What's mine is yours? Cultural borrowing in a pacific context

Contemporary Pacific

Volumn 8, Issue 1, 1996, Pages 128-153

  Moulin, Jane Freeman ^a  

^a NONE

Author keywords

Cook islands; Cultural appropriation; Cultural identity; Dance; French polynesia; Music; Tourism

Indexed keywords

EID: 0030092948     PISSN: 1043898X     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (22)

1. Cameron, Ann 1992, Importance of Being Human. Carnegie Magazine 61 (6, 1 Nov): 20-21.
2. L R [Charles Le Brun-Renaud?] 1887 Une excursion aux îles Marquises et aux Tuamotu. Société de Géographie Commerciale de Paris 10:38-49.
3. Hereniko, Vilsoni. See Tausie.
4. Jonassen, Jon 1991a Cook Islands Drums in a Polynesian Setting. Paper presented at Pacific Science Congress, Honolulu, 31 May. 1991b Cook Islands Drums. Rarotonga: Ministry of Cultural Development.
5. Jonassen, Jon 1991a Cook Islands Drums in a Polynesian Setting. Paper presented at Pacific Science Congress, Honolulu, 31 May. 1991b Cook Islands Drums. Rarotonga: Ministry of Cultural Development.
6. Kaeppler, Adrienne L 1976 Dance and the Interpretation of Pacific Traditional Literature. In Directions in Pacific Traditional Literature: Essays in Honor of Katharine Luomala, edited by Adrienne L Kaeppler and H Arlo Nimmo, 195-216. Honolulu: Bishop Museum Press. 1978 "Artificial Curiosities": Being an Exposition of Native Manufactures Collected on the Three Pacific Voyages of Captain James Cook, R.N. Special Publication 65. Honolulu: Bishop Museum Press. 1993 Hula Pahu: Hawaiian Drum Dances, volume 1: Ha'a and Hula Pahu: Sacred Movements. Bulletin in Anthropology 3. Honolulu: Bishop Museum Press.
7. Kaeppler, Adrienne L 1976 Dance and the Interpretation of Pacific Traditional Literature. In Directions in Pacific Traditional Literature: Essays in Honor of Katharine Luomala, edited by Adrienne L Kaeppler and H Arlo Nimmo, 195-216. Honolulu: Bishop Museum Press. 1978 "Artificial Curiosities": Being an Exposition of Native Manufactures Collected on the Three Pacific Voyages of Captain James Cook, R.N. Special Publication 65. Honolulu: Bishop Museum Press. 1993 Hula Pahu: Hawaiian Drum Dances, volume 1: Ha'a and Hula Pahu: Sacred Movements. Bulletin in Anthropology 3. Honolulu: Bishop Museum Press.
8. Kaeppler, Adrienne L 1976 Dance and the Interpretation of Pacific Traditional Literature. In Directions in Pacific Traditional Literature: Essays in Honor of Katharine Luomala, edited by Adrienne L Kaeppler and H Arlo Nimmo, 195-216. Honolulu: Bishop Museum Press. 1978 "Artificial Curiosities": Being an Exposition of Native Manufactures Collected on the Three Pacific Voyages of Captain James Cook, R.N. Special Publication 65. Honolulu: Bishop Museum Press. 1993 Hula Pahu: Hawaiian Drum Dances, volume 1: Ha'a and Hula Pahu: Sacred Movements. Bulletin in Anthropology 3. Honolulu: Bishop Museum Press.
9. Laird, Wayne 1982 Drums and Drumming in the Cook Islands. MM thesis, University of Auckland.
10. Lawrence, Helen Reeves 1992 Is the Tahitian Drum Dance Really Tahitian? Re-evaluating the Evidence for the Origins of Contemporary Polynesian Drum Dance. Yearbook for Traditional Music 24:126-135.
11. Moulin, Jane Freeman 1979 The Dance of Tahiti. Pape'ete: Christian Gleizal/Les Editions du Pacifique. 1991 He ko'ina: Music, Dance and Poetry in the Marquesas Islands. PhD dissertation, University of California at Santa Barbara. 1994a Chants of Power: Countering Hegemony in the Marquesas Islands. Yearbook for Traditional Music 26: 1-19. 1994b Music of the Southern Marquesas Islands. Occasional Papers in Pacific Ethnomusicology, 3. Auckland: Department of Anthropology, University of Auckland.
12. Moulin, Jane Freeman 1979 The Dance of Tahiti. Pape'ete: Christian Gleizal/Les Editions du Pacifique. 1991 He ko'ina: Music, Dance and Poetry in the Marquesas Islands. PhD dissertation, University of California at Santa Barbara. 1994a Chants of Power: Countering Hegemony in the Marquesas Islands. Yearbook for Traditional Music 26: 1-19. 1994b Music of the Southern Marquesas Islands. Occasional Papers in Pacific Ethnomusicology, 3. Auckland: Department of Anthropology, University of Auckland.
13. Moulin, Jane Freeman 1979 The Dance of Tahiti. Pape'ete: Christian Gleizal/Les Editions du Pacifique. 1991 He ko'ina: Music, Dance and Poetry in the Marquesas Islands. PhD dissertation, University of California at Santa Barbara. 1994a Chants of Power: Countering Hegemony in the Marquesas Islands. Yearbook for Traditional Music 26: 1-19. 1994b Music of the Southern Marquesas Islands. Occasional Papers in Pacific Ethnomusicology, 3. Auckland: Department of Anthropology, University of Auckland.
14. Moulin, Jane Freeman 1979 The Dance of Tahiti. Pape'ete: Christian Gleizal/Les Editions du Pacifique. 1991 He ko'ina: Music, Dance and Poetry in the Marquesas Islands. PhD dissertation, University of California at Santa Barbara. 1994a Chants of Power: Countering Hegemony in the Marquesas Islands. Yearbook for Traditional Music 26: 1-19. 1994b Music of the Southern Marquesas Islands. Occasional Papers in Pacific Ethnomusicology, 3. Auckland: Department of Anthropology, University of Auckland.
15. Moyle, Richard 1988 Traditional Samoan Music. Auckland: Auckland University Press.
16. Naisbitt, John 1994 Global Paradox: The Bigger the World Economy, the More Powerful Its Smallest Players. New York: W Morrow.
17. Ritchie, J R Brent 1991 Global Tourism Policy Issues: An Agenda for the 1990s. World Travel and Tourism Review no 1: 149-158.
18. Stover, Jeffrey 1994 A Brief Glimpse into the Life of Jon Michael Jonassen. Manuscript in the Ethnomusicology Archive at University of Hawai'i.
19. Tatar, Elizabeth 1987 Strains of Change: The Impact of Tourism on Hawaiian Music. Special Publication 78. Honolulu: Bishop Museum Press.
20. Tausie, Vilsoni [Hereniko] 1977 Dance as a Reflection of Rotuman Culture. In Rotuma: Split Island, edited by Chris Plant, 120-142. Suva: Institute of Pacific Studies, University of the South Pacific.
21. Thomas, Allan 1981 The Study of Acculturated Music in Oceania: "Cheap and Tawdry Borrowed Tunes"? In Future Directions in the Study of the Arts of Oceania, edited by Judith Huntsman, 183-191. Auckland: Polynesian Society. Reprinted from Journal of the Polynesian Society 50(2).
22. Thomas, Allan, and Ineleo Tuia 1990 Profile of a Composer: Ihaia Puka, a Pulotu of the Tokelau Islands. Oral Tradition 5(2-3): 267-282.