Gender, ethnicity and cultural crisis in falling down and groundhog day

Screen

Volumn 36, Issue 3, 1995, Pages 214-232

  Davies, Jude ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0011670395     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: 10.1093/screen/36.3.214     Document Type: Article

References (11)

1. Joel Schumacher, Mark Salisbury, 'He's an 'ordinary man at war with the everyday world'.Empire (July 1993). pp. 76-78.
2. Joel Schumacher. He's an 'ordinary man at war with the everyday world p. 78.
3. Susan Jeffords. Jim Collins, Hilary Radner, and Ava Preacher Collins leds). Film Theory Goes to the Movies (New York and London: Routledge, 1993), pp. 196-208.
4. Susan Jeffords. Jim Collins, Hilary Radner, and Ava Preacher. Film Theory Goes to the Movies. p. 78.
5. Tania Modleski, Feminism Without Women: Culture and Criticism in a 'Post-Feminist' Age (New York: Routledge, 1991)
6. Carol. Clover "White noise'. Sight and Sound (May 1993), pp. 9.
7. John Arden, Author s Introduction, Serjeant Musgrave's Dance (London: Methuen. 1982), p. 7.
8. Wonderful Life (Frank Capra, 1946), which is quoted frequently in the closing scene of Groundhog Day.
9. Steve Neale, Steve Neale, The big romance or something wild?: romantic comedy today', Screen, vol. 33. no. 3 (1992). pp. 284-99.
10. Schumacher in Empire (July 1993); voiceover of the trailer shown in Britain; caption of Falling Down advertisement poster.
11. Lawrence Kasdan's Grand Canyon (1991).