A computer model of blues music and its evaluation

Journal of the Acoustical Society of America

Volumn 100, Issue 2 I, 1996, Pages 1163-1167

  Hall, Mark A ^a   Smith, Lloyd ^a  

^a UNIVERSITY OF WAIKATO   (New Zealand)

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTICS; ALGORITHM; ARTICLE; AUTOMATION; COMPUTER MODEL; DATA BASE; HUMAN; HUMAN EXPERIMENT; MUSIC; NORMAL HUMAN; PRIORITY JOURNAL; RHYTHM; SOUND; SYNTHESIS;

EID: 0029841948     PISSN: 00014966     EISSN: None     Source Type: Journal    
DOI: 10.1121/1.416220     Document Type: Article

References (7)

1. D. Conklin and I. H. Witten, "Modelling music: Systems, structure and prediction," Interface 19(1), 53-66 (1990).
2. C. Ames, "The markov process as a compositional model: A survey and tutorial," Leonardo 22(2), 175-178 (1989).
3. P. N. Johnson-Laird, "Jazz improvisation: A theory at the compositional level," in Representing Musical Structure, edited by I. Cross, P. Howell, and R. West (Academic, New York, 1991), pp. 291-325.
4. A. A. Markov, "Extension of the limit theorems of probability theory to a sum of variables connected in a chain," from 1907; reprinted in Dynamic Probability Systems, edited by R. A. Howard (Wiley, New York, 1971), Vol. 1, pp. 552-576.
5. D. Conklin, "Prediction and entropy of music," M. S. thesis, University of Calgary (1990).
6. G. C. Cleary and I. H. Witten, "Foretelling the future by adaptive modelling," Abacus 3(3), 16-36 (1986).
7. W. Feller, An Introduction to Probability Theory and it's Applications (Wiley, New York, 1968), 3rd ed.