Preparation for Improvised Performance in Collaboration with a Khyal Singer

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1998, Pages

  Wessel, David ^a   Wright, Matthew ^a   Khan, Shafqat Ali ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

MUSIC;

MUSICAL GENRE; PERFORMANCE; REAL- TIME; SOUND-SYNTHESIS;

COMPUTER MUSIC;

EID: 0010892563     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (8)

1. Castellano, M. A., J. J. Bharucha, et al. (1984). 'Tonal hierarchies in the music of North India." Journal of Experimental Psychology 113: 394-412.
2. Iyer, V., J. Bilmes, et al. (1997). A Novel Representation for Rhythmic Structure. Proceedings of the 23rd International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association.
3. Jairazbhoy, N. A. (1995). The Rags of North Indian Music: Their Structure and Evolution. Bombay, Popular Prakashan.
4. Krumhansl, C. L. (1990). Cognitive Foundations of Musical Pitch. Oxford, Oxford University Press.
5. Wade, B. C. (1985). Khyal: Creativity Within North India's Classical Music Tradition. Cambridge, Cambridge University Press.
6. Wright, M. and A. Freed (1997). Open Sound Control: A New Protocol for Communicating with Sound Synthesizers. 23rd International Computer Music Conference, Thessaloniki, Greece, International Computer Music Association.
7. Wright, M., D. Wessel, et al. (1997). New Musical Control Structures from Standard Gestural Controllers. International Computer Music Conference. Thessaloniki, Greece, ICMA.
8. Wright, M., and D. Wessel..An Improvisation Environment for Generating Rhythmic Structures Based on North Indian "Tal" Patterns. ICMC 1998. Ann Arbor, Michigan.