conf. ACM Press, 488-493
21. Plomp, R. (1976) Aspects of Tone Sensation Academic Press
22. Rutkowski, C. (1982) 'An introduction to the human applications standard computer interface, part 1: theory and principles' BYTE 7, 11, 291-310
23. Shepard, R. (1974) 'Representations of structures in similar data: problems and prospects' Psychometrica 39, 373-421
24. Schneiderman, B. (1987) Designing the User-Interface: Strategies for Effective Human-Computer Interaction Addison-Wesley
25. Truax, B. (1977) Organizational techniques for c:m ratios in frequency modulation' Computer Music J. 1, 4, 39-45
26. Vertegaal, R. (1992) Music Technology Dissertation Utrecht School of the Arts, The Netherlands, 1992
27. Vertegaal, R. and Bonis, E. (1994) 'ISEE: an Intuitive Sound Editing Environment' Computer Music J. 18, 2, 21-29
28. Vertegaal, R. and Ungvary, T. (1995) 'The Sentograph: input devices and the communication of bodily expression' in Proc. 1995 ICMC (Banff, Canada) International Computer Music Association
29. Wessel, D. (1974) Report to C.M.E. University of California, San Diego
30. Wessel, D. (1985) 'Timbre space as a musical control structure' in Roads, C. and Strawn, J. (eds) Foundations of Computer Music MIT Press, 640-657.