Voice: The practitioners, their practices, and their critics

New Theatre Quarterly

Volumn 13, Issue 3, 1997, Pages 248-254

  Boston, Jane ^a  

^a Institute of Psychiatry

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0004919057     PISSN: 0266464X     EISSN: None     Source Type: Journal    
DOI: 10.1017/s0266464x00011258     Document Type: Article

References (26)

1. Sarah Werner, 'Performing Shakespeare: Voice Training and the Feminist Actor', New Theatre Quarterly, XII, No. 47 (August 1996), p. 249-58.
2. Steve Connor, 'Female Tones and Timbres', Women: a Cultural Review, VII, No. 3 (Winter 1996), p. 310.
3. Susan Melrose, A Semiotics of the Dramatic Text (London: Macmillan, 1994), p. 210.
4. Kristin Linklater, Freeing the Natural Voice (New York: Drama Book Publishers, 1976), p. 4.
5. Cicely Berry, Patsy Rodenburg, Kristin Linklater, 'Shakespeare, Feminism and Voice: Responses to Sarah Werner', New Theatre Quarterly, XIII, No. 49 (February 1997), p. 48-52.
6. Cicely Berry, New Theatre Quarterly, ibid., p. 48.
7. See Theodore Roszak, The Making of a Counter Culture (New York: Doubleday, 1968), p. xii.
8. Peter Brook, Preface to Voice and the Actor, (London: Harrap, 1973), p. 3.
9. Roszak, Preface to Voice and the Actor, op. cit., p. xiii.
10. Rodenburg, New Theatre Quarterly, op. cit., p. 50.
11. Werner, New Theatre Quarterly, op. cit., p. 250.
12. Melrose, New Theatre Quarterly, op. cit., p. 10.
13. Lynda Hart and Peggy Phelan, eds., Acting Out: Feminist Performances (Ann Arbor: University of Michigan Press, 1993)
14. especially Phelan, 'Reciting the Citation of Others; or A Second Introduction', p. 15.
15. Melrose, Reciting the Citation of Others; or A Second Introduction, op. cit., p. 205
16. Deborah Lynn Steinberg, 'Cultural Regimes of the Body: an Introduction', in Women: a Cultural Review, VII, No. 3 (Winter 1996), p. 226.
17. Kristin Linklater, Freeing Shakespeare's Voice (New York: Theatre Communications Group, 1992), p. 6.
18. Werner, Freeing Shakespeare's Voice, op. cit., p. 250.
19. Linklater, New Theatre Quarterly, op. cit., p. 52.
20. Sonia Moore, Stanislavski Revealed (New York: Applause Books, 1991), p. 14.
21. Werner, Stanislavski Revealed, op. cit., p. 252.
22. Lorraine Helms, 'Acts of Resistance: the Feminist Player', in Dympna Callaghan, Lorraine Helms, and Dyotsna Singh, The Weyward Sisters: Shakespeare and Feminist Politics (Oxford: Blackwell, 1994).
23. Melrose, The Weyward Sisters: Shakespeare and Feminist Politics, op. cit., p. 205.
24. Werner, The Weyward Sisters: Shakespeare and Feminist Politics, op. cit., p. 257.
25. Douglas Rushkoff, The Guardian, 10 April 1997.
26. Mark Espiner, The Guardian, 'Online' section, 10 April 1997.