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Volumn 25, Issue 2, 1999, Pages 267-285

Reprisals of modernity in black South African 'mission' writing

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EID: 0005832689     PISSN: 03057070     EISSN: None     Source Type: Journal    
DOI: 10.1080/030570799108696     Document Type: Article
Times cited : (18)

References (90)
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    • Following Hayden White's description of the genres of historical writing, Leon de Kock uses this phrase to describe the eschatology of the Stewart regime at Lovedale in the mid-Victorian period. L. De Kock, Civilising Barbarians: Missionary Narrative and African Textual Response in Nineteenth Century South Africa (Johannesburg and Alice, University of the Witwatersrand and Lovedale Press, 1996), pp. 64-104.
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    • I refer here to Marks's analysis of Dube and A.W.G. Champion in The Ambiguities of Dependence in South Africa: Class, Nationalism and the State in Twentieth-century Natal (Johannesburg, Ravan Press, 1986) and La Hausse's work on 'second tier' Natal politicians, in P. La Hausse de Lalouvière, 'Ethnicity and History in the Careers of Two Zulu Nationalists: Petros Lamula (c. 1881-1948) and Lymon Maling (c. 1889-1936)', (PhD Dissertation University of the Witwatersrand, 1992).
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    • Widening Horizons of African Literature: 1870-1900
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    • note
    • Isabel Hofmeyr points out to me that some of the missionary influence would have been quite ardently counter-modern. The libertarian undercurrent of Soga's lyric suggests that this was possible even amongst the Lovedale Calvinists. A test case for the Catholic influence would be B.W. Vilakazi, a product of Marianhill. Vilakazi (together with H.I.E. Dhlomo) will be the subject of another essay.
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    • Although the term is used by historians to refer specifically to the products of Natal missions (who provided the nucleus for the emergence of Zulu nationalism) the essential features of what La Hausse calls the 'kholwa world view' of the nineteenth century seem relevant to mission products elsewhere in South Africa in the period. These features are a 'rhetorical attachment to the belief in "progress" and "improvement"', 'the belief in the practical efficacy of Christianity', 'the importance of unencumbered access to freehold land ownership and its commercial exploitation', and 'the right to legal and political equality in common with other colonial subjects of Queen Victoria'. Sec P. La Hausse de Lalouvière, 'Ethnicity and History', pp. 6-7. Within this typical outlook there were, of course, personal, regional and generational differences, and by the 1940s H.I.E. Dhlomo could deliver a stringent attack on the generation preceding him. Sec L. White and T. Couzens, 'Introduction ', Literature and Society, pp. 20-21.
    • Ethnicity and History , pp. 6-7
    • La Hausse De Lalouvière, P.1
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    • Introduction
    • Although the term is used by historians to refer specifically to the products of Natal missions (who provided the nucleus for the emergence of Zulu nationalism) the essential features of what La Hausse calls the 'kholwa world view' of the nineteenth century seem relevant to mission products elsewhere in South Africa in the period. These features are a 'rhetorical attachment to the belief in "progress" and "improvement"', 'the belief in the practical efficacy of Christianity', 'the importance of unencumbered access to freehold land ownership and its commercial exploitation', and 'the right to legal and political equality in common with other colonial subjects of Queen Victoria'. Sec P. La Hausse de Lalouvière, 'Ethnicity and History', pp. 6-7. Within this typical outlook there were, of course, personal, regional and generational differences, and by the 1940s H.I.E. Dhlomo could deliver a stringent attack on the generation preceding him. Sec L. White and T. Couzens, 'Introduction ', Literature and Society, pp. 20-21.
    • Literature and Society , pp. 20-21
    • White, L.1    Couzens, T.2
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    • Berkeley, University of California Press
    • A.C. Jordan, Towards an African Literature: the Emergence of Literary Form in Xhosa (Berkeley, University of California Press, 1973); A. Gérard, Four African Literatures: Xhosa, Sotho, Zulu, Amharic (Berkeley, University of California Press, 1971); T. Couzens, The New African: a Study of the Life and Work of H.I.E. Dhlomo (Johannesburg, Ravan Press, 1985); and B. Willan, Sol Plaatje: A Biography (Johannesburg, Ravan Press, 1984).
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    • Gérard, A.1
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    • A.C. Jordan, Towards an African Literature: the Emergence of Literary Form in Xhosa (Berkeley, University of California Press, 1973); A. Gérard, Four African Literatures: Xhosa, Sotho, Zulu, Amharic (Berkeley, University of California Press, 1971); T. Couzens, The New African: a Study of the Life and Work of H.I.E. Dhlomo (Johannesburg, Ravan Press, 1985); and B. Willan, Sol Plaatje: A Biography (Johannesburg, Ravan Press, 1984).
    • (1985) The New African: A Study of the Life and Work of H.I.E. Dhlomo
    • Couzens, T.1
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    • A.C. Jordan, Towards an African Literature: the Emergence of Literary Form in Xhosa (Berkeley, University of California Press, 1973); A. Gérard, Four African Literatures: Xhosa, Sotho, Zulu, Amharic (Berkeley, University of California Press, 1971); T. Couzens, The New African: a Study of the Life and Work of H.I.E. Dhlomo (Johannesburg, Ravan Press, 1985); and B. Willan, Sol Plaatje: A Biography (Johannesburg, Ravan Press, 1984).
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    • W. Davies, 'New Writing in Africa', West Africa, 3508 (12 November, 1984), 2267. The ideological scheme is evident in different forms in U. Barnett, A Vision of Order: a Study of Black South African Literature in English (1914-1980) (Cape Town, Maskew Miller Longman, 1983); P. Shava, A People's Voice: Black South African Writing in the Twentieth Century (London, Zed Books, 1989); and J. Watts, Black Writers from South Africa: Towards a Discourse of Liberation (New York, St. Martin's Press, 1989).
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    • W. Davies, 'New Writing in Africa', West Africa, 3508 (12 November, 1984), 2267. The ideological scheme is evident in different forms in U. Barnett, A Vision of Order: a Study of Black South African Literature in English (1914-1980) (Cape Town, Maskew Miller Longman, 1983); P. Shava, A People's Voice: Black South African Writing in the Twentieth Century (London, Zed Books, 1989); and J. Watts, Black Writers from South Africa: Towards a Discourse of Liberation (New York, St. Martin's Press, 1989).
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    • W. Davies, 'New Writing in Africa', West Africa, 3508 (12 November, 1984), 2267. The ideological scheme is evident in different forms in U. Barnett, A Vision of Order: a Study of Black South African Literature in English (1914-1980) (Cape Town, Maskew Miller Longman, 1983); P. Shava, A People's Voice: Black South African Writing in the Twentieth Century (London, Zed Books, 1989); and J. Watts, Black Writers from South Africa: Towards a Discourse of Liberation (New York, St. Martin's Press, 1989).
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    • 18 May
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    • Ilanga Lase Natal, 18 May 1906. Tim Couzens attributes this poem to Robert Grendon, in 'Robert Grendon: Irish Traders, Cricket Scores and Paul Kruger's Dreams', English in Africa, 15, 2 (October 1988), pp. 78-80.
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    • The Genius of Ntsikana: Traditional Images and the Process of Change in Early Xhosa Literature
    • White and Couzens
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    • Ibid., p. 31.
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    • UThuthula
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    • J.J.R. Jolobe, 'UThuthula', in Umyezo, Bantu Treasury Series, No. 2, 1936 (Johannesburg, University of the Witwatersrand Press, 1974), p. 85; Thuthula', in Poems of an African, Trans. by the author (Alice, Lovedale Press, 1946), p. 9.
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    • J. Peires, The House of Phalo: a History of the Xhosa People in the Days of Their Independence (Johannesburg, Ravan Press, 1981), p. 59; D. Moodie (ed), The Record: a Series of Official Papers Relative to the Condition and Treatment of the Native Tribes of South Africa, 1838 (Cape Town and Amsterdam, Balkema, 1959), vol. 1., pp. 15-16.
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    • note
    • These paradigms do not rise and fall in series - clearly, they co-exist over long periods of time.
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    • Mofolo's Chaka and the Bambatha Rebellion
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    • Attwell, D.1
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    • E. Mphahlele, The African Image (London, Faber and Faber, 1962), p. 210.
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    • Introduction
    • T. Mofolo, Trans. D.P. Kunene London, Heinemann
    • D.P. Kunene, 'Introduction', T. Mofolo, Chaka, 1925, Trans. D.P. Kunene (London, Heinemann, 1981), pp. xv. Isobel Hofmeyr suggests to me that the generic jostling in this passage is clearer in the original, where 'histori' (a school-derived notion of history) comes up against 'tshomo' (tale) and 'nnete' (truth, what happened).
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    • Ibid., p. 8.
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    • Ibid., p. 23.
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    • London, New Mermaids
    • C. Marlowe, Dr Faustus (London, New Mermaids, 1965).
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    • Sol Plaatje, the Eighteenth Century, and South African Cultural Memory
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    • A.E. Voss, 'Sol Plaatje, the Eighteenth Century, and South African Cultural Memory', English in Africa, 21, 1&2 (July 1994), pp. 68-72; S. Plaatje, Native Life in South Africa, 1916 (Athens, Ohio University Press, 1991).
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    • Plaatje, S.1
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    • Johannesburg, Donker
    • S. Plaatje, Mhudi, 1930 (Johannesburg, Donker, 1989), p. 88.
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    • Plaatje, S.1
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    • Ibid., p. 89.
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    • Intimate Enmity in the Journal of Tiyo Soga
    • Spring
    • D. Attwell, 'Intimate Enmity in the Journal of Tiyo Soga', Critical Inquiry, 23, 3 (Spring 1997), p. 562.
    • (1997) Critical Inquiry , vol.23 , Issue.3 , pp. 562
    • Attwell, D.1
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    • note
    • Isobel Hofmeyr alerts me to the fact that Chaka, Ntsikana and Jeqe all begin with descriptions of territory (interwoven with ethnography), suggesting that the emplotments of time discussed in this essay have their spatial counterparts as well, written perhaps under the influence of the imperial geography syllabus.


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