Sinusoidal modeling and manipulation using Lemur

Computer Music Journal

Volumn 20, Issue 4, 1996, Pages 44-59

  Fitz, Kelly ^a   Haken, Lippold ^a  

^a UNIVERSITY OF ILLINOIS AT URBANA CHAMPAIGN   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0012355466     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.2307/3680417     Document Type: Article

References (22)

1. Allen, J. B. 1977. "Short-Term Spectral Analysis, Synthesis, and Modification by Discrete Fourier Transform." IEEE Transactions on Acoustics, Speech, and Signal Processing 25:235-238.
2. Allen, J. B., and L. Rabiner. 1977. "A Unified Approach to Short-Time Fourier Analysis and Synthesis." Proceedings of the IEEE 65:1558-1564.
3. Apel, T. 1993. "Transformation of Audio Signals by Use of the McAulay Quatieri Sinusoidal Model of Sound." MA thesis and accompanying computer software, Department of Electro-Acoustic Music, Dartmouth College, Hanover, New Hampshire.
4. Berkley, S. W. 1995. "QuickMQ: A Software Tool for the Modification of Time-Varying Spectrum Analysis Files." In Proceedings of the 1995 International Computer Music Conference. Banff, Alberta: International Computer Music Association, pp. 311-314.
5. Crochiere, R. E. 1980. "A Weighted Overlap-Add Method of Short-Time Fourier Analysis/Synthesis." IEEE Transactions on Acoustics, Speech, and Signal Processing 28:99-102.
6. Dodge, C., and T. Jerse. 1985. Computer Music. New York: Schirmer Books.
7. Fitz, K., L. Haken, and B. Holloway. 1995. "Lemur - A Tool for Timbre Manipulation." In Proceedings of the 1995 International Computer Music Conference. Banff, Alberta: International Computer Music Association, pp. 158-161.
8. Fitz, K., W. Walker, and L. Haken. 1992. "Extending the McAulay-Quatieri Analysis for Synthesis with a Limited Number of Oscillators." In Proceedings of the 1992 International Computer Music Conference. San Jose, California: International Computer Music Association, pp. 381-382.
9. Haken, L. 1992. "Computational Methods for Real-Time Fourier Synthesis." IEEE Transactions on Acoustics, Speech, and Signal Processing 40(9):2327-2329.
10. Haken, L. 1995. "Real-Time Timbre Modifications Using Sinusoidal Parameter Streams." In Proceedings of the 1995 International Computer Music Conference. Banff, Alberta: International Computer Music Association, pp. 162-163.
11. Holzmann, G. 1988. Beyond Photography: The Digital Darkroom. Englewood Cliffs, New Jersey: Prentice Hall.
12. Horner, A., J. Beauchamp, and L. Haken. 1993a. "Machine Tongues XVI: Genetic Algorithms and Their Application to FM Matching Synthesis." Computer Music Journal 17(4):17-29.
13. Horner, A., J. Beauchamp, and L. Haken. 1993b. "Methods for Multiple Wavetable Synthesis of Musical Instrument Tones." Journal of the Audio Engineering Society 41(5):336-356.
14. Kaiser, J. F. 1974. "Nonrecursive Digital Filter Design Using the I0-sinh Window Function." IEEE International Symposium on Circuits and Systems, pp. 20-23. New York: IEEEE.
15. Langmead, C. J. 1995. "Sound Analysis, Comparison, and Modification Based on a Perceptual Model of Timbre." In Proceedings of the 1995 International Computer Music Conference. Banff, Alberta: International Computer Music Association, pp. 475-478.
16. Maher, R. C. 1989. "An Approach for the Separation of Voices in Composite Musical Signals." PhD dissertation, Dept. of Computer Science, University of Illinois at Urbana-Champaign, Urbana, Illinois.
17. McAulay, R. J. and T. Quatieri. 1985. "Speech Analysis/ Synthesis Based on a Sinusoidal Representation." Technical Report 693, Lincoln Laboratory, Massachusetts Institute of Technology, Lexington, Massachusetts.
18. McAulay. R. J. and T. Quatieri. 1986. "Speech Analysis/ Synthesis Based on a Sinusoidal Representation." IEEE Transactions on Acoustics, Speech, and Signal Processing 34:744-754.
19. Openheim, A. V., and R. Schafer. 1989. Discrete-Time Signai Processing. Englewood Cliffs, New Jersey: Prentice-Hall.
20. Portnoff, M. R. 1980. "Time-Frequency Representation of Digital Signals and Systems Based on Short-Time Fourier Analysis." IEEE Transactions on Acoustics, Speech, and Signal Processing 8:55-69.
21. Serra, X. 1989. "A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition." PhD dissertation, Dept. of Music, Stanford University, Stanford, California.
22. Tellman, E., L. Haken, and B. Holloway. 1995. "Morphing Between Timbres with Unequal Numbers of Features." Journal of the Audio Engineering Society 43:678-689.